This publication accompanies parallel exhibitions at The Drawing Center, New York, and Drawing Room, London, that explore the relationship between linguistic communication and drawing in recent art. Throughout the twentieth century, and in particular since the 1960s, artists have mined language for the subject and matter of their art, incorporating the mode, format and meaning of text into their work. Together the two exhibitions present an international selection of artists spanning the 1960s to today, including, at The Drawing Center, Carl Andre, Pavel Büchler, Guy de Cointet, Mirtha Dermisache, Sean Landers, Allen Ruppersberg, Nina Papaconstantinou, Deb Sokolow and Molly Springfield; and at Drawing Room, Pavel Büchler, Johanna Calle, Annabel Daou, Matias Faldbakken, Karl Holmqvist, Bernardo Ortiz and Shahzia Sikander.
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Anbieter: Antiquariaat Digitalis, Amsterdam, Niederlande
Soft cover. Zustand: Very Good. Paperback, 1 volume (various pagings) : illustrations (black and white, and colour) ; 23 cm. Very good. This publication documents two parallel exhibitions: Marking Language presented at Drawing Room, London (10 October 14 December 2013), and Drawing Time, Reading Time at The Drawing Center, New York (22 November 2013 12 January 2014), that explore the relationship between linguistic communication and drawing in recent art. This volume includes 100 full-colour reproductions of the artworks in both exhibitions and essays by the two exhibition curators Claire Gilman, The Drawing Center, and Kate Macfarlane, Drawing Room as well as a text by Melissa Gronlund, an editor of Afterall and a writer on contemporary art. Artikel-Nr. JHJ_20201006_5
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