Mexico's churches and conventos display a unique blend of European and native styles. Missionary Mendicant friars arrived in New Spain shortly after Cortes's conquest of the Aztec empire in 1521 and immediately related their own European architectural and visual arts styles to the tastes and expectations of native Indians. Right from the beginning the friars conceived of conventos as a special architectural theater in which to carry out their proselytizing. Over four hundred conventos were established in Mexico between 1526 and 1600, and more still in New Mexico in the century following, all built and decorated by native Indian artisans who became masters of European techniques and styles even as they added their own influence. The author argues that these magnificent sixteenth and seventeenth-century structures are as much part of the artistic patrimony of American Indians as their pre-Conquest temples, pyramids, and kivas. Mexican Indians, in fact, adapted European motifs to their own pictorial traditions and thus made a unique contribution to the worldwide spread of the Italian Renaissance.
The author brings a wealth of knowledge of medieval and Renaissance European history, philosophy, theology, art, and architecture to bear on colonial Mexico at the same time as he focuses on indigenous contributions to the colonial enterprise. This ground-breaking study enriches our understanding of the colonial process and the reciprocal relationship between European friars and native artisans.
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Samuel Y. Edgerton is the Amos Lawrence Professor of Art History at Williams College in Williamstown, Massachusetts, and the author of numerous books and articles.
Missionary friars arrived in New Spain in 1521 and related their own European architectural and visual arts styles to the tastes and expectations of native Indians, conceiving of conventos as a special architectural theater in which to carry out their proselytizing.
Missionary friars arrived in New Spain in 1521 and related their own European architectural and visual arts styles to the tastes and expectations of native Indians, conceiving of conventos as a special architectural theater in which to carry out their proselytizing.
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Anbieter: Carothers and Carothers, Albany, CA, USA
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. xvii, 350 pages. Publisher's binding sturdy, sunning to edges, light wear to corners; previous owner's bookplate to front free endpaper, contents as new. Light edgewear to dust jacket. 1500 grams. Artikel-Nr. 010511
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Anbieter: Best Books And Antiques, Chandler, TX, USA
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Rare inscribed copy of this book. Inscribed on front endpaper in light purple by author. University of New Mexico Press (Albuquerque). 2001. Dust jacket has some indentations on the back. Pages are crisp and clean. Cloth cover is unusual lilac color. Slight water stain on bottom of front cover. Photographs by Jorge Perez de Lara. Drawings by Mark Van Stone, James E. Ivey and the author. Pages are crisp with no observed marks, tears, or bends. BR (198). Inscribed by Author. Artikel-Nr. ABE-1620336215975
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Anbieter: Books From California, Simi Valley, CA, USA
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Includes dust jacket. Signed. First Edition. SIGNED by Samuel Edgerton. Minimal wear and creases to the jacket. Pages are clean and intact. Artikel-Nr. mon0003046278
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