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Science, Form, and the Problem of Induction in British Romanticism: 120 (Cambridge Studies in Romanticism, Series Number 120) - Hardcover

 
9781108418942: Science, Form, and the Problem of Induction in British Romanticism: 120 (Cambridge Studies in Romanticism, Series Number 120)

Inhaltsangabe

Exploring a topic at the intersection of science, philosophy and literature, this book traces the history of induction - manipulating textual evidence by selective quotation - as a writerly practice, and accounts for mixtures of poetry and prose in the work of major Romantic-period writers.

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Reseña del editor

Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation - from its roots in Francis Bacon's experimental philosophy to its pervasiveness across Enlightenment moral philosophy, aesthetics, literary criticism, and literature itself. Porter brings this history to bear on an omnipresent feature of Romantic-era literature, its mixtures of verse and prose. Combining analyses of printed books and manuscripts with recent scholarship in the history of science, she elucidates the compositional practices and formal dilemmas of Erasmus Darwin, Robert Southey, Charlotte Smith, Maria Edgeworth, and Samuel Taylor Coleridge. In doing so she re-examines the relationship between Romantic literature and eighteenth-century empiricist science, philosophy, and forms of art and explores how Romantic writers engaged with the ideas of Enlightenment empiricism in their work.

Biografía del autor

Dahlia Porter is Lecturer in English Literature and Material Culture at the University of Glasgow. Her articles on literature, science, medicine, and visual art appear in Representations, Romanticism, and The Eighteenth-Century: Theory and Interpretation and in essay collections on Samuel Johnson, Charlotte Smith, and The Afterlives of Eighteenth-Century Fiction. She co-edited Wordsworth and Coleridge's Lyrical Ballads, 1798 and 1800 (2008) with Michael Gamer, and is a member of the Multigraph Collective, a group of 22 scholars who co-wrote Interacting with Print: Elements of Reading in the Era of Print Saturation (2018).

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  • VerlagCambridge University Press
  • Erscheinungsdatum2018
  • ISBN 10 1108418945
  • ISBN 13 9781108418942
  • EinbandTapa dura
  • Anzahl der Seiten314

Weitere beliebte Ausgaben desselben Titels

9781108408561: Science, Form, and the Problem of Induction in British Romanticism: 120 (Cambridge Studies in Romanticism, Series Number 120)

Vorgestellte Ausgabe

ISBN 10:  1108408567 ISBN 13:  9781108408561
Verlag: Cambridge University Press, 2020
Softcover

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Dahlia Porter
ISBN 10: 1108418945 ISBN 13: 9781108418942
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