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Systems: (Documents of Contemporary Art) - Softcover

Shanken, Edward A.

 
9780854882342: Systems: (Documents of Contemporary Art)

Inhaltsangabe

Part of the acclaimed 'Documents of Contemporary Art' series of anthologies .

To better understand the possible futures of art, you need to know the stuff in this book. - Sarah Cook, new media art historian, curator and co-author of Rethinking Curating: Art after New Media.

In the 1960s many artists, composers, musicians and architects began to embrace open systems that emphasise organism over mechanism, dynamic processes of interaction among elements, and the participant’s role as an inextricable part of aesthetic experience. This anthology traces this radical shift from its roots in systems and information theories, cybernetics and artificial intelligence to current cutting-edge science. It also explores the ways in which systems-based art projects can create self-generating entities and networks, alter our experience of time, change the configurations of social relations, cross cultural borders, and interact with threatened ecosystems.

Artists surveyed include: Roy Ascott, Brian Eno, Frank Gillette, Hans Haacke, Newton Harrison & Helen Mayer Harrison, Ken Rinaldo, Tomás Saraceno, Sonia Landy Sheridan, Christa Sommerer & Laurent Mignonneau, Woody & Steina Vasulka, Stephen Willats and Iannis Xenakis.

Writers include: Jack Burnahm, Geoff Cox, Boris Groys, Francis Halsall, N. Katherine Hayles, Caroline A. Jones, Bruno Latour, Niklas Luhmann, Humberto Maturana, William J. Mitchell, Nick Prior and Francisco Varela.

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Über die Autorin bzw. den Autor

Edward A. Shanken is Visiting Associate Professor, DXARTS, University of Washington. He is the editor of Roy Ascott’s collected writings Telematic Embrace: Visionary Theories of Art, Technology and Consciousness (2003) and the author of Art and Electronic Media (2009).

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In the late 1950s experiments such as the cybernetic sculptures of Nicolas Schoffer or the programmatic music compositions of John Cage and Iannis Xenakis transposed systems theory from the sciences to the arts. By the 1960s, artists as diverse as Roy Ascott, Hans Haacke, Robert Morris, Sonia Sheridan and Stephen Willats were breaking with accepted aesthetics to embrace open systems that emphasize organism over mechanism, dynamic processes of interaction among elements, and the observer's role as an inextricable part of the system. Jack Burnham's 1968 Artforum essay 'Systems Aesthetics' and 1970 'Software' exhibition marked the high point of systems-based art until its resurgence in the changed conditions of the 21st century. This anthology traces this radical shift in aesthetics from its roots in mid twentieth-century general systems theory, cybernetics and artificial intelligence to cutting-edge science in the present. Artists surveyed include Roy Ascott, Frank Gillette, Hans Haacke, Newton Harrison & Helen Mayer Harrison, Ken Rinaldo, Tomas Saraceno, Sonia Landy Sheridan, Christa Sommerer & Laurent Mignonneau, Woody & Steina Vasulka, Stephen Willats and Iannis Xenakis.Writers include Boris Groys, Francis Halsall, N. Katherine Hayles, Caroline A. Jones, Bruno Latour, Niklas Luhmann, William J. Mitchell and Nick Prior.

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