Na Mele O Hawaii Nei: 101 Hawaiian Songs

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9780870222191: Na Mele O Hawaii Nei: 101 Hawaiian Songs

Here for the first time is a large collection of Hawaiian songs in an authoritative text with translation (music not included). The texts have never before been written consistently with the glottal stops (indicating syllabic breaks between vowels) and macrons (indicating long vowels and stresses) that make the words pronounceable by those unfamiliar with the Hawaiian language. Many of the songs have not been translated before or have only been freely adapted rather than translated.

These 101 songs are all postmissionary and owe their musical origin to missionary hymns, although only a few are religious. None are technically chants, though some are chants that have been edited and set to music. They date from the mid-1850s (most are from the time of the monarchy) to 1968 (the date of Mary Kawena Pukui's translation of Christmas songs). Nearly all of these songs are sung today and are well known to Hawaiian singers. Included are love songs, and Christmas songs.

There is an exhaustive introduction, which includes classification and arrangement of the songs; a note on the composers; and analysis of the structure, symbolism, and meanings of the songs; and a note on the translations and on the poetic vocabulary of the Hawaiian words.

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About the Author:

Samuel H. Elbert, professor emeritus of Pacific languages and linguistics at the University of Hawaii, taught the Hawaiian language for many years and is considered one of the foremost authorities on the language today. He is author of the textbook Spoken Hawaiian and is co-author with Mary Pukui of Hawaiian Dictionary, and with Mary Pukui and Esther Mookini of Place Names of Hawaii.

Review:

"These songs, whose Hawaiian texts and English translation appear side by side, date from the 1850s to 1968. The music is not included, but the words are poetry of great beauty."

These songs, whose Hawaiian texts and English translation appear side by side, date from the 1850s to 1968. The music is not included, but the words are poetry of great beauty.-- "Long Beach Press-Telegram"

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