“In this stack of love poems, we see the Romantic has a place again in the everyday ... this book is a spell, a love spell. And if you want a book to carry with you when no one seems to care, when no one seems to be your friend, well then, you’ve found it.” ―Dorothea Lasky
An extended love letter, Todd Colby's sixth poetry collection Splash State is filled with humor and charm. These poems are as concerned with aging, time, being and death as they are with eliminating “the need for anxious circumstances” with facts, instructions and advice. From extolling the uses of “Shark's Paw” and “Fink Leaf” to “how to look like everything is okay in photographs,” Colby's poems opt for the personal and generous, even when his tongue is firmly planted in cheek. If melancholy is just around the corner, these poems will walk with you in the opposite direction.
Todd Colby has previously authored five collections of poetry, including Tremble and Shine and Riot in the Charm Factory. New and Selected Poems was published by Soft Skull Press. His chapbook Flushing Meadows was published by Scary Topiary Press in 2013.
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Todd Colby is the author of five collections of poetry, including Tremble and Shine (Soft Skull Press, 2004), Riot in the Charm Factory: New and Selected Poems (Soft Skull Press, 2003), Flushing Meadows (Scary Topiary Press, 2013) and SPLASH STATE (The Song Cave, 2014).
I,
Wing Wing, 3,
Morning Poem, 4,
Lift, 5,
The Library, 6,
Wednesday, 7,
The Age of Frost, 8,
I Feel Like My Head is Expanding, 9,
Field Guide to Plants of the North, 10,
Scram, 11,
Silver Lime, 12,
The Clothing of My Death, 13,
Love Poem, 14,
Poem from Paris, 15,
Sit Still, 16,
Simple Times, 17,
Team Hand, 18,
Slow Joy, 19,
Violet Hush, 20,
The Secret Hours, 21,
Butter, 22,
My Plans, 23,
The Bone Above the Heart, 24,
You'd Think the Sky Would Run Out of Water, 25,
Sonic Prince, 26,
Memory, 27,
Action Town, 28,
Fun, 29,
Splash State, 30,
Tonight, 31,
My Modernity, 32,
Gas Stations & Weirdos, 33,
Laugh Track, 34,
The Ship, 35,
Done, 36,
Dawn, 37,
Electric Pony Light, 38,
Agency of Kisses, 39,
Hallelujah Anyway, 40,
Poem for Show, 41,
Glinty Blue, 42,
Soothing Poem, 43,
Who Let You Go?, 44,
Orchid Enthusiast, 45,
Let Us Know You're Here, 46,
II,
Home, 49,
Wings, 50,
My Campaign, 51,
Salute, 52,
Poem for Fridays, 53,
Electric Blanket, 54,
How to Look Like Everything is Okay in Photographs, 55,
My Dream of Everything, 56,
Hazy Evening, 58,
All Time Favorites, 59,
Look Out There, 60,
Someone Would Like to See You, 61,
September, 62,
Washing My Face, 63,
Jigsaw, 64,
Head, 65,
Can You Feel It?, 66,
In a Nutshell, 67,
Monsoonal Surge, 68,
Go! Team!, 69,
Facing the Music, 70,
Here You Go, 71,
New Practice, 72,
III,
Storm Kings, 75,
Soothing Poem, 77,
For Time & Being, 79,
Liquid Smoke, 80,
Endings, 81,
Josephine of Pearline, 82,
Sleep, 83,
Numb Gallop, 84,
In Any Case, 85,
A Plausible Miracle, 86,
Slumber Party, 87,
Who Let You Go?, 88,
Old Home, 89,
People Gift, 90,
A Year, 91,
Wing Wing
It takes all week to live a week.
There aren't any shortcuts. In today's
economy of needs, we're all poor and vaguely autistic,
it makes you feel zonked like grape juice
poured over a balcony: fucked.
I'm disguised as you, but that hasn't stopped me
from loving you. Show me something perfect
to talk about. I need a hot topic.
My lips are blue. The wind
is actually beating the shit
out of me as I plop on the wonder.
Each day of the week they
can take that away from me.
Morning Poem
I could have you, need you, break with you.
I could spend hours with you; eating pieces
of you and making the world change
with you, be humble with you,
and then cradle you whole, eating
from you as the birds eat crusts of bread
around you, wanting to eat from you too.
If ever there was a way to yield to it, I would.
I would grow mellow and sure with it, I would.
Solemn as these days breed stillness, I would. I would
I would. All of it, I would.
Take me, I will let you. And I would. Lift your arms
in the air, and wave them above your head. I would.
Lift
Out here in the urban wilds
the wind goes "whoosh" through buildings,
while the sun shatters over everything
at severe angles. The vacant lot of brown grass sways
a syrupy dance, undulating like hips
during a fuck. Heavy with rust, all the cars
creak over the dusty highway.
We drink snow coffee and pace
around our aluminum shed,
glancing at our reflections in
oily puddles to determine the effects
of the environment on our rush
through time. Gravity plays no
small part when we drop things.
In fact, it is because of gravity
that a baby can rest on a knee
without floating away.
By nightfall, the city is dark,
people stumble over curbs and cuss,
brushing themselves off, and breathing
through rags dipped in vetiver
to disguise the smell of the dark.
In the morning, we'll eat the things
that are least covered with gray dust,
stopping between bites to blow dead skin
from the back of our hands.
The Library
I have this fear that I might die in a library,
or get punched in a library, or get
my ass totally kicked in a library,
or seduced in a library,
seduced, and then beaten up
in a library and then taken out
of the library on a stretcher;
or that I'll forget how to spell "library,"
when I'm sitting in a library, writing
a note to you that begins,
"I am writing this to you from ..."
Wednesday
Wednesday is such an elegant and refined word,
with a regal d followed by a soothing n. Wednesday,
so serious and stout, yet elegant and refined.
Wednesday is transparent, yet bold and playfully midweek.
Wednesday, is also known as, "hump day."
Wednesday is the name of a woman whose
parents know the playful solidity of the day,
and how delightful those qualities are in a woman's
name or character. Wednesday is the link
between early week and midweek. Wednesday
is not a holiday, but more of a working
day. Wednesday is a point in the middle of the week
when sleeves are rolled up and unfinished work from early
in the week with days that have dreaded names like,
"Monday" or "Tuesday" are finished up.
...
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Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Paperback. Zustand: Good. Poetry. An extended love letter, Todd Colby's sixth collection SPLASH STATE is filled with humor and charm. These poems are as concerned with aging, time, being, and death as they are with eliminating "the need for anxious circumstances" with facts, instructions, and advice. From extolling the uses of "Shark's Paw" and "Fink Leaf" to "how to look like everything is okay in photographs," Colby's poems opt for the personal and generous, even when his tongue is firmly planted in cheek. If melancholy is just around the corner, these poems will walk with you in the opposite direction. "Todd Colby's poetry radiates the joy of receiving a long-awaited letter. He ends an early poem, 'Sweetie,' with the line 'Let me let me know let me know soon let me know soon Sweetie.' It now seems that Sweetie has replied. In his new collection, SPLASH STATE, he tells us 'You will no longer need a hushed, barely audible tone / to confess your inadequacies because you will no longer have any / to confess'--the ideal state that Auden hoped would 'make us well / without confession of the ill.' With this pleasure comes responsibility, but it's the responsibility to remain in joy.' There won't be a need / for codes or inane principles, because you'll always / be too radiant and purposeful for that.' In SPLASH STATE, a perfect title for the state of calm eagerness he writes out of, Colby discovers that 'There are mornings, and then there are / golden glimpses of something totally / amazing like awe or coffee,' and then that 'Morning will never be called off / due to budgetary constraints, or even heartbreak. / By afternoon, there will be plush green pillows, / strewn on the lawn waiting for my body. / I can hardly wait.' The rest of us no longer have to wait. This dazzling collection confirms Colby's status as one of the finest and funniest poets of his generation."--John Ashbery. Artikel-Nr. 00110439122
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