The Orchid House Art Smuggling and Appointments in India and Afghanistan [Idioma Inglés] - Softcover

During the 1960s, India came into its own as . . . the place to be. In Istanbul, Tehran, and Kabul, the fabulous freaks gathered for their final push to India. Once there, a whole new world awaited . . . Like the subject of Downton Abbey this book is also a journey into a life and British Empire that has vanished. It was a period of 564 Indian princes, of gigantic palaces, of British armies and native kingdoms, set in a landscape that has disappeared along with a vanished epoch, now inhabited by ghosts. In India, for ten dollars you could live perfectly well for a month. In India dope was even cheaper than food. In India in 1968, the Beatles were meditating in Rishikesh. In India, hundreds of thousands of young firangi had made the long journey from Europe across the deserts of the Middle East to reach the Himalaya. In India, 36,000 miles of the cheapest third-class trains in the world carried travelers anywhere they wanted over an entire subcontinent. In India, hotels cost four cents a night. In India, you dropped out. In India, you could get lost . . .For a brief fifteen-year period (1959-1973), Far Asia was open to foreigners. The difficult three-day crossing of the Afghan Dasht-i-Margo, "the Desert of Death," would become, for those who made it, a memory of one of greatest travel epochs of the twentieth century. Now, however, these overland journeys of the 1960s are as distant from today as the travels of Marco Polo in the thirteenth century. In the twenty-first century, Far Asia has changed completely, along with whole landscapes which have been subsumed by newly created mega cities.The Orchid House: Art Smuggling and Appointments in India and Afghanistan is a rare first-hand account by one of the first “world travelers” of a new generation to reach India at the very end of the British Raj. The book is also about finding art, collecting art, and smuggling art by a man who was amongst the first of a new generation of collectors of Indian art. In Bombay, thousand-year-old Indian art objects could be bought for a few dollars literally on the street pavements.Author’s statement:"In 1959 I was eighteen years old. I travelled to Afghanistan and India, because this was as far away from America as I could get and still be on the planet earth. From San Francisco it was a twenty-seven day ocean trip across the Pacific to Yokohama. In Japan you could take a thirty-four day fourth class deck passage on a dilapidated French ship to Hong Kong. Crossing the hot southern oceans you reached Saigon, Singapore, Colombo, and finally India. In 1959 buying Indian art was not a criminal activity, but taking art out of India was. In 1959 I became an art criminal. My crime was moving my art across international borders.. NOTA: El libro no está en español, sino en inglés.

Clark Worswick( 1940-) was born in Berkeley, California. After attending the progressive Verde Valley School in Arizona (1954-1958) he enrolled in Visva Bharati University, at Santinikitan in West Bengal (India). Thereafter, he traveled extensively between India and Europe taking photographs, and collecting Indian antiquities in the first wave of young westerners to pass though the Iranian, and Afghan deserts on their way to India. His book The Orchid House Art Smuggling and Appointments in India and Afghanistan recount these seldom described travels. Worswick has written eight books on west Asian subjects, and his books have been selected as "Best of the Year" by Time, Newsweek, The Sunday Times (London), The New York Times, and The Washington Post. His books on Indian, Chinese and Japanese 19th century photography were the first works to identify scores of non-European artists working in the medium.