In the Skagit River Valley—gateway to the Pacific Northwest wilderness—vegetation, birds, and people are inexplicably dying. Does the river carry pollutants from illegal waste sites? One elderly bully’s spiteful lies have trapped her victims in a toxic web: • JoAnne, a former World War II pilot, is wheelchair-bound from a youthful accident involving sinister secrets. • Maria, JoAnne’s niece and professional pilot, masks the unresolved pain of childhood abandonment. • Spencer, a young organic vintner, suspects the rich valley soil has been polluted by undocumented wastes. • Russell, a spunky 95-year-old ham radio buff, intercepts curious messages that provide clues to the decades-long cover-up. Lies, even the little white lies told to protect themselves and each other from the past, suddenly conspire against them as the valley’s dangerous secrets unravel. JoAnne, who had adopted the troubled teenager Maria, calls her niece home to help investigate the mysterious die-offs. As JoAnne, Maria, Spencer, and Russell unofficially collect information, all clues point to Molly _____, an elderly local landowner with a longstanding grudge against JoAnne. The four gradually piece together evidence that Molly has blackmailed officials and intimidated locals while snapping up foreclosed farms and making a fortune by illegally accepting toxic waste to bury in the valley. Knowing that an official investigation might never get off the ground, they recruit JoAnne’s former fellow pilots, as well as a younger generation, to converge on the annual Concrete Fly-In, mapping suspicious dump sites from the air. Meanwhile, personal and family secrets, entangled over the years with Molly’s schemes, are seeing the light of day, forcing some difficult recognitions: JoAnne must confront Molly’s role in the accident that crippled her and cost her a marriage with the man she loved. At this late stage in life, is forgiveness and a second chance for love possible? Maria must face an imminent reunion with her older sister, who fled the domestic violence of their alcoholic family and left Maria “abandoned” when Molly stole letters meant for Maria. Spencer must adjust his image of an adored great-uncle who may have been involved in the cover-up while he worked with a secret government program to treat toxic waste. And Russell must keep the lines of communication open between the various players, while grieving anew for his beloved wife who may have been an early victim of Molly’s toxic waste seepage into local food sources. As all the players converge on the Skagit Valley for a final confrontation and call to action for a cleanup, Molly lies seriously ill in the hospital, ironically struck down by her own lies and poisons. Healing can now begin, as her victims face hard truths in order to halt the accumulation of more than one kind of toxic behavior. Color of Lies is a story of challenge and triumph over demons both personal and environmental, inviting us to explore with its characters the nature of truth, trust, and accountability.
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Abbe Rolnick grew up in the suburbs of Baltimore, Maryland. Her first major cultural jolt occurred at age 15 when her family moved to Miami Beach, Florida. In order to find perspective, she climbed the only non-palm tree at her condo-complex, and wrote what she observed. Here history came alive with her exposure to the Cuban culture. This introduction to the Latino Culture proved fortuitous. At Boston University she met her first husband, a native of Puerto Rico. Her first novel, RIVER OF ANGELS, stems from her experiences during her stay in Puerto Rico. Stateside, she capitalized on the knowledge she gained as an independent bookstore owner and worked for one of the finest bookstores, Village Books, in Bellingham, WA. More recently she opened a healthy foods cafe. COLOR OF LIES, her second novel, brings the reader to the Pacific Northwest where she presently resides. Here she blends stories from island life with characters in Skagit Valley. Her short stories and travel pieces have appeared in magazines. Swinging Doors won honorary mention by Writer’s Digest. Her next novel, FOUNDING STONES, will be the third in the series, continuing the stories of characters from the two previous novels, introducing new themes that connect Skagit Valley to the larger world. Her recent experiences with her husband’s cancer inspired, COCOON OF CANCER: AN INVITATION TO LOVE DEEPLY. Presently she resides with her husband on twenty acres in Skagit Valley, Washington.
Prologue,
Chapter 1: Dinner Plate,
Chapter 2: Mountain and Molehills,
Chapter 3: White Lies,
Chapter 4: Arms of Steel,
Chapter 5: Gone Fishing,
Chapter 6: Moonshine,
Chapter 7: Cast in Stone?,
Chapter 8: Waste Not, Want Not,
Chapter 9: Missing Pieces,
Chapter 10: The Flight of the Hummingbird,
Chapter 11: Scree,
Chapter 12: Skid Road,
Chapter 13: Two-Way Communication,
Chapter 14: Baa, Baa, Black Sheep, Have You Any Wool?,
Chapter 15: The Moon Is Made of Green Cheese,
Chapter 16: Mourning Dove,
Chapter 17: Flying Without a Compass,
Chapter 18: Walking on Eggshells,
Chapter 19: Citizens of a Community,
Chapter 20: Diablo: The Devil Made Me Do It,
Chapter 21: Squaring a Circle,
Chapter 22: Hinges and Handles,
Chapter 23: Nerve to Feel,
Chapter 24: Neighbors,
Chapter 25: Trust and the Future,
Chapter 26: Find the Loophole,
Chapter 27: Attitude: Stable Position,
Chapter 28: Concrete Command Center,
Chapter 29: Bird's Eye Perspective,
Chapter 30: SAR-X: Search and Rescue Exercise,
Chapter 31: Connections Concomitants,
Chapter 32: Beginnings Never End,
Reading Club Questions,
Preview of Founding Stones, Generation of Secrets, Book Three,
About the Author,
Dinner Plate
Maria studied her aunt JoAnne, who had taken the leader's seat at the head of the table. She chose a chair at the opposite end with three settings between them. The two faced one another, giving Maria a clear view of her aunt's plate and her aunt a direct sight line into Maria's face and plate. Maria chose her spot so she could spy. Not with malice — no one deliberately hid anything in this household — but to uncover truths among the peas, potatoes, chicken, and rolls.
Maria had arrived late last night from back East. Anything past the Cascade Mountains was East in her mind. She could see the signs of the Pacific Northwest in the table setting: lacking a tablecloth, a forest green placemat framed each setting. Rosy red tulips with yellow centers, mixed with pale white daffodils, graced the middle of the mahogany dining table. Fern sprigs circled the beeswax candles.
Maria felt pleased to be back home in Concrete, Washington, where she could depend on the subtle complexities of their simple life. As Maria took her place, she noted her aunt's nod, an indication of approval as well as a gesture to be alert. JoAnne wore the white linen dress, a sign that Maria was still in her favor, and she had pulled her hair back in a low bun with a black velvet ribbon encircling stray hairs. Around her neck, a scarf of red tulips hid the necklace of hearts, a necklace rarely worn and even now obscured. Her wheelchair, concealed by the adaptation of padded armrests with a cloth that matched the sofa and armchairs, fit snugly under the dining table.
Maria had been gone for over a year, and this dinner was a valiant attempt at appearing normal.
"Pass me the chicken, will you, Maria de la Via?"
Maria de la Via was a nickname that JoAnne used when she needed Maria to be on her best behavior. Ever since Maria was little, they would pretend that she came from an aristocratic family from the Deep South. In order for Maria to learn her manners, JoAnne would continue the ruse when they dined with influential families from town. Now at twenty-six, Maria found this game annoying. She had come home because of a frantic phone call: JoAnne needed to fly to the Caribbean on a "mission."
As Maria passed the roasted chicken, she watched for signs of why her aunt had invited this group of people to their home. She knew that the chicken on the platter was from their own yard, since JoAnne held a strict food philosophy. Never eating meat or poultry outside of their home, she had a mantra: "If you can't grow it and kill it, you shouldn't eat it." For that reason alone, the town thought JoAnne was a finicky eater, or worse yet, a vegetarian. Roasted chicken was reserved for family and friends who appreciated the hard work of raising, slaughtering, and cooking.
"Good to have you back home, young woman." It was their old neighbor, Russell. At eighty-eight, he looked kinder and sweeter than ever and had clearly dressed up to be here. His white hair no longer covered his head; the few strands left stood up to salute the sky and competed with his beard, which refused the edge of a razor. He wore an old blue shirt that showed the wear of buttonholes frayed from washing. The shirt complemented his blue eyes that could still penetrate a stranger's soul. Today, they peered out from behind the bouquet of flowers he had strategically placed at his setting. Even though JoAnne had made peace with his gossiping ways, he still shied from her sharp eyes. He must have brought the flowers as an offering, since tulips and daffodils were his specialty.
As Maria passed the chicken, she winked at Russell. His thin lips curled upward until JoAnne looked at him. Maria felt an undercurrent of disapproval. Something was going on.
"Please, help yourselves," JoAnne directed. "Spencer must have been delayed."
Each of the guests took a helping of chicken. Of the five settings, one seat to her aunt's left remained empty. JoAnne was a stickler for timing, and Maria wondered who was this Spencer who would receive her aunt's wrath?
Molly McCain sat opposite Russell with her head down as if praying. She was almost the same age as Russell, but meaner and uglier. Maria could almost hear the hushed whisper of warning from JoAnne: "Unkind thoughts beget unkind actions." Molly and her aunt had been feuding over property rights since Maria was four. Why, after so many years, was Molly here eating with them?
Molly took the chicken and the potatoes, peas, and applesauce, piling the food in the center of her plate. She heaped the food so high that her chin touched the edge and stuck there, defying anyone to mention the obvious. Nothing had changed in her world of greedy entitlement.
After the mysterious phone call of a week ago had brought Maria home, she had expected a heart-to-heart conversation alone with JoAnne, not this odd dinner party. Intrigued, she studied her aunt's plate for clues.
JoAnne's peas were scattered around the edges of the potatoes, a clear sign of nerves. She usually made pictures or circles before devouring them one by one. Today, they were strewn with no pattern, cast off. Clearly without appetite, JoAnne cut each piece of her chicken until her plate was filled with bite-sized chunks.
After the silence of mouths chewing, the swallowing and sipping of wine, Maria finally caught her aunt's eye. The green flecks that peppered JoAnne's hazel eyes flashed a warning. Not sure if it was anger, fear, or excitement, Maria kept her head bent. Although she was starved, she couldn't eat. A missing guest, no toast or words of thanks for the meal? Despite her good intentions of keeping quiet, words spilled from her lips, "Let's all make a toast to —" Before Maria could finish, JoAnne clicked her wine glass with her fork, "A toast to seeing old friends."
Maria almost spilled her wine. Russell was their benevolent knight not ever quite dressed in shining armor. He was nosy and a nuisance and always trying to propose to JoAnne, and when that didn't...
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