Kama Sutra: The First Unabridged Modern Translation of the Classic Indian Text - Softcover

"More than just a pillow book, the Kama Sutra is a guide to the labyrinth of sexual etiquette, from how to bathe before meeting a lover to how lovers should entertain each other after making love. . . . Take from this encyclopedia of amour what you will and let it keep you moving down the path of spiritual practice." * Brian Bruya, Zaadz.com, 8/15/06 * "Danielou's elegant rendering includes not only the entire sutra, much of which is excluded in other versions, but two essential commentaries as well. More than just a pillow book, the Kama Sutra is a guide to the labyrinth of sexual etiquette, from how to bathe before meeting a lover to how lovers should entertain each other after making love." * Amazon.com * "Alain Danielou is the foremost living interpreter of Hinduism. His books are remarkable for their clarity, scholarship, and uninhibited celebration of erotic and mystical ecstasy." * Interview Magazine * "Dildo was translated as 'medicine.' Lesbian was just 'corrupt woman.' No wonder we couldn't follow any of the instructions in the Kama Sutra. But now, there's a new translation of the oldest sex manual, the first since the Victorians brought it home and hid it under the mattress." * The Guardian Weekend * "Noted Indiologist Danilou provides a fluent and literal translation of the entire Sanskrit original. An important advance over Burton's Victorian abridgment." * Library Journal * "Danielou's new and complete translation of the Kama Sutra is one of his masterpieces. It is all enchantment, a world of refined sensation. Our debt to his scholarship and humanity is immeasurable." * Times Literary Supplement *

This definitive volume is the first modern translation of Vatsyayana's Kama Sutra to include two essential commentaries: the Jayamangala of Yashodhara and the modern Hindi commentary by Devadatta Shastri. Alain Danilou spent four years comparing versions of the Kama Sutra in Sanskrit, Hindi, Bengali, and English, drawing on his intimate experience of India, to preserve the full explicitness of the original. I wanted to demystify India, he writes, to show that a period of great civilization, of high culture, is forcibly a period of great liberty.