Poetry. Jacob Smullyan's DRIBBLE, a cycle of 144 poems written in 1983, sets itself the task of exploring a peculiar, seemingly unpromising corner of poetic space. Its apparent subject matter is the grotesque obscenity of physicality: excrement, innards, foodstuffs, the reek of loss and sexuality, the pancake-like weight of words and representation. But what emerges is quite different from what its monstrous image repertoire might suggest: an extended meditation on the inner forces of creation and destruction. DRIBBLE's surreal mechanisms, by which the derangement of sense becomes ordinary, reveals new paths through experience, and in this new world, discredited matter, impelled by a powerful transcendental yearning, takes on new meaning and form; soul arises from the mire with cathartic impact and an unexpected tenderness.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
"Jacob Smullyan (born 1964) is a pianist and the founding editor of Sagging Meniscus Press. His poem cycle about surging muck, DRIBBLE, was written in 1983 and published in 2015; his collection of stories and essays, ERRATA, was published in 2017; his forthcoming novel, The Sultan of Brisbane, is concerned with annoying persons. He lives in New Jersey with his wife and children."
Preface,
Dribble,
Index of First Lines,
I
Dribble. Whatsoever unceasingly,
current fish. No submerged statuary
hath prominence among ye. Green
luxuries grapple frondulent candles
and walk off perturbed, their digits
scorched, their foreheads bent by the
age-old light.
II
Mystery fowl alight upon
massive eternities feigning
myopia. No talons can
touch through the subtle skin of Death!
I lick it, unmoved. Some
membrane, an ominous incantation,
rustles under my tongue;
and I resort to unscalded cocoa.
III
A solar concentration inhabits my kitchen,
frowning on kettles with brilliance
as if to bake metal like meat,
like acts of creation unsustained. I spill.
No tremor shakes the floor; no tiles
beguile their linoleum and froth blackberry.
The old student with his spouse's frock
found nitro's advent with his arse up-aired.
Raise not the dark side to the sun.
IV
There is a green dust of this planet
far from the moon's green cheese;
there is a species of rot we cannot reach
though we sweep with drooping members,
mustachioed retirees of old, useless battles.
Methinks some brand of bug might scamper through,
a translucent purplish beetle in fey attire, hawking,
"I am the beast; grab an oar." And in his rags
his dirty smile.
V
The corner of the mouth
is a wall-eyed spider, whose
gaze droops off-color and dim
through tissues of frozen piss.
The Eskimo relieves himself to die,
impaled on the spear of his effluence;
and still-warm residues of smooches, oaths, and lies
spread a cobwebbed hammock from ear to ear.
VI
An origin is filth aground, a turd
between lovers. In sleep they wobble
apart, tired tops, and bouncing brains
fart forth early morning deliveries.
The truck. How do they know what they
may carry, between their axles?
VII
Portentous, unread Talmud, on the high
shelf, untouched since Alkan. This space
I suspect tensegritous; this bulk
a gesture for the fragility of my skull;
this light, the hatred of the setting sun.
Does the scholar laugh when dead priests
vomit seed into his open dusk's window,
their billowing corpses exposed and enlarged,
their jaws wrapped with miraculous newspaper?
Or does he reach into some recess for an acorn
prophylactery, only to pluck forth a recondite balloon?
His eyeballs sag like Camembert until the final
drop is extinguished.
VIII
Curled horns of amber 'fore
a gnarled glimmer kneel and
bask their toesies, sudding.
Great barks of ambergris pace
on borrowed legs, their attenuate limbs
shorn from grasshoppers hanging
adherent to their sunken temples.
IX
Men bent at gloaming over their sandwiches,
their hand wenches. Leafy parks keep eyes
in back, beneath fronds of shame. The workmen
rise infertile for the homesome honeybuns,
the laundresses.
X
Hideous! The blossoms,
bloated by the breath of arthropods,
congregate near shrivelled
sprinters' legs, their teats
dug deep into soiled green blankets,
stretching away with sore red tongues
from the fangs which ensnare them.
XI
Sun-candles unfixed, in swarms
like aluminum scrap, begloomed
by lurid labels. A twilit
flicker, an open invitation
or a gratuitous confine;
a red-horned finger turned up
to the sun's deserted throne.
XII
Between sheaths of sightless grasses
squats most of a rabbit, silent
for dread. A tan archway leads
past tender halitosis to
mama's marination. Here,
stewed with thistle, locust,
carrot, and grasshopper,
a horsefly crawls in its ear.
Its immobile globes are halved;
pearly ringlets to grace
piratical physiognomies.
XIII
Jelly and ritual; the syllable
hopping like whiskers on the asthmatic
wheeze of methylated spirit,
the retiring gaze of a codfish.
Life on a plate. The great old men
in aspic, my fork, tantalized
like spaghetti, shies away from
the altar of its imprecations.
XIV
A crystal glass of sputum
is refrigerated, to pour lead
over dredged sea life. The
...
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Artikel-Nr. GZ-9780986144530
Anzahl: 6 verfügbar
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 2015. Paperback. . . . . . Books ship from the US and Ireland. Artikel-Nr. V9780986144530
Anzahl: 2 verfügbar
Anbieter: moluna, Greven, Deutschland
Kartoniert / Broschiert. Zustand: New. Über den AutorJacob Smullyan, a classical pianist, writer, artist, and composer, is also the Senior Editor of Sagging Meniscus Press, a Senior Fellow of the Institute of Krinst Studies, and a Senior Software Engineer at Google. In h. Artikel-Nr. 595174314
Anzahl: 5 verfügbar
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Poetry. Jacob Smullyan's DRIBBLE, a cycle of 144 poems written in 1983, sets itself the task of exploring a peculiar, seemingly unpromising corner of poetic space. Its apparent subject matter is the grotesque obscenity of physicality: excrement, innards, foodstuffs, the reek of loss and sexuality, the pancake-like weight of words and representation. But what emerges is quite different from what its monstrous image repertoire might suggest: an extended meditation on the inner forces of creation and destruction. DRIBBLE's surreal mechanisms, by which the derangement of sense becomes ordinary, reveals new paths through experience, and in this new world, discredited matter, impelled by a powerful transcendental yearning, takes on new meaning and form; soul arises from the mire with cathartic impact and an unexpected tenderness. Artikel-Nr. 9780986144530
Anzahl: 2 verfügbar