Kramers Ergot, the most influential and acclaimed anthology of the past decade, returns in its seventh volume as a gigantic full-color 16 x 21 inch hardcover! While past issues explored an innovative blend of art and comics, this collection focuses on expanding the boundaries of the narrative comics page. No. 7's massive page size has given these contemporary artists an opportunity to tell stories at a scope not seen since the expansive Sunday newspaper comics of the early twentieth century. Including over 50 of the world's greatest cartoonists, it draws on the talents of established cartoonists, newcomers, elegant stylists, and unpredictable innovators such as Tom Gauld, Carol Tyler, Chris Ware, Ben Jones, Jaime Hernandez, Blanquet, Daniel Clowes, Mat Brinkman, Kim Deitch, Anna Sommer, Anders Nilsen, C.F., Adrian Tomine, Matt Groening, and many others.
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Sammy Harkham was born in Los Angeles in 1980. his comic 'Poor Sailor' was included in the 2004 edition of the David Eggers-edited Best American Nonrequired Reading. 'Poor Sailor' was released in book form in 2005 and has since been published in Korean, Italian, and French. Subsequent work such as 'Somersaulting' has cemented his reputation as one of the most well-regarded cartoonists to emerge in recent years, with 'Lubavitch Ukraine 1876' appearing in Best American Comics 2007. Currently divides his time between editing Kramers Ergot and creating his ongoing comic Crickets.From Publishers Weekly:
Starred Review. There's a sort of finality about this massive, ambitious art object of an anthology, produced with the finest paper stock and printing available. Editor Harkham has assembled the best-known names in art comics to use the huge page size—16"×21", larger than a newspaper page—as a blank canvas for experiments in storytelling. The result is a delirious, fantastic newspaper supplement as imagined through the lens of the last 20 years of comics experimentation and formalism. Although a few artists like Mat Brinkman and Helge Reumann use the giant page size as the setting for abstract art, many—Seth, Josh Simmons and Gabrielle Bell—cram intense yet minimalist narratives into a parade of tiny panels. The overall effect is overwhelming, but some stories stand out—Shari Boyle's gorgeous elephant fantasy, Tom Gauld's nearly abstract retelling of the Noah myth, Dan Clowes's one-page hard-boiled tragedy, Jaime Hernandez's compact triolet about cosmic unjustness and Matthew Thurber's lyrical nonsense about Brian Eno and a parrot. While the price tag is high, and some stories lack real narrative punch, this anthology is a high-water mark of intelligence and artistry, and will reward many rereadings by those who can find the shelf space to house it properly. (Dec.)
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