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Lisa Pon examines the cultural biography of the city of Forlì's miraculous woodcut, the Madonna of the Fire.
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Über die Autorin bzw. den Autor
Lisa Pon is an associate professor in the Department of Art History at Southern Methodist University's Meadows School of the Arts, where she teaches the history of early modern European art, architecture, and visual culture. She has received research grants or fellowships from the American Council of Learned Societies, the Folger Shakespeare Library, the Gladys Krieble Delmas Foundation, the American Philosophical Society, the Center for the Advanced Study in the Visual Arts, the Getty Research Institute, and the Warburg Institute. She has published numerous articles in international academic journals and is author of Raphael, Dürer, and Marcantonio Raimondi (2004) and coeditor of The Books of Venice/Il Libro Veneziano (2008, with Craig Kallendorf).
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A Printed Icon in Early Modern Italy: Forlì's Madonna of the Fire
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
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A Printed Icon in Early Modern Italy: Forlì s Madonna of the Fire
Anbieter: Kennys Bookstore, Olney, MD, USA
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Zustand: New. Lisa Pon examines the cultural biography of the city of Forli's miraculous woodcut, the Madonna of the Fire. Num Pages: 301 pages, 99 b/w illus. 4 colour illus. 1 map. BIC Classification: ACND; AFKC; AGR. Category: (U) Tertiary Education (US: College). Dimension: 264 x 186 x 24. Weight in Grams: 852. . 2015. Hardcover. . . . . Books ship from the US and Ireland. Artikel-Nr. V9781107098510
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A Printed Icon in Early Modern Italy
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
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Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - In 1428, a devastating fire destroyed a schoolhouse in the northern Italian city of Forlì, leaving only a woodcut of the Madonna and Child that had been tacked to the classroom wall. The people of Forlì carried that print - now known as the Madonna of the Fire - into their cathedral, where two centuries later a new chapel was built to enshrine it. In this book, Lisa Pon considers a cascade of moments in the Madonna of the Fire's cultural biography: when ink was impressed onto paper at a now-unknown date; when that sheet was recognized by Forlì's people as miraculous; when it was enshrined in various tabernacles and chapels in the cathedral; when it or one of its copies was - and still is - carried in procession. In doing so, Pon offers an experiment in art historical inquiry that spans more than three centuries of making, remaking, and renewal. Artikel-Nr. 9781107098510
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