Marcel Broodthaers’s (Belgian, 1924–1976) extraordinary output across mediums placed him at the center of international activity during the transformative decades of the 1960s and 1970s. Throughout his career, from early objects variously made of mussels, eggshells, and books of his own poetry; to his most ambitious project, the Musée d’Art Moderne. Département des Aigles; and the Décors made at the end of his life, Broodthaers occupied a unique position, often operating as both innovator and commentator. Setting a precedent for what we call installation art today, his work has had a profound influence on a broad range of contemporary artists, and he remains vitally relevant to cultural discourse at large. Published to accompany the artist’s first museum retrospective in New York, Marcel Broodthaers examines the artist’s work across all mediums. Essays by the exhibition organizers Christophe Cherix and Manuel Borja-Villel, along with a host of major scholars, including Benjamin H. D. Buchloh, Jean François Chevrier, Thierry de Duve, and Doris Krystof provide historical and theoretical context for the artist’s work. The book also features new translations of many of Broodthaers’s texts.
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Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
Marcel Broodthaers's (Belgian, 1924-1976) extraordinary output across mediums placed him at the center of international activity during the transformative decades of the 1960s and 1970s. Throughout his career, from early objects variously made of mussels, eggshells, and books of his own poetry, to his most ambitious project, the Musée d'Art Moderne. Département des Aigles, and the Décors made at the end of his life, Broodthaers occupied a unique position, often operating as both innovator and commentator. Setting a precedent for what we call installation art today, his work has had a profound influence on a broad range of contemporary artists, and he remains vitally relevant to cultural discourse at large. Published to accompany the artist's first museum retrospective in New York, Marcel Broodthaers examines the artist's work across all mediums. Essays by the exhibition organizers Christophe Cherix and Manuel Borja-Villel, along with a host of major scholars, including Benjamin H. D. Buchloh, Jean François Chevrier, Thierry de Duve, and Doris Krystof provide historical and theoretical context for the artist's work. The book also features new translations of many of Broodthaers's texts.
Accompanies a major international exhibition which begins at MoMA - the first retrospective of Broodthaers's work in New York, and the first extensive exhibition on the artist in the U.S. since 1989-1990
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Zustand: New. KlappentextrnrnAccompanies a major international exhibition which begins at MoMA - the first retrospective of Broodthaers s work in New York, and the first extensive exhibition on the artist in the U.S. since 1989-1990. Artikel-Nr. 898926784
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351 pp.; 31.1 x 24.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the Museum of Modern Art, New York, February 14 - May 15, 2016. Traveled to Museo Nacional Centro de Arte Reina Sofia, Madrid, October 4, 2016 - January 9, 2017. Organized by Christophe Cherix and Manuel J. Borja-Villel, with assistance by Francesca Wilmott. Texts by Christophe Cherix, Benjamin H.D. Buchloh, Cathleen Chaffee, Jean-François Chevrier, Kim Conaty, Thierry de Duve, Rafael Garcia, Doris Krystof, Christian Rattemeyer, Sam Sackeroff, Teresa Velázquez and Francesca Wilmott. With a conversation between Maria Gilissen Broodthaers and Yola Minatchy. Includes exhibition history, selected bibliography, catalogue of the exhibition, and illustrated works. New / Fine. In publisher's issued shrink wrap as issued. Due to size and weight of this publication additional shipping charges will be required for international orders. Artikel-Nr. 38180
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hardcover. Zustand: near fine. Zustand des Schutzumschlags: near fine. Marcel Broodthaers (illustrator). First. Illustrated. 352 pages. Large 4to. Illustrated boards with red paper belly band. First edition. New York: Museum of Modern Art, (2016). A near fine copy. Artikel-Nr. 296456
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Hardcover. Zustand: New. The catalog for the Museum of Modern Art's acclaimed Broodthaer's exhibition Marcel Broodthaers' extraordinary artistic output placed him at the center of international activity during the transformative decades of the 1960s and 1970s. Throughout his career, from early objects variously made of mussel shells, eggshells and books of his own poetry, to his most ambitious project, the Musée d'Art Moderne, Département des Aigles (Museum of Modern Art, Department of Eagles), and the Décors made at the end of his life, Broodthaers occupied a unique position, often operating as both innovator and commentator. Setting a precedent for what we call installation art today, his work has had a profound influence on a broad range of contemporary artists, and he remains vitally relevant to cultural discourse at large. Published to accompany Broodthaers' first retrospective in New York, this volume examines the artist's work across all mediums. Essays by the exhibition organizers Christophe Cherix and Manuel Borja-Villel, along with a host of major scholars, including Benjamin H.D. Buchloh, Jean François Chevrier, Thierry de Duve and Doris Krystof, provide historical and theoretical context for the artist's work. The book also features new translations of many of Broodthaers' texts. Marcel Broodthaers (192476) worked as a poet and critic until the age of 40, when he declared himself a visual artist. Over the next 12 years, he moved between Brussels, his birth city, and Düsseldorf and London. From 1968 to 1972 Broodthaers operated the Musée d'Art Moderne, Département des Aigles, an itinerant museum devoted to the exploration of the role of the institution itself and the function of art in society. Artikel-Nr. ABE-1731158268085
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