In 1561-62, Georg Bocskay, imperial secretary to the Holy Roman Emperor Ferdinand I, inscribed theMira calligraphiae monumenta as a testament to his preeminence among scribes. He assembled a vast selection of contemporary and historical scripts, which nearly thirty years later were further embellished by Joris Hoefnagel, Europe's last great manuscript illuminator. This book, now in the collection of the J. Paul Getty Museum, is reproduced here in complete facsimile form, accompanied by a commentary that includes a full description; a discussion of its patron, Rudolf II, and his cultural and historical milieu; the biographies of Hoefnagel and Bocskay; and an analysis of the manuscript's role in their careers. The introduction discusses the broader issues raised by the manuscript. Topics include Hoefnagel's nature imagery, which encompasses plants, fruits, and small animals, and its relation to the spread of interest in botany and zoology at the end of the sixteenth century. Another topic is calligraphy and its place in the art and culture of the sixteenth century. The manuscript's remarkable calligraphy will be of particular interest not only to scholars but to collectors, graphic designers, and typographers as well.
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"This small book is a joy to hold and to behold, and should be of special interest to graphic designers, calligraphers, and other artists as well as to art historians. Recommended for all libraries."--Choice "This small book is a joy to hold and to behold, and should be of special interest to graphic designers, calligraphers, and other artists as well as to art historians. Recommended for all libraries."--Choice "This small book is a joy to hold and to behold, and should be of special interest to graphic designers, calligraphers, and other artists as well as to art historians. Recommended for all libraries."--Choice "This small book is a joy to hold and to behold, and should be of special interest to graphic designers, calligraphers, and other artists as well as to art historians. Recommended for all libraries."--Choice
In 1561-62, Georg Bocskay, imperial secretary to the Holy Roman Emperor Ferdinand I, inscribed the Mira calligraphiae monumenta as a testament to his preeminence among scribes. He assembled a vast selection of contemporary and historical scripts, which nearly thirty years later were further embellished by Joris Hoefnagel, Europe's last great manuscript illuminator. This book, now in the collection of the J. Paul Getty Museum, is reproduced here in complete facsimile form, accompanied by a commentary that includes a full description; a discussion of its patron, Rudolf II, and his cultural and historical milieu; the biographies of Hoefnagel and Bocskay; and an analysis of the manuscript's role in their careers. The introduction discusses the broader issues raised by the manuscript. Topics include Hoefnagel's nature imagery, which encompasses plants, fruits, and small animals, and its relation to the spread of interest in botany and zoology at the end of the sixteenth century. Another topic is calligraphy and its place in the art and culture of the sixteenth century. The manuscript's remarkable calligraphy will be of particular interest not only to scholars but to collectors, graphic designers, and typographers as well.
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Anbieter: Lost Books, AUSTIN, TX, USA
Hard cover. Sewn binding. Cloth over boards. 424 p. Contains: Illustrations. Getty Trust Publications: J. Paul Getty Museum. Audience: General/trade. Very good in very good dust jacket. Very good in very good slip case. Light wear from handling. Text unmarked. Artikel-Nr. Alibris.0013293
Anzahl: 1 verfügbar
Anbieter: Salish Sea Books, Bellingham, WA, USA
Zustand: Very Good. Fine in a Very Good slipcase; Hardcover; Unmarked covers with "straight" edge-corners; Unblemished textblock edges; The endpapers and all text pages are clean and unmarked; The binding is tight with a straight spine; Minor wear to the slipcase; This book will be shipped in a sturdy cardboard box with foam padding; Medium Format (8.5" - 9.75" tall); White dust jacket with calligraphy illustration over brown cloth-covered boards; 1992, Oxford Press; 424 pages; "Mira Calligraphiae Monumenta: A Sixteenth-Century Calligraphic Manuscript Inscribed by Georg Bocskay and Illuminated by Joris Hoefnagel," by Lee Hendrix & Thea Vignau-Wilberg. Artikel-Nr. SKU-W30BA11209160
Anzahl: 1 verfügbar
Anbieter: Mooney's bookstore, Den Helder, Niederlande
Zustand: Very good. Artikel-Nr. 9780892362127-4-2
Anzahl: 1 verfügbar
Anbieter: Arcana: Books on the Arts, Culver City, CA, USA
Gilt-Stamped Cloth in Slipcase. Zustand: Near Fine. First Printing. 414pp, 170 color illustrations. Text in English. Designed by Lorraine Wild. "In 1561-62 Georg Bocskay, imperial secretary to the Holy Roman Emperor Ferdinand I, inscribed the Mira calligraphiae monumenta as a testament to his preeminence among scribes. He assembled a vast selection of contemporary and historical scripts, which nearly thirty years later were further embellished by Joris Hoefnagel, Europe's last great manuscript illuminator. This book, now in the collection of the Getty Museum, is reproduced here in complete facsimile form, accompanied by a commentary that includes a full description; a discussion of the work's patron, Rudolf II, and his cultural and historical milieu; biographies of Hoefnagel and Bocskay; and an analysis of the manuscript's role in their careers. The manuscript's remarkable calligraphy will be of particular interest not only to scholars but to collectors, graphic designers, and typographers as well". Designed by the estimable Lorraine Wild, this gem-like volume faithfully reproduces the manuscript's exquisite plates alongside translations of the original text and iconography. A most handsome example of the exceedingly uncommon 1992 first J. Paul Getty Museum printing of this important work in the publisher's gilt-stamped linen slipcase that shows some light soiling along with minute fraying to the seams of the cloth along two of the edges. Illustrated Book. Artikel-Nr. 026159
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