The poems in Rythmes pittoresques, first published in 1890, present not only a poet searching for a voice, but also a female poet searching for a voice while breaking down rules of both versification and gender-determined source of expression. They went straight to the heart of the male-dominated poetry of the time and effectively threatened its existence. Of the group of poets who were the first to write free-verse poetry in French – Marie Krysinska, Arthur Rimbaud, Jules Laforgue, Gustave Kahn – only Marie Krysinska (1857-1908) has not received critical recognition. Although it was quickly dismissed by critics simply because it was written by a female poet, Krysinska’s poetry gives insight into the creation of a new form of feminine expression as well as the persecution of the female artist viewed by her largely male peers, readership and competitors.
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Seth Whidden is Associate Professor of French at Villanova University. His research focuses on nineteenth-century French poetry and contemporary French civilisation. He has published articles and translations on Rimbaud, Verlaine, Krysinska and French hip-hop culture.
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Zustand: New. The poems in this book, first published in 1890, present not only a poet searching for a voice, but also a female poet searching for a voice while breaking down rules of both versification and gender-determined source of expression. They went straight to the heart of the male-dominated poetry of the time and effectively threatened its existence. Series: Exeter Textes Litteraires. Num Pages: 186 pages, 1 port. BIC Classification: DCF. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 149 x 11. Weight in Grams: 310. . 2002. Paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9780859897112
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