"... I was able to make a simple gesture which left no permanent mark on the land."
In 1979 Marlene Creates signaled her intent. In contrast to the monumental earthworks of that time, she revealed that her interest in the intersection of art and the natural world was with the ephemeral, the small scale, and the non-monumental, and with place, "not as a geographical location," she writes, "but as a process that involves memory, multiple narratives, ecology, language, and both scientific and vernacular knowledge." Supplementing the impermanence of her artistic gestures with the technology of photography, Creates found an audience and created a body of work without peer.
Creates has sensitvely probed the relationship between human experience and the natural world for almost four decades. From her early works that record traces of the human body on the land to her later explorations of poetry in situ in the boreal forest and photography as an active medium -- where the rush of water over the lens transforms the artist's own image -- Creates leads us with an environmental and cultural consciousness to a greater understanding of the language of the natural world and our "places" in it.
It is no easy task to sum up, in a single book, a career that privileges the act over the artifact, the moment over the monument. But under the direction of curator-critics Susan Gibson Garvey and Andrea Kunard, Marlene Creates: Places, Paths, and Pauses offers not only a broad view of her work in photography but also a critical appreciation of her multi-disciplinary approach (assemblages, memory-map drawings, and video-poems) through essays by Gibson Garvey and Kunard, art historian Joan M. Schwartz, nature writer Robert Macfarlane, and poet Don McKay.
Marlene Creates: Places, Paths, and Pauses accompanies a major retrospective touring exhibition organized by the Beaverbrook Art Gallery in partnership with the Dalhousie Art Gallery. It will open in Fredericton in September 2017 and thereafter will be shown at galleries in Halifax, Charlottetown, St. John's, and other venues in central and western Canada.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
For over forty years, Susan Gibson Garvey has been active in the Canadian visual arts community as an artist, educator, critic, curator, and gallery director. She was the Curator and later the director of the Dalhousie Art Gallery from 1990 to 2007.
Andrea Kunard taught for over a decade at Carleton University, Queen's University and Nova Scotia College of Art & Design University. As associate curator at the National Gallery of Canada, Kunard explores the intersections of contemporary and historical issues in Canadian photography, focusing on cultural uses of the medium, and its capacity to challenge and reconfigure accepted understandings of the public and private, subjectivity, memory, and knowledge.
Marlene Creates has sensitively probed the relationship between human experience and the natural world for almost four decades, choosing a path that privileges the act over the artifact, the moment over the monument. From her early works that record her ephemeral actions in the land to her later explorations of poetry in situ in the boreal forest, and of photography as an active medium — where, for example, the rush of water over the lens transforms the artist's own image — Creates leads us with an environmental and cultural consciousness to a greater understanding of the natural world and our "places" in it.
Under the direction of curator-critics Susan Gibson Garvey and Andrea Kunard, Marlene Creates: Places, Paths, and Pauses offers not only a broad view of her work in photography but also a critical appreciation of her multi-disciplinary approach (assemblages, memory-map drawings, and video-poems) through essays by Gibson Garvey and Kunard, photographic historian Joan M. Schwartz, nature writer Robert Macfarlane, and poet Don McKay.
Marlene Creates: Places, Paths, and Pauses is designed to accompany a touring retrospective exhibition organized by the Beaverbrook Art Gallery in partnership with Dalhousie Art Gallery.
Marlene Creates has sensitively probed the relationship between human experience and the natural world for almost four decades, choosing a path that privileges the act over the artifact, the moment over the monument. From her early works that record her ephemeral actions in the land to her later explorations of poetry in situ in the boreal forest, and of photography as an active medium -- where, for example, the rush of water over the lens transforms the artist's own image -- Creates leads us with an environmental and cultural consciousness to a greater understanding of the natural world and our "places" in it.
Under the direction of curator-critics Susan Gibson Garvey and Andrea Kunard, Marlene Creates: Places, Paths, and Pauses offers not only a broad view of her work in photography but also a critical appreciation of her multi-disciplinary approach (assemblages, memory-map drawings, and video-poems) through essays by Gibson Garvey and Kunard, photographic historian Joan M. Schwartz, nature writer Robert Macfarlane, and poet Don McKay.
Marlene Creates: Places, Paths, and Pauses is designed to accompany a touring retrospective exhibition organized by the Beaverbrook Art Gallery in partnership with Dalhousie Art Gallery.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: PBShop.store US, Wood Dale, IL, USA
HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Artikel-Nr. GZ-9780864929976
Anbieter: Ethan Daniel Books, Toronto, ON, Kanada
Hardcover. Zustand: Very Good. Retrospective volume of the work of East Coast Canadian photographer and installation artist whose work explores the relation between identity and the landscape. Profusely illustrated with color and black-and-white reproductions. Minor shelf and edge wear to dust jacket. Book itself is in fine, almost as-new condition without marks, inscriptions or fading. Not ex-library. Not a remainder. 202 pages. s12. Artikel-Nr. EDB01090
Anzahl: 1 verfügbar
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Artikel-Nr. GZ-9780864929976
Anzahl: 2 verfügbar
Anbieter: Acadia Art & Rare Books. Est. 1931, Toronto, ON, Kanada
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. Hardcover With Complete Dj. Copiously Illustrated With Colour And B/W Photographs, Many Full Page. Square 4to. Artikel-Nr. 031852
Anzahl: 1 verfügbar
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Artikel-Nr. V9780864929976
Anzahl: 2 verfügbar
Anbieter: moluna, Greven, Deutschland
Zustand: New. Klappentextrnrn". I was able to make a simple gesture which left no permanent mark on the land."In 1979 Marlene Creates signaled her intent. In contrast to the monumental earthworks of that time, she revealed that her interest in the. Artikel-Nr. 595111451
Anzahl: 2 verfügbar
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - Marlene Creates has sensitively probed the relationship between human experience and the natural world for almost four decades, choosing a path that privileges the act over the artifact, the moment over the monument. From her early works that record her ephemeral actions in the land to her later explorations of poetry in situ in the boreal forest, and of photography as an active medium -- where, for example, the rush of water over the lens transforms the artist's own image -- Creates leads us with an environmental and cultural consciousness to a greater understanding of the natural world and our 'places' in it. Artikel-Nr. 9780864929976
Anzahl: 1 verfügbar