Tina Barney, David Levinthal, Laurie Simmons and the other artists in this collection approach the question of photographic truth through a simulated reality that deliberately exposes props and artifice. The results are simultaneously deceptive and precise descriptions of reality, blurring the distinction between fact and fiction.
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Anbieter: Dan Pope Books, West Hartford, CT, USA
Soft cover. Zustand: Near Fine. 1st Edition. New York: Independent Curators Incorporated, 1997. First edition. First printing. Softcover. Neon silver wrappers. Fine copy with only slight curling to covers. Large square format. A tight clean copy. Quarto, unpaginated (approximately 112 pages), with color and black-and-white photographic plates throughout. Published in conjunction with a traveling exhibition of contemporary photography which ran from January 19, 1997, to November 15, 1998. Features essays by guest curator Vik Muniz and Luc Sante (introduction), and includes works by a wide range of photographers exploring questions of realism, identity, and fabrication in photographic media. Curated by Sandra Lang. This is one of 2,500 copies issued. Features works by over 30 contemporary photographers including Gregory Crewdson, Thomas Demand, Cindy Sherman, Laurie Simmons, Zeke Berman, and Joan Fontcuberta who examine simulated reality by staging scenes that deliberately expose the artifice of their fabricated, set-up, and arranged subjects. Notable contributors include Brian McCarty, whose The Dollhouse series was included. For collectors of conceptual photography, curatorial catalogs, or Vik Muniz s work. Artikel-Nr. F100-Photo-1
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Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
First Edition. Softcover. First Edition. Published in conjunction with a traveling exhibition of contemporary photography which ran from January 19, 1997 to November 15, 1998. Near Fine in wrappers. Artikel-Nr. 153489
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Anbieter: Studibuch, Stuttgart, Deutschland
paperback. Zustand: Gut. 72 Seiten; 9780916365493.3 Gewicht in Gramm: 500. Artikel-Nr. 946710
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