Color and Empathy: Essays on Two Aspects of Film (Film Culture in Transition) - Softcover
Buch 38 von 110: Film Culture in Transition
Inhaltsangabe
The collection of essays brings together texts from two decades, documenting two of the author's ongoing areas of interest: the poetics of colour in film as well as affective viewer responses. Employing a bottom-up approach as a basis for theoretical exploration, each of the essays concentrates on a particular film or a number of related films to come to terms with a set of issues. These include the differences between black-and-white and color works, the emergence of bold chromatic schemes in the 1950s, experimental aesthetics of color negative stock, idiosyncratic uses of colour, idiosyncratic uses of motor mimicry, genre-specific reactions to the documentary, and empathetic reactions to animals and to architecture in film. A close reading of the colour aesthetics in film, tracing the historical development of film styles in relation to colour.
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Über die Autorin bzw. den Autor
Christine N. Brinckmannis professor emerita of the Department of Cinema Studies at the University of Zürich. She has published widely on the poetics of film, on documentary and experimental work, on narrative, and on viewer response.
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Color and Empathy: Essays on Two Aspects of Film
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Zustand: New. Christine N. Brinckmannis professor emerita of the Department of Cinema Studies at the University of Zuerich. She has published widely on the poetics of film, on documentary and experimental work, on narrative, and on viewer response.The collection of es. Artikel-Nr. 2653561426
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Color and Empathy : Essays on Two Aspects of Film
Verlag:
Taylor & Francis Ltd Dez 2025, 2025
ISBN 10: 1041177240
ISBN 13: 9781041177241
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Taschenbuch. Zustand: Neu. Neuware - The collection of essays brings together texts from two decades, documenting two of the author's ongoing areas of interest: the poetics of colour in film as well as affective viewer responses. Employing a bottom-up approach as a basis for theoretical exploration, each of the essays concentrates on a particular film or a number of related films to come to terms with a set of issues. These include the differences between black-and-white and color works, the emergence of bold chromatic schemes in the 1950s, experimental aesthetics of color negative stock, idiosyncratic uses of colour, idiosyncratic uses of motor mimicry, genre-specific reactions to the documentary, and empathetic reactions to animals and to architecture in film. A close reading of the colour aesthetics in film, tracing the historical development of film styles in relation to colour. Artikel-Nr. 9781041177241
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