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Inhaltsangabe
In the twenty years preceding the First World War, cinema rapidly developed from a fairground curiosity into a major industry and social institution, a source of information and entertainment for millions of people. Only recently have film scholars and historians begun to study these early years of cinema in their own right and not simply as first steps towards the classical narrative cinema we now associate with Hollywood. The essays in this collection trace the fascinating history of how the cinema developed its forms of storytelling and representation and how it evolved into a complex industry with Hollywood rapidly acquiring a dominant role. These issues can be seen to arise from new readings of the so-called pioneers - Melies, Lumiere, Porter, and Griffith - while also suggesting new perspectives on major European filmmakers of the 1910s and 20s. Editor Thomas Elsaesser complements the contributions from leading British, American, and European scholars with introductory essays of his own that provide a comprehensive overview of the field. The volume is the most authoritative survey to date of a key area of contemporary film research, invaluable to historians as well as to students of cinema.
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Über die Autorin bzw. den Autor
THOMAS ELSAESSER was Professor Emeritus at the University of Amsterdam. His recent authored works includedEuropean Cinema and Continental Philosophy (2018); Film History as Media Archaeology (2016); German Cinema - Terror and Trauma: Cultural Memory since 1945 (2013); and The Persistence of Hollywood (2011).
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In the twenty years preceding the First World War, cinema rapidly developed from a fairground curiosity into a major industry and social institution, a source of information and entertainment for millions of people. Only recently have film scholars and historians begun to study these early years of cinema in their own right and not simply as first steps towards the classical narrative cinema we now associate with Hollywood. The essays in this collection trace the fascinating history of how the cinema developed its forms of storytelling and representation and how it evolved into a complex industry with Hollywood rapidly acquiring a dominant role. These issues can be seen to arise from new readings of the so-called pioneers - Melies, Lumiere, Porter, and Griffith - while also suggesting new perspectives on major European filmmakers of the 1910s and 20s. Editor Thomas Elsaesser complements the contributions from leading British, American, and European scholars with introductory essays of his own that provide a comprehensive overview of the field. The volume is the most authoritative survey to date of a key area of contemporary film research, invaluable to historians as well as to students of cinema.
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Early Cinema : Space, Frame, Narrative
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Early Cinema: Space, Frame, Narrative
Verlag:
British Film Institute (edition 1990), 1990
ISBN 10: 0851702457
ISBN 13: 9780851702452
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Early Cinema: Space, Frame, Narrative
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Bloomsbury Publishing PLC, 1990
ISBN 10: 0851702457
ISBN 13: 9780851702452
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Early Cinema: Space, Frame, Narrative
Verlag:
Bloomsbury Publishing PLC, 1990
ISBN 10: 0851702457
ISBN 13: 9780851702452
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Paperback
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Early Cinema: Space, Frame, Narrative
Verlag:
Bloomsbury Publishing PLC, 1990
ISBN 10: 0851702457
ISBN 13: 9780851702452
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Paperback
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Early Cinema: Space, Frame, Narrative
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Early Cinema
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Early Cinema: Space, Frame, Narrative
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British Film Institute Publishing, 1992
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ISBN 13: 9780851702452
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