Poetry. "What good is poetry at a time like this?" Andrew Joron asks at the start of his book of poetry. "A kind of topological fold or failure (called a 'catastrophe' in mathematics) precedes the emergence- constitutes the emergency- of the New. If poetry 'makes language new,' then it must be defined as the translation of emergency. Even politically engaged poetry represents (translates) the motion of social change more than it does the facts of social change"-FATHOM. Andrew Joron is also the author of SCIENCE FICTION, and THE REMOVES, both available from SPD.
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Poetry. "What good is poetry at a time like this?" Andrew Joron asks at the start of his book of poetry. "A kind of topological fold or failure (called a 'catastrophe' in mathematics) precedes the emergence- constitutes the emergency- of the New. If poetry 'makes language new,' then it must be defined as the translation of emergency. Even politically engaged poetry represents (translates) the motion of social change more than it does the facts of social change"-FATHOM. Andrew Joron is also the author of SCIENCE FICTION, and THE REMOVES, both available from SPD.
A graduate of UC Berkeley, where he majored in Philosophy of Science, Andrew Joron is the author of five previous collections of poetry--Force Fields (1987), SCIENCE FICTION (1992), The Removes (1999), FATHOM (2003), and THE SOUND MIRROR (2008)--and THE CRY AT ZERO: Selected Prose (2007). His translations from the German include Literary Essays of Ernst Bloch (1998) and Richard Anders's The Footsteps of One Who Has Not Stepped Forth (1999). In 2004 he published NEO-SURREALISM: OR, THE SUN AT NIGHT: TRANSFORMATIONS OF SURREALISM IN AMERICAN POETRY 1966-1999. He plays Theramin in the improvisational trio Free Rein.
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Anbieter: A Squared Books (Don Dewhirst), South Lyon, MI, USA
paperback. Zustand: Very Good. New York, 2003; illustrated yellow paper covers; black spine; corners rolled; 8vo, 7 3/4" to 9 3/4" tall; interior is clean and unmarked; 115 pages. Artikel-Nr. SKU1172358