Artwriting is a philosophical study of the history of recent American art criticism. Carrier argues that an artwork can be understood only relative to interpretation, a function of criticism. But unlike art history, art criticism cannot arrive at a consensus about what makes a "true" interpretation of an artwork. Criticism can only appeal to the persuasiveness of alternative critical narratives in determining an artwork's meaning and value. Carrier begins by comparing Greenberg's theory of modernism to Ernst Gombrich's history of the naturalistic tradition and shows that genealogies of art styles are not adequate bases for choosing between art interpretations. He then demonstrates why Michael Fried's and Adrian Stokes' alternative antihistorical attempts to ground art interpretation in the presentness of an artwork are also inadequate. Explaining how art critics interested in structuralism have begun to overcome the limitations of these approaches leads Carrier to contemporary criticism. All of these viewpoints, he concludes, have been superseded in part by an awareness that today the role of criticism can be understood only in relation to the art market system in which critics as well as artists, dealers, collectors and museums play a role.
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Artwriting is a philosophical study of the history of recent American art criticism. Carrier argues that an artwork can be understood only relative to interpretation, a function of criticism. But unlike art history, art criticism cannot arrive at a consensus about what makes a "true" interpretation of an artwork. Criticism can only appeal to the persuasiveness of alternative critical narratives in determining an artwork's meaning and value. Carrier begins by comparing Greenberg's theory of modernism to Ernst Gombrich's history of the naturalistic tradition and shows that genealogies of art styles are not adequate bases for choosing between art interpretations. He then demonstrates why Michael Fried's and Adrian Stokes' alternative antihistorical attempts to ground art interpretation in the presentness of an artwork are also inadequate. Explaining how art critics interested in structuralism have begun to overcome the limitations of these approaches leads Carrier to contemporary criticism. All of these viewpoints, he concludes, have been superseded in part by an awareness that today the role of criticism can be understood only in relation to the art market system in which critics as well as artists, dealers, collectors and museums play a role.
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Anbieter: Wonder Book, Frederick, MD, USA
Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Artikel-Nr. E14J-00841
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Artikel-Nr. G0870235621I3N00
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:0870235621. Artikel-Nr. 9120040
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Anbieter: THE CROSS Art + Books, Sydney, NSW, Australien
21.5 x 15.5cms 162pp b/w Illusts Very Good- Soft Over This philosophical study of Clement Greenberg''s Ernst Gombrich''s Michael Fried''s & Adrian Stokes''s writing concludes with the observation that contemporary criticism must account for the critics artists dealers collectors and museums that constitute the art market. It concludes that when contemporary art criticism becomes self-conscious about artwriting''s ''inherently suasive role'' it can achieve persuasiveness in the marketplace. Artikel-Nr. 20102821
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Anbieter: Joe Orlik Books, Manchester, Vereinigtes Königreich
Soft cover. Zustand: As New. No Jacket. 1st Edition. Book softcover First Edition, 20 b&w ills, pp161. As New marred only by faded spine. Artikel-Nr. S28.101.2
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