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Geoff Nicholson is the author of twenty books, including Sex Collectors,Hunters and Gatherers, The Food Chain, and Bleeding London, which was shortlisted for the Whitbread Prize. He divides his time between Los Angeles and London
Nicholson's stateside debut, a dark parable of appetites carnal, commercial and culinary, sets him firmly in the contemporary British mode of savvy, morbid humor pioneered by compatriots like Martin Amis and Pete Davies. L.A. wunderkind restaurateur Virgil Marcel is unprepared for the display of pathological gluttony that greets him at London's shadowy, invitation-only Everlasting Club, where members have been enjoying a nonstop orgiastic banquet since the Restoration. He is still more surprised to be subsequently swept off by an omnivorous English maiden on a mystery tour--more masticatory than magical--of English foods and fetishes. Virgil's bewilderment only deepens as he gradually uncovers a generational mystery that bonds the Everlasting Club's patrician sybarites, his English mother and his American father, demiurge of the Golden Boy fastfood restaurants, in a chain of appetite where desire may literally devour its object. A deft stylist, Nicholson adroitly dodges from sex to death to dinner and back, but after an uproarious opening his ability to ring the changes on his fable of consumption fades, while the profundities with which he garnishes the menu are stale at best. Readers will likely guess the Everlasting Club's dark but heavily signposted secret long before the final course, and may consider the club symbol--Ourobouros, the worm that eats its own tail--an apt enough motif for the imaginative but overelaborate dish Nicholson serves up.
Copyright 1993 Reed Business Information, Inc.
Acclaimed British novelist Nicholson will make quite a splash with his first American release, a sly and bawdy culinary romp. This rambunctious tale of gastronomic excess and sexual abandon begins modestly enough in California, where Frank Marcel is despairing of ever making a go of his diner. Inspiration arrives when his English wife, Mary, takes a picture of their toddler, Virgil, chomping on a chicken leg. "Golden Boy" is born, and soon Frank owns a profitable chain of family restaurants. Virgil becomes an archetypal prodigal son who achieves a modicum of fame running his father's one trendy gourmet eatery in L.A. When he receives a rather enigmatic invitation to join something called the Everlasting Club in London, he readily accepts, but the club turns out to be an experience few could stomach. Its emblem is a snake swallowing its own tail, and its mission is to sustain a perpetual bacchanalia. So far, the party has been running nonstop for 350 years. As all the Marcels get tangled up in the club's epicurean intrigue, Nicholson, who maintains a devastatingly arch tone and brisk pace, presents us with scenes of both cheerful eroticism and taunting grossness, all the while flirting with the specter of cannibalism and the connection between consumption, power, and sex. Donna Seaman
Kinky food and sex games are the stuff of this high-energy
black comedy from the British Nicholson, his fifth novel but
first US publication.
Virgil Marcel is flying to London as a guest of the ancient
and mysterious Everlasting Club. Virgil is the obnoxious, spoiled
rotten son of Frank Marcel, founder of the Golden Boy chain,
Howard Johnson-like restaurants in California; the only work he's
done since college is to revamp his father's one fancy
restaurant, now the last word in L.A. chic. In London, a black
chauffeur, Butterworth, drives Virgil blindfolded to the club,
where his host Kingsley, an upper-class twit, explains the club's
tradition of ``indulging in excess.'' Virgil eats and drinks with
the same swinish abandon as the other members, all male, but gets
into trouble when he French-kisses the naked girl who is the
motionless table decoration. So begins this story of gastronomic
and erotic debauch; Nicholson cuts between England (where Virgil
will be kidnapped by the sexy dinner-table centerpiece, then
rescued by the God-fearing Butterworth) and California, where
Frank, in the course of investigating his wife's supposed
infidelity, discovers his prized chef Leo ejaculating into the
sauces. Nicholson sustains a tone of campy menace (by now there's
a whiff of cannibalism in the air) as he brings all these
characters to London in a plot that zigs and zags entertainingly,
though with increasing improbability. Even more troubling,
though, are the factual accounts of gastronomic and other
excesses interspersed throughout. Aside from the borderline
tackiness of linking those notorious modern cannibals, the Andean
crash survivors, to the high jinks of the club, these passages
suggest authorial obsessions run amok.
Spicy fare, though some may find the aftertaste
disagreeable. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.
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