The Art of Inpainting: Mathematical Methods for the Virtual Restoration of Illuminated Manuscripts - Hardcover

Parisotto, Simone; Vitoria, Patricia; Ballester, Coloma; Bugeau, Aurlie; Reynolds, Suzanne

 
9781009585941: The Art of Inpainting: Mathematical Methods for the Virtual Restoration of Illuminated Manuscripts

Inhaltsangabe

Explains, reviews and compares different inpainting imaging restoration methods in the challenging scenario of damaged medieval manuscripts.

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Über die Autorinnen und Autoren

Simone Parisotto received his Ph.D. in Applied Mathematics in 2019, from the University of Cambridge. Following that, he served as Research Associate for the Fitzwilliam Museum in Cambridge. His research interests are in variational and numerical methods for inverse imaging problems, focusing on mathematical applications to heritage science.

Patricia Vitoria received a Ph.D. in Computer Vision in 2021 from the Pompeu Fabra University in Barcelona. Her research interests include data-driven strategies for image processing and computer vision. She has been working on a wide range of image restoration problems such as inpainting, colourisation and deblurring.

Coloma Ballester is a Professor of Applied Mathematics at Pompeu Fabra University in Barcelona. She works on theory and applications in image and video analysis, computer vision and applied mathematics. In the research field of image inpainting, she has made contributions in local methods, non-local approaches and deep learning strategies.

Aurélie Bugeau is a Professor in Computer Science at the University of Bordeaux and at LaBRI. In 2022, she was appointed Junior Member of the Institut Universitaire de France. Her research interests include methods for image processing and analysis.

Suzanne Reynolds, a Senior Curator at the Fitzwilliam Museum in Cambridge, has published widely on medieval and renaissance manuscripts and books. She directs the Fitzwilliam MINIARE project, Europa Nostra prize-winners for research (2023). Her most recent publication is the co-authored 'Pigments of Medieval British Illuminators: A Scientific and Cultural Study' (2023).

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