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Why Should the Devil Have All the Good Music?: Larry Norman and the Perils of Christian Rock - Hardcover

Thornbury, Gregory

 
9781101907078: Why Should the Devil Have All the Good Music?: Larry Norman and the Perils of Christian Rock
Hardcover
ISBN 10: 110190707X ISBN 13: 9781101907078
Verlag: Convergent Books, 2018

Inhaltsangabe

The riveting, untold story of the “Father of Christian Rock” and the conflicts that launched a billion-dollar industry at the dawn of America’s culture wars.
 
In 1969, in Capitol Records' Hollywood studio, a blonde-haired troubadour named Larry Norman laid track for an album that would launch a new genre of music and one of the strangest, most interesting careers in modern rock. Having spent the bulk of the 1960s playing on bills with acts like the Who, Janis Joplin, and the Doors, Norman decided that he wanted to sing about the most countercultural subject of all: Jesus.
 
Billboard called Norman “the most important songwriter since Paul Simon,” and his music would go on to inspire members of bands as diverse as U2, The Pixies, Guns ‘N Roses, and more. To a young generation of Christians who wanted a way to be different in the American cultural scene, Larry was a godsend—spinning songs about one’s eternal soul as deftly as he did ones critiquing consumerism, middle-class values, and the Vietnam War. To the religious establishment, however, he was a thorn in the side; and to secular music fans, he was an enigma, constantly offering up Jesus to problems they didn’t think were problems. Paul McCartney himself once told Larry, “You could be famous if you’d just drop the God stuff,” a statement that would foreshadow Norman’s ultimate demise. 
 
In Why Should the Devil Have all the Good Music?, Gregory Alan Thornbury draws on unparalleled access to Norman’s personal papers and archives to narrate the conflicts that defined the singer’s life, as he crisscrossed the developing fault lines between Evangelicals and mainstream American culture—friction that continues to this day.  What emerges is a twisting, engrossing story about ambition, art, friendship, betrayal, and the turns one’s life can take when you believe God is on your side.

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Über die Autorin bzw. den Autor

Gregory Alan Thornbury has been a college professor, dean, and president of The King’s College in New York City. A popular writer and speaker on philosophy, religion, and contemporary culture, he currently serves at the New York Academy of Art.

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1

Jesus Versus Superman

Larry’s grandmother gave him a toy piano when he was two years old. He remembers noticing sounds and trying to reproduce them: “the wood crackling in the stove, the boiling of water, the dripping of the faucet. [I] was absorbed in the music that noise made.”1

Kids at school teased Larry for singing for his classmates on the playground instead of playing sports. A sensitive youngster, he felt alien, and had a hard time seeing himself as a peer in the midst of other children. One day, in order to bolster his courage against a neighborhood bully nicknamed “Caesar,” he took his mother’s sewing machine and made for himself a Superman costume that he could secretly wear underneath his school clothes. According to Margaret, his mother, “He bought a piece of [blue] fabric, lay down on it, and traced his body onto the pattern.”2 He was ten years old at the time, grasping for strength in his favorite television hero.

But heroes have a way of disappointing their followers’ hopes. On June 16, 1959, a then twelve-year-old Larry woke up at his home just a block from Haight-Ashbury Street in San Francisco, ran down the stairs, greeted Mom, Dad, and little sisters, and downed his bowl of cereal. His usual morning routine included going out to deliver newspapers with his grandfather to the convalescing patients at Southern Pacific Hospital, but this particular day proved different. He picked up the morning edition—incredibly, a moment captured by the family’s 8mm camera—and looked down at the headline: superman kills self.3

The article had to do with the mysterious death of George Reeves, who famously played “The Man of Steel” on the 1950s television series. But to a child, all of this seemed quite literal, begging the question: how can Superman die? Larry grew up ten inches from the family television set, and Superman was his favorite show—it was an invitation to believe in “truth, justice, and the American way.” Margaret Norman recalled her son being devastated by the news: “He had to deliver every single paper that day” with Superman’s reported suicide as the headline. But by the afternoon, Larry had rallied. He came down to the kitchen to announce to his parents and grandparents the good news. “I’m not Superman,” he reassured them. “I’m Batman.”

For the rest of his life, Larry Norman would, in fact, play the role of the vigilante pursuing his own notions of justice. In later interviews he would ascribe his productivity to a desire for balance. He wanted to force those who enjoyed a monopoly—be it on an idea, image, or place of grace—to share the space with others, especially if those “others” weren’t exactly their kind of people.

In the meantime, he had to survive a misfit childhood. Another of Larry’s lifelong obsessions began at the age of five, when, in his later recollection, he “accepted Jesus without benefit of clergy.” For a boy who often felt alone both at school and at home, often lost in his thoughts and feelings, Jesus was a solution to loneliness. “My father worked all night at the [Southern Pacific] railroad,” he remembered, “and during the day studied at a small college nearby hoping to pull us out of poverty. My mother stayed home with my two sisters and myself hoping to fill in the hole left by the absence of my father. . . . [So] I liked Jesus immediately.”4 Larry felt the Son of God was the friend he never had, and consequently, “I didn’t feel so alone after that, and I loved him.”

As for the clergy in his life, they just got in the way, or couldn’t appreciate the depth of his enthusiasm. He remembers being spanked for dancing in the aisles in his “hellfire and brimstone” Southern Baptist congregation—First Baptist in Corpus Christi, Texas. Was church the sort of place where Jesus would want to spend time? It did not seem that way to Larry, looking at the stern faces that populated his parents’ church. “I felt that church was boring and the street-corner preachers were no more happy than the people they were preaching to.”5

School was no haven either. Larry experienced intense boredom and loneliness in the classroom. He would take “alternative routes to school . . . ​a mile away,” to avoid getting teased or hit. “They would stomp on my sandwiches, break my thermos, and knock my books into the gutter.”6 He was also cheeky, once telling an elementary school teacher that if he ever needed arithmetic to complete his income taxes, he would hire an accountant. The teacher sent him to the principal’s office for the rest of the afternoon.7

So unhappy was he with school, Larry faked illness to stay home to listen to the radio: Red Ryder, The Great Gildersleeve, Mystery Theatre, The Romance of Helen Trent, and others. He used whatever free time he had in the library and participating in whatever musical or theatrical productions would have him. In third grade, his teacher asked him to choose a story for the class play. He selected “The Tragic Story of Doctor Faustus.” When Satan arrived to claim Faustus’s soul, Larry fell backward, and his skull hit the riser—creating a terrible sound in the cavernous school gym. When another child rushed over to see if he was “okay,” Larry hissed at him because the boy had broken character during this momentous scene.

Larry possessed a taste for the theatrical—to put it mildly. He came by it honestly, through both sides of his family. His maternal grandfather, the rumbustious Burl Stout, came from Irish stock and plied his trade as a vaudeville performer. Burl turned to the stage after being honorably discharged from the US Army during World War I, due to asthma, after serving in the European theater. “As an actor,” remembered Larry, “he had ‘trod the boards’ all over America, performing on the same bills with the likes of Buster Keaton, Smith and Dale, and Bert Lahr.”8 But once Hollywood movies became the main form of popular entertainment in America, vaudeville effectively died. Grandpa Burl and his wife, Lena, took up an itinerant life, moving from Missouri via covered wagon to the cold prairie of Minnesota, before finally settling in Nebraska, where Larry’s mother, Margaret, was born in 1925. When President Franklin D. Roosevelt formed Subsistence Homesteading under the provisions of the New Deal in 1933, the Stouts made their way to Baxter County, Arkansas, where they settled—first in a tent, next in a shed, until they built a log cabin of their own.9

Larry’s paternal side of the family was Native American (Choctaw and Pawnee). Their origin story was just as colorful as the Stouts’: as a baby, Larry’s great-great-grandfather was abandoned in a shoebox on a doorstep somewhere in Oklahoma, where a family named Norman took him in and raised him. The next male in the Norman line would grow up to be a circuit-riding evangelist, and the evangelist’s son—Larry’s grandfather Joseph—would settle in Corpus Christi, Texas, near the Gulf of Mexico, where he became the town barber, married a hearty, stout woman named Rubie Hendrex, and took to music. Soon, guitar and harmonica lessons would become part of growing up Norman.

Rubie gave birth to “Joe Billy,” a rough-and-tumble boy. “As red and brown as Joseph Porter Norman was, Joe Billy contrasted it by being white-skinned and a ‘towhead’ with a shock of white hair,” Larry wrote, describing his father. He “was a wild, territorial...

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Verlag
Convergent Books
Erscheinungsdatum
2018
Sprache
Englisch
ISBN 10 
110190707X
ISBN 13 
9781101907078
Einband
Gebundene Ausgabe
Auflage
1
Anzahl der Seiten
304
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