Gilbert & George: The Meaning of the Earth - Hardcover

Jahn, Wolf

 
9780903696531: Gilbert & George: The Meaning of the Earth

Inhaltsangabe

The Meaning of the Earth offers a retrospective on the lives and work of the relentlessly controversial artists, placing them within the context of twentieth century British culture. Wolf Jahn tells the story of how Gilbert & George found their identity in opposition to pervasive ideas around social conformity and religion after meeting in 1967.
The artists staged an internal revolution, mining their psyches to create visionary and unwaveringly modern art. The ‘two people but one artist’ ask the questions that gnaw at us all: ‘Where do we come from?’, ‘Who are we?’ and ‘Where are we going?’ The book meditates on the artists’ role in this century, connecting their beginnings as Living Sculptures to their pictorial work of today.
The Meaning of the Earth
is a continuation of Jahn’s 1989 work, The Art of Gilbert & George. The author writes a playful philosophical interrogation of Gilbert & George’s work that truly grasps its cosmic scale.

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Über die Autorinnen und Autoren

Born in Stuttgart in 1955, Wolf Jahn is a freelance writer. Over the past 40 years, Wolf Jahn has written extensively about the works of Gilbert & George and is the author of The Art of Gilbert & George (Thames & Hudson, 1989).

Gilbert & George began creating art together in 1967 when they met at Central St Martins School of Art, and from the beginning – in their films and LIVING SCULPTURE performances – they have appeared as figures in their own art. The 'two men, one artist' believe that everything is potential subject matter for art. They address social issues and taboos, challenging what might be considered 'good taste'. Implicit in their art is the idea that an artist’s sacrifice and personal investment is a necessary condition of art. The backdrop and inspiration for much of their art is the East End of London where Gilbert & George have lived and created art for nearly 50 years. From street signs to Ginkgo trees, from chewing gum stains on the pavements to vistas of urban grandeur and decay, their work is both an ongoing portrait of a city and a reflection on the human condition. Gilbert & George confront many of the fundamental issues of existence: sex, religion, corruption, violence, hope, fear, addiction and death.

Born in Stuttgart in 1955, Wolf Jahn is a freelance writer. Over the past 40 years, Wolf Jahn has written extensively about the works of Gilbert & George and is the author of The Art of Gilbert & George (Thames & Hudson, 1989). Gilbert & George began creating art together in 1967 when they met at Central St Martins School of Art, and from the beginning – in their films and LIVING SCULPTURE performances – they have appeared as figures in their own art. The 'two men, one artist' believe that everything is potential subject matter for art. They address social issues and taboos, challenging what might be considered 'good taste'. Implicit in their art is the idea that an artist's sacrifice and personal investment is a necessary condition of art. The backdrop and inspiration for much of their art is the East End of London where Gilbert & George have lived and created art for nearly 50 years. From street signs to Ginkgo trees, from chewing gum stains on the pavements to vistas of urban grandeur and decay, their work is both an ongoing portrait of a city and a reflection on the human condition. Gilbert & George confront many of the fundamental issues of existence: sex, religion, corruption, violence, hope, fear, addiction and death.

Von der hinteren Coverseite

The Meaning of the Earth describes an almost unknown revolution that took place in London the 1970s. A revolution where a bloody power struggle raged for many years before its decisive battle ended with a tremendous sacrifice. But no lives were lost in this revolution, just as it was unmarked by rebellious pathos and public calls to violence. Nor did it intervene in contemporary society. Instead it toppled a regime internalised in western individuals. It led to the death of the decrepit and irretrievably dialectically animated spirit that had set the historical revolutions in motion, inspired them and drove them on. It ended too the Christian-influenced and increasingly secular salvation history, and opened a new evolutionary chapter.

Its two revolutionaries, Gilbert & George, emerge not unscathed but nonetheless victorious from this inner power struggle. Wolf Jahn’s text tells of their world revolution of the soul in the twentieth century and its fruitful results in the form of a new creation and anthropogenesis.

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