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"In the fifty-eight images of this handsome, cleanly designed monograph, Sturges sustains a delicate balance on a very precarious wire. He engages us through the tension of polarities: between public and private, between tact and frankness, between childhood and adolescence, between male and female, between artist and model...His purity of intent shines through in the images; his struggle is to observe and render his subjects in all of their complexities, trembling on the cusp of change. The result of this long-term, communal effort is one of the most clear-eyed, responsible investigations of puberty and the emergence of sexuality in the medium's history, making a metaphor of the metamorphosis from child to adult."--A. D. Coleman," The New York Observer" "This is truly a beautiful and compelling group of photographs, an expression of innocence not lost by knowledge."--Eric Fischl "The gelatin silver prints luxuriate in textures of sand, flesh, cloth, tide pools and gentle waves...superbly printed, expressive in their modulations of light and joyful tonalities...the high mark of Sturges' work is its naturalness, its gentle attentions to the pleasure that can be found in life."--Kelly Wise, "The Boston Globe"
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In 1990, the FBI entered Sturges's studio and seized his work, claiming violation of child pornography laws. Citizens, artists, and the media responded with outrage. With The Last Day of Summer, Aperture accords Sturges's vision the dignity and respect it so richly deserves. "In the 58 images of this handsome... monograph, Sturges sustains a delicate balance on a very precarious wire... His struggle is to observe and render his subjects in all of their complexities, trembling on the cusp of change. The result of this long-term, communal effort is one of the most clear-eyed, responsible investigations of puberty and the emergence of sexuality in the medium's history, making a metaphor of the metamorphosis from child to adult." --A. D. Coleman, The New York Observer
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- VerlagAperture
- Erscheinungsdatum2004
- ISBN 10 0893815381
- ISBN 13 9780893815387
- EinbandTapa blanda
- Anzahl der Seiten96
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The Last Day of Summer: Photographs by Jock Sturges
Verlag:
New York, NY. Aperture. 1991.
(2005)
ISBN 10: 0893815381
ISBN 13: 9780893815387
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Buchbeschreibung 95 S. Kartoniert. 4°. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: eng. Artikel-Nr. FOT58666
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Jock Sturges: The Last Days of Summer Photographs by Jock Sturges
Verlag:
Aperture Verlag
(2004)
ISBN 10: 0893815381
ISBN 13: 9780893815387
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Buchbeschreibung Hardcover. Zustand: gut. 2004. Magical in detail, these photographs of the people whom Sturges cherishes most are a collaboration of trust and admiration. Phillips's compelling prose both illuminates the images and explores the unending sensuality and complexity of the bond between mother and child. 60 duotone photographs.In 1990, the FBI entered Sturges's studio and seized his work, claiming violation of child pornography laws. Citizens, artists, and the media responded with outrage. "With The Last Day of Summer," Aperture accords Sturges's vision the dignity and respect it so richly deserves. "In the 58 images of this handsome. monograph, Sturges sustains a delicate balance on a very precarious wire. His struggle is to observe and render his subjects in all of their complexities, trembling on the cusp of change. The result of this long-term, communal effort is one of the most clear-eyed, responsible investigations of puberty and the emergence of sexuality in the medium's history, making a metaphor of the metamorphosis from child to adult." --A. D. Coleman, "The New York Observer" Autor: Jock Sturges received a B.A. in Perceptual Psychology and Photography from Marlboro College in Vermont and an M.F.A. from the San Francisco Art Institute. He has exhibited widely in the United States as well as in France and Japan. His photographs are in the collections of the Museum of Modern Art and the Metropolitan Museum of Art in New York, and the Bibliothèque Nationale in Paris. Jayne Anne Phillips has receieved two fellowships from the National Endowment for the Arts, as well as a Guggenheim fellowship. She is the author of Black Tickets (1979), Fast Lanes (1987), and MotherKind (2000). Zusatzinfo Illustrated in duotone throughout Verlagsort New York Sprache englisch Maße: 243 x 288 mm Kunst / Musik Theater Fotokunst ISBN-10 0-89381-538-1 / 0893815381 ISBN-13 978-0-89381-538-7 / 9780893815387 In englischer Sprache. 96 pages. 243 x 288 mm. Artikel-Nr. BN42385
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