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Audio Production and Critical Listening: Technical Ear Training (Audio Engineering Society Presents) - Softcover

Corey, Jason

 
9781032609331: Audio Production and Critical Listening: Technical Ear Training (Audio Engineering Society Presents)
Softcover
ISBN 10: 1032609338 ISBN 13: 9781032609331
Verlag: Routledge, 2026

Inhaltsangabe

Audio Production and Critical Listening: Technical Ear Training develops your critical and expert listening skills, enabling you to listen to audio like an award-winning engineer.

Featuring an accessible writing style, this revised edition includes new content on spatial audio, creative uses of distortion and Dolby Atmos; updated sections on headphones, hearing conservation and analysis of recordings, and new everyday ear training exercises. The interactive web browser-based "ear training" software practice modules provide experience identifying various types of signal processes and manipulations. Working alongside the clear and detailed explanations in the book, this software completes the learning package that will help you train you ears to listen and really "hear" your recordings. This all-new edition has been updated to include: Access to integrated software that promotes listening skills development through audio examples found in actual recording and production work, listening exercises, and tests. Headphone recommendations and approaches for evaluating headphones objectively. Brand new everyday ear training exercises. More examples of analysis for contemporary recordings in a range of diverse genres.

This is an ideal textbook for undergraduate students on music production, audio engineering and sound design courses, as well as novice producers and engineers honing their critical listening skills.

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Über die Autorin bzw. den Autor

Jason Corey is associate dean and chair of the Department of Performing Arts Technology at the University of Michigan School of Music, Theatre & Dance, where he teaches courses in sound recording, technical ear training, and musical acoustics. As an active recording, mixing, and editing engineer, he works across a range of musical genres including jazz, classical and contemporary art music, and experimental electronic music. He is author of numerous publications on topics such as technical ear training, multichannel audio, and spatial audio perception. He has served as Governor of the Audio Engineering Society (AES) from 2013 to 2015 and is currently the AES Vice-President for the Central Region, USA/Canada.

David H. Benson is a software developer and audio researcher with a Ph.D in Sound
Recording from McGill University. His work has been supported by the Quebec
government’s Fund for Research on Society and Culture (FQRSC) and the Audio
Engineering Society Educational Foundation (AESEF). In 2011 he was named the AESEF’s John Eargle scholar, an honor recognizing excellence in both technology and music. As a pedagogue, he was granted the Schulich School of Music of McGill University’s first Outstanding Teaching
Assistant Award.

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Verlag
Routledge
Erscheinungsdatum
2026
Sprache
Englisch
ISBN 10 
1032609338
ISBN 13 
9781032609331
Einband
Taschenbuch
Auflage
3
Anzahl der Seiten
282
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