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Inhaltsangabe
This publication accompanies parallel exhibitions at The Drawing Center, New York, and Drawing Room, London, that explore the relationship between linguistic communication and drawing in recent art. Throughout the twentieth century, and in particular since the 1960s, artists have mined language for the subject and matter of their art, incorporating the mode, format and meaning of text into their work. Together the two exhibitions present an international selection of artists spanning the 1960s to today, including, at The Drawing Center, Carl Andre, Pavel Büchler, Guy de Cointet, Mirtha Dermisache, Sean Landers, Allen Ruppersberg, Nina Papaconstantinou, Deb Sokolow and Molly Springfield; and at Drawing Room, Pavel Büchler, Johanna Calle, Annabel Daou, Matias Faldbakken, Karl Holmqvist, Bernardo Ortiz and Shahzia Sikander.
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Über die Autorin bzw. den Autor
Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
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Foto des Verkäufers
Marking language : Drawing time, reading time
Verlag:
New York : The Drawing Center,, 2013
ISBN 10: 0942324781
ISBN 13: 9780942324785
Gebraucht
Soft cover
Anbieter: Antiquariaat Digitalis, Amsterdam, Niederlande
Verkäuferbewertung 5 von 5 Sternen
Soft cover. Zustand: Very Good. Paperback, 1 volume (various pagings) : illustrations (black and white, and colour) ; 23 cm. Very good. This publication documents two parallel exhibitions: Marking Language presented at Drawing Room, London (10 October 14 December 2013), and Drawing Time, Reading Time at The Drawing Center, New York (22 November 2013 12 January 2014), that explore the relationship between linguistic communication and drawing in recent art. This volume includes 100 full-colour reproductions of the artworks in both exhibitions and essays by the two exhibition curators Claire Gilman, The Drawing Center, and Kate Macfarlane, Drawing Room as well as a text by Melissa Gronlund, an editor of Afterall and a writer on contemporary art. Artikel-Nr. JHJ_20201006_5
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