<div><p><i>Time Out New York</i>'s #1 Best Book of 2008.</p><p>"[A] funny, inquisitive novel [that] asks readers to re-examine their ideas of the Western frontier and personal freedom." —Jeffrey Trachtenberg, <i>Wall Street Journal</i></p><p>"May be the most hallucinogenic western you'll ever catch in the movie house of your mind's eye." —Erik Davis, <i>Bookforum</i></p><p>"A picaresque American <i>Book of the Dead</i>... in the tradition of Thomas Pynchon, Joseph Heller, Kurt Vonnegut and Terry Southern." —David Ulin, <i>Los Angeles Times Book Review</i></p><p>"Should be as well known as anything by Cormac McCarthy, Steve Erickson, or Jim Harrison." —Paul DiFilippo, <i>Barnes & Noble Review</i></p><p>“Rudolph Wurlitzer takes no prisoners. An uncompromising, wild, and woolly tale.”—Sam Shepard</p><p>“Sam Beckett with a six-gun and a sack of rattlesnakes.”—Gary Indiana</p><p>"Where has Rudy Wurlitzer been for the last fifteen years? The mental traveler who gave us <i>Nog</i> and the <i>Two-Lane Blacktop</i> screenplay takes another vision quest, this time into the Old American West. His mapping of mythic and sacred landscapes and his ability to distinguish between different tribal world-views makes this a truly revealing conversation."—KCRW's <i>Bookworm</i></p><p>In his fifth novel, Rudolph Wurlitzer has written a classic tale of the Western frontier and created one of his most memorable characters in Zebulon, a mountain man whose view of life has been challenged by a curse from a mysterious Native American woman whose lover he inadvertently murdered.</p><p><i>The Drop Edge of Yonder</i> begins in the mountains of Colorado and ends in the far reaches of the Northwest, a journey that includes the beginnings of a Mexican revolution, a voyage across the Gulf of Mexico to Panama, and up the coast of California to San Francisco and the gold fields. Along the trail, Zebulon becomes involved in a series of tragic love triangles, witnesses the death of his mother and father, and confronts the age-old questions of life, love, and death.</p><p><b>Rudolph Wurlitzer</b> is the author of the novels <i>Nog</i>, <i>Flats</i>, <i>Quake</i>, and <i>Slow Fade</i>, and the nonfiction book, <i>Hard Travel to Sacred Places</i>. Among his twelve produced screenplays are <i>Pat Garrett and Billy the Kid</i>, <i>Two Lane Blacktop</i>, <i>Voyager</i>, <i>Walker</i>, and <i>Little Buddha</i>.</p></div>
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<div>Rudolph Wurlitzer is an acclaimed screenwriter and the author of The Drop Edge of Yonder, Quake, Flats, Slow Fade, and the nonfiction book, Hard Travel to Sacred Places.</div>
Rather than waking him, the cold blast of wind from the open door became part of a recurrent dream: a long endless fall through an empty sky towards a storm-tossed sea.... Come closer, the towering waves howled....
He opened his eyes, not sure for a moment if the man and woman staring back at him weren't hungry ghosts. Frost clung to their eyebrows and nostrils, and their swollen faces were raw and crimson from the tree-cracking cold. The man wore a hard-brimmed top hat tied under his bearded chin with a long red scarf, along with a buffalo robe coated with slivers of ice. The woman appeared to be a Shoshoni half-breed. She was wrapped inside a huge army overcoat distinguished by sergeant stripes at the shoulders and, at the chest, two bullet holes, one over the other.
The man sank to his knees, swearing and choking from the smoke pouring out of the cabin's leaky fireplace and the overpowering stench of a nearby slop bucket. He spoke in a rasping whisper, as if his larynx had been smashed.
"I figured we be dead meat until the breed told me you was camped on the Gila. She knows things that ain't available to other mortals."
The man was Lobo Bill, an old trapper and horse thief, known for his wide range of windy tales and maniacal rages, that Zebulon had run into and away from in various saloons and hideouts from Tularosa to Cheyenne. When he removed his top hat, he exposed a face sliced on one side from cheek to jawbone, as if neatly quartered by a butcher's knife.
Lobo Bill nodded towards the breed, who was standing with her back to the wall, staring at Zebulon with huge empty eyes. "She ain't one for words, but when she does open her flap, she packs a punch you don't want to know about. Even so, I owe her. She saved my bacon when a wolverine took after me. Axed it into quarters and sliced me up as well. I won her in Alamosa from a horse trader. A straight flush to his full house. A hand for the ages. She's half Shoshoni, half Irish. 'Not Here Not There' is what I call her, and I'm favored to have her, things bein' what they is these days, or ain't, depending on which way the wind blows, and even if it don't."
Lobo Bill and Not Here Not There took off their clothes. After their bodies thawed out, they collapsed on a pile of bearskins near the fireplace.
Zebulon spent the rest of the night stoking the fire and drinking from one of his last bottles of Taos White Lightning, pondering memories of Lobo Bill and all the other mountain lunatics he had known, and what he and they used to be, or not, and what he was meant to do, or be, depending on his view from the valley or mountaintop. It wasn't so much that the old mountain ways were played out, although that day was surely coming. There was something else that Lobo Bill and his breed had brought in with them, a mysterious presence or shadow that he was unable to define. Or maybe it was just the sight of two strange and lost figures snoring on his bed.
It was dawn when the wind died, along with most of his premonitions, enough anyway, to let him pass out next to his guests.
The extreme tidiness of the cabin, together with Not Here Not There's sullen silence, made him uneasy, as if she were harboring secret thoughts or maybe, god help him, some ill-intentioned plan. Never mind, he thought. Whatever was meant to come would come, ready or not.
While they both waited for Lobo Bill to appear, Zebulon hunted for small game and prepared for the annual spring rendezvous by taking down and sorting the hundreds of muskrat and beaver pelts he had stashed in the crooks of several trees.
After three days Lobo Bill still hadn't returned. Most of the time, Not Here Not There sat on the bench outside the cabin, staring at the river and the dark blue ice that had begun to splinter into large moving cracks. In the evening she avoided looking at him as she cooked one of the rabbits he had shot. After they ate dinner, instead of retreating to the corner she had chosen to sleep in, she joined him near the fire. Looking at him with a sly grin, she took his bottle of Taos White Lightning from him and drained the rest of it, then swayed back to her place across the room.
That night he was woken by her long nails scratching lines of blood down his stomach and across his groin, a violent gesture which she repeated even as she pulled him inside her, locking her legs around his waist as if she wanted to break him in two.
For the rest of the night, she dictated their furious passion on her own insatiable terms. In the morning she left the cabin without looking at him or saying a word.
Two days later she returned in the middle of a thunderstorm. Standing before him, she looked into his eyes as he removed her clothes and positioned her over the table, pinning her arms above her head.
When the door opened, he was plunging on inside her as if they had never been apart. When he became aware that Lobo Bill was standing above them with a raised hatchet, he decided that he might as well go out in the same way that he had been conceived. Part of him enjoyed the prospect, and he was damned if he was going to give Lobo Bill the satisfaction of an apology. He continued to thrust himself inside her with even more abandon, letting out a long mountain yell: "Waaaaaaaaagh!"
His fury broke the table, sending them both to the floor. Lobo Bill's hatchet missed Zebulon's skull by an inch and sliced a large hole in the middle of Not Here Not There's stomach.
Before Lobo Bill could react, Zebulon reached for a pistol inside Lobo Bill's belt and shot him between the eyes.
Unable to move or speak, he sat on the floor, watching Not Here Not There stagger through the door.
When he finally went after her, she was standing naked on a slab of ice halfway into the river, her hands trying to hold back the blood oozing from her stomach.
"You killed the only man that ever cared for me," she said. "And now you've killed me."
They were the first words that he had heard her speak.
As the ice sank lower, carrying her downstream, and the black freezing water rose over her legs and hips, she called out to him again: "From now on, you will drift like a blind man between the worlds, not knowing if you're dead or alive, or if the unseen world exists, or if you're dreaming. Three times you will disappear to yourself and all that you know, and three times you will -"
She said something more, but he was...
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