The artist as activist, archivist, pedagogue, urban planner and maker: on the multifarious activities of Theaster Gates
This publication accompanies a major new Theaster Gates exhibition at London’s Whitechapel Gallery, focusing on his clay-based work.
The transformation of clay—from geological substance into utilitarian and artistic material—is the basis for much of Gates' art and a powerful metaphor for his socially engaged work. Using his hands and his imagination, Gates reworks and revitalizes found objects, musical traditions, archive and library holdings and derelict buildings, giving them new form, meaning and purpose.
Fully illustrated with examples of pottery, sculptures, installations, films and archive materials, the book also documents a new film by Gates and features essays from leading craft historians and writers. This in-depth exploration of Gates' work is especially timely as a new generation seeks to synthesize making, identity and activism.
Theaster Gates (born 1973) lives and works in Chicago, and is a professor at the University of Chicago. He has had solo shows at Gagosian (2020) and the Museum of Contemporary Art, Chicago (2013). His work can be found in public collections worldwide, including the Menil Collection, Houston; the Brooklyn Museum of Art, New York; the National Gallery of Canada, Ontario; the Museum of Contemporary Art, Chicago; Tate, London; and the San Francisco Museum of Modern Art.
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This publication accompanies a major new exhibition of Chicago-based artist Theaster Gates (b.1973), focussing on his clay-based work, collaborative projects and large scale sculptures and installations since 2005. Gates's interdisciplinary practice draws on his training in both urban planning and pottery, resulting in work which aims to instigate the creation of cultural communities and the recirculation of art-world capital, all the time considering the notion of Black space and ideology. Fully illustrated with examples of pottery, sculptures, installations, films and archive materials, the book also documents a new film by Gates and features essays from leading craft historians and writers. This in-depth exploration of Gates's work is timely and relevant now in a world where a new generation are raising questions through making, identity and activism.
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Buch. Zustand: Neu. Neuware - This publication accompanies a major new exhibition of Chicago-based artist Theaster Gates (b.1973), focussing on his clay-based work, collaborative projects and large scale sculptures and installations since 2005. Gates's interdisciplinary practice draws on his training in both urban planning and pottery, resulting in work which aims to instigate the creation of cultural communities and the recirculation of art-world capital, all the time considering the notion of Black space and ideology. Featuring a new poem by Ben Okri, an interview with the artist by Edmund du Waal, and essays by Monica Miller and Georgia Haseldine, as well as complete installation photography of the exhibition and documentation of the artist's brand new film A Clay Sermon, this in-depth exploration of Gates's work is timely and relevant now in a world where a new generation are raising questions through making, identity and activism. 'A Clay Sermon' is part of 'A Question of Clay', a multi-institutional series in London by Theaster Gates exploring the labour and production of clay, and its collection through history: comprising of a two-year residency at the V&A, exhibitions at Whitechapel Gallery and White Cube, and culminating in 'Black Chapel', the 2022 Serpentine Pavilion at the Serpentine Gallery. Artikel-Nr. 9780854882960
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Buch. Zustand: Neu. Theaster Gates: A Clay Sermon | Cameron Foote (u. a.) | Buch | Gebunden | Englisch | 2022 | Whitechapel Gallery | EAN 9780854882960 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu. Artikel-Nr. 119648743
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