In her new book, In Praise of Listening, Christian McEwen reflects on listening (silence, music, nature, prayer, &c.) in a series of thoughtful chapters, each one focused on a different theme. When an athlete speaks of “listening to his body,” or a gardener describes herself as “listening to the land,” when writers and artists explain that they are “listening” to their work-in-progress, they are using the word as she chooses to use it here—as an extended metaphor for openness and receptivity, rippling out from the self-centered human to the farthest reaches of the non-human world.
As McEwen says: Most of us think of listening in fairly literal fashion: human beings listening (or not listening) to one another; the pleasure of attending to a familiar piece of music. But listening can have a far broader and more capacious meaning, moving out beyond the small apparatus of the ears to the hands or belly or enveloping spirit/mind.
In Praise of Listening is a kind of sister or first cousin to McEwen’s earlier, timely, and very popular, World Enough & Time (Bauhan Publishing, 2011), with the same emphasis on creativity and slowing down.
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Christian McEwen is a writer, educator and cultural activist, and the author of World Enough & Time: On Creativity and Slowing Down, now in its eighth printing. She has edited four anthologies, including Jo’s Girls: Tomboy Tales of High Adventure; The Alphabet of the Trees: A Guide to Nature Writing; Sparks From the Anvil: The Smith College Poetry Interviews, and Legal Tender: Women & The Secret Life Of Money. Her newest book, In Praise of Listening, will be released this fall with Bauhan Publishing. McEwen grew up in the Borders of Scotland, and came to the States on a Fulbright Scholarship. She currently lives in Williamsburg. MA. She has enjoyed residencies at MacDowell and Yaddo, as well as the Millay Colony, Hedgebrook, the Virginia Center for the Creative Arts, and a number of other centers. In 2011, she received a grant in playwriting from the Massachusetts Cultural Council. -
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