Daniel Laskarin’s sculptures and public art commissions, on view across Canada and internationally, use a diverse range of media to raise questions about perception. At once very physical and recognizable, the work confounds the viewer by never being exactly identifiable. The artist refers this state of perception as “the agnostic condition of uncertainty between the general and the specific.” This first monograph contains three essays on Laskarin’s most recent series as well as on earlier works that illustrate the evolution of his practice and theoretical concerns.
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Anbieter: RareNonFiction, IOBA, Ladysmith, BC, Kanada
Paperback. Zustand: Very Good. Laskarin, Daniel (illustrator). First Edition. 94 pages. Beautiful colour photography throughout. "Laskarin has a stated interest in doubt and uncertainty, which he sees as important qualities in his work. He believes viewers become creatively engaged when they can't easily identify objects. Often, elements of his work that contain scarcely enough information to be recognizable are juxtaposed with other references to destabilize easy decoding." - Foreword. Clean, bright and unmarked with very light wear. A high-quality copy. Artikel-Nr. 546h3188
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