Keith Johnstone's involvement with the theatre began when George Devine and Tony Richardson, artistic directors of the Royal Court Theatre, commissioned a play from him. This was in 1956. A few years later he was himself Associate Artistic Director, working as a play-reader and director, in particular helping to run the Writers' Group. The improvisatory techniques and exercises evolved there to foster spontaneity and narrative skills were developed further in the actors' studio then in demonstrations to schools and colleges and ultimately in the founding of a company of performers, called The Theatre Machine. Divided into four sections, 'Status', 'Spontaneity', 'Narrative Skills', and 'Masks and Trance', arranged more or less in the order a group might approach them, the book sets out the specific techniques and exercises which Johnstone has himself found most useful and most stimulating. The result is both an ideas book and a fascinating exploration of the nature of spontaneous creativity.
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Keith Johnstone
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Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Paperback. Zustand: Good. Keith Johnstone's involvement with the theatre began when George Devine and Tony Richardson, artistic directors of the Royal Court Theatre, commissioned a play from him. This was in 1956. A few years later he was himself Associate Artistic Director, working as a play-reader and director, in particular helping to run the Writers' Group. The improvisatory techniques and exercises evolved there to foster spontaneity and narrative skills were developed further in the actors' studio then in demonstrations to schools and colleges and ultimately in the founding of a company of performers, called The Theatre Machine. Divided into four sections, 'Status', 'Spontaneity', 'Narrative Skills', and 'Masks and Trance', arranged more or less in the order a group might approach them, the book sets out the specific techniques and exercises which Johnstone has himself found most useful and most stimulating. The result is both an ideas book and a fascinating exploration of the nature of spontaneous creativity. Artikel-Nr. 00110312148
Anzahl: 2 verfügbar
Anbieter: Better World Books: West, Reno, NV, USA
Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Artikel-Nr. 7515689-6
Anzahl: 1 verfügbar
Anbieter: Books From California, Simi Valley, CA, USA
Paperback. Zustand: Fine. Artikel-Nr. mon0003669348
Anzahl: 3 verfügbar
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Paperback. Zustand: Very Good. Keith Johnstone's involvement with the theatre began when George Devine and Tony Richardson, artistic directors of the Royal Court Theatre, commissioned a play from him. This was in 1956. A few years later he was himself Associate Artistic Director, working as a play-reader and director, in particular helping to run the Writers' Group. The improvisatory techniques and exercises evolved there to foster spontaneity and narrative skills were developed further in the actors' studio then in demonstrations to schools and colleges and ultimately in the founding of a company of performers, called The Theatre Machine. Divided into four sections, 'Status', 'Spontaneity', 'Narrative Skills', and 'Masks and Trance', arranged more or less in the order a group might approach them, the book sets out the specific techniques and exercises which Johnstone has himself found most useful and most stimulating. The result is both an ideas book and a fascinating exploration of the nature of spontaneous creativity. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR004409683
Anzahl: 2 verfügbar
Anbieter: Hamelyn, Madrid, M, Spanien
Zustand: As New. : Keith Johnstone comenzó su carrera en el teatro cuando George Devine y Tony Richardson, directores artísticos del Royal Court Theatre, le encargaron una obra en 1956. Años después, él mismo fue Director Artístico Asociado, trabajando como lector de obras y director, ayudando en particular a dirigir el Writers' Group. Las técnicas y ejercicios de improvisación evolucionaron allí para fomentar la espontaneidad y las habilidades narrativas, y se desarrollaron aún más en el estudio de actores, luego en demostraciones a escuelas y universidades y, finalmente, en la fundación de una compañía de artistas llamada The. EAN: 9780878301171 Tipo: Libros Categoría: Arte y Cultura Título: Impro Autor: Keith Johnstone Idioma: eng Páginas: 208 Formato: tapa blanda. Artikel-Nr. Happ-2026-09-18-af835e41
Anzahl: 1 verfügbar
Anbieter: medimops, Berlin, Deutschland
Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present. Artikel-Nr. M00878301178-G
Anzahl: 1 verfügbar
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Paperback. Zustand: Brand New. 1st edition. 208 pages. 8.50x5.00x0.75 inches. In Stock. Artikel-Nr. x-0878301178
Anzahl: 2 verfügbar
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Paperback. Zustand: Brand New. 1st edition. 208 pages. 8.50x5.00x0.75 inches. In Stock. Artikel-Nr. 0878301178
Anzahl: 1 verfügbar
Anbieter: moluna, Greven, Deutschland
Zustand: New. Keith JohnstoneFirst published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.Keith Johnstone s involvement with the theatre began when George Devine and Tony Richardson, artistic directors of the Royal Court Theatr. Artikel-Nr. 898942470
Anzahl: Mehr als 20 verfügbar