From cannibalism to light-calligraphy, from self-harming to animal sacrifice, from meat entwined with sex toys to a commodity-embedded ice wall, the idiosyncratic output of Chinese time-based art over the past twenty-five years has invigorated contemporary global art movements and conversation. In Beijing Xingwei, Meiling Cheng engages with such artworks created to mark China's rapid social, economical, cultural, intellectual, and environmental transformations in its post-Deng era.
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Born and raised in Taiwan, Meiling Cheng is a noted performance art critic and poet and has published widely in both English and Chinese. She is associate professor in the School of Theatre at University of Southern California and the author of In Other Los Angeleses: Multicentric Performance Art.
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