For 30 years now, the American artist Richard Prince has been considered one of the most forward-thinking and innovative artists in the world. In 1977, his deceptively simple act of re-photographing advertising images from The New York Times Magazine and presenting them as his own ushered in an entirely new, critical approach to making art--one that questioned notions of originality and the privileged status of the unique aesthetic object. Prince's technique involves appropriation, and he pilfers freely from the vast image bank of popular culture to create works that simultaneously embrace and critique a quintessentially American sensibility, with images stemming from the Marlboro Man, muscle cars, biker chicks, off-color jokes, gag cartoons and pulp fiction novels, among many other sources. Organized by the Solomon R. Guggenheim Museum, New York, this major traveling retrospective brings together Prince's photographs, paintings, sculptures and works on paper in the most comprehensive examination of his work to date. While previous examinations of Prince's work have emphasized its catalytic role in Postmodernist criticism, this volume also focuses on the work's iconography and how it registers prevalent themes in our social landscape, including a fascination with rebellion, an obsession with fame and a preoccupation with the tawdry and the illicit.
Highlighting key examples from the all the major series of Prince's oeuvre, this fully illustrated volume also debuts works created specifically for the exhibition. It features a critical overview by the Guggenheim Museum's Nancy Spector and an essay by Artforum Editor-at-Large Jack Bankowsky, which discusses Prince's environmental installations, including the Spiritual America Gallery, his First House and Second House, and his Library in Upstate New York. In addition, cultural commentator Glenn O'Brien contributes a series of interviews with popular culture initiators like Annie Proulx, Phyllis Diller, John Waters, Michael Ovitz, Kim Gordon and Robert Mankoff, among many others, providing a composite portrait of Prince's themes alongside an insider's view of the formation of mass-cultural taste.
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Rosetta Brooks is an art critic and curator based in Pioneertown , California. She is currently a Core Faculty member of the MA in Art Criticism and Cultural Theory at the Art Center, College of Design, Pasadena, California. Formerly editor of the London-based ZG magazine, Brooks edited Richard Prince's 1992 catalogue for the Whitney Museum of American Art, and has written extensively on such artists as Edward Kienholz, Robert Rauschenberg, Sigmar Polke and Victor Burgin. Jeff Rian is a writer and Professor at the Ecole des Beaux-Arts, Nimes. He is an editor of Purple magazine, a regular contributor to Artforum and the author of Buckshot Lexicon (2000) and Lewis Baltz (Phaidon, 2001). Luc Sante is the author of Low Life (1991), Evidence (1992), The Factory of Facts (1998) and Walker Evans (Phaidon, 2001), and co-editor of OK You Mugs: Writers on Movie Actors (1999). He teaches Writing and the History of Photography at Bard College, Annandale-on-Hudson, New York.Review:
On the Contemporary Artists Series "The boldest, best executed, and most far-reaching publishing project devoted to contemporary art. These books will revolutionize the way contemporary art is presented and written about."-Artforum "The combination of intelligent analysis, personal insight, useful facts and plentiful pictures is a superb format invaluable for specialists but also interesting for casual readers, it makes these books a must for the library of anyone who cares about contemporary art."-Time Out "A unique series of informative monographs on individual artists."-The Sunday Times "Gives the reader the impression of a personal encounter with the artists. Apart from the writing which is lucid and illuminating, it is undoubtedly the wealth of lavish illustrations which makes looking at these books a satisfying entertainment."-The Art Book
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Buchbeschreibung Guggenheim Museum Publications, New York, 2007. Hardcover. Buchzustand: Very Good. Zustand des Schutzumschlags: No Dust Jacket. Hardcover in very good condition. No jacket as intended. The rear board has a small abrasion. The binding is sound and the pages are clean, with clear text and photos throughout. CM. Used. Artikel-Nr. 461402