Cynthia West says, "Kneeling, I retrieve shattered shards, glue them together. If I can stick even one piece to another, I have a poem. It is bread. . . . To write poetry, I memorize suffering's names, visit the wounds no stitches can hide, gather stories in my pain bag until it bursts. Love aches if it isn't told. . . . My words are small, round circles, elm seeds, designed to inhabit cracks. They sprout, growing leaves that call water, roots that hold earth, shade that shelters fruit. . . . I lean over the stream, holding a tin for panning gold, allow water to wash away the mud until the sun flashes on wet metal. . . . Kneeling, I retrieve shattered shards, glue them together. If I can stick even one piece to another, I have a poem. It is bread." Known for her visionary realist paintings, Cynthia is also a poet, a photographer, a digital compositor, a book artist, and a potter. Her home and garden of thirty-five years is a healing center as well as her studio and gallery. In addition, West is the author of "Rainbringer," also from Sunstone Press.
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Known for her visionary paintings, Cynthia West is also a poet, photographer, digital imager and book artist. Her home, with many gardens, in the Santa Fe River Valley, where she has lived with her husband and family for fifty years, is a healing center as well as her studio and gallery. West is the author of six previous collections of poetry. For Beauty Way, 1990, and 1000 Stone Buddhas, 1993, published by Inked Wingbeat, Santa Fe. Rainbringer, 2004, The New Sun, 2007, In the Center of the Field, 2010, and A Clear Drop, 2015, the last four published by Sunstone Press, Santa Fe. West is also the artist and author of The Seasons of Tea, 2010, and Visionary Paintings, 2019, published by Inked Wingbeat.
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