To be a writer, Amitava Kumar says, is to be an observer. The twenty-six essays in Lunch with a Bigot are Kumar's observations of the world put into words. A mix of memoir, reportage, and criticism, the essays include encounters with writers Salman Rushdie and Arundhati Roy, discussions on the craft of writing, and a portrait of the struggles of a Bollywood actor. The title essay is Kumar's account of his visit to a member of an ultra-right Hindu organization who put him on a hit-list. In these and other essays, Kumar tells a broader story of immigration, change, and a shift to a more globalized existence, all the while demonstrating how he practices being a writer in the world.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Author's Note,
PART I • READING,
CHAPTER 1 Paper,
CHAPTER 2 My Hanif Kureishi Life,
CHAPTER 3 The Map of My Village,
CHAPTER 4 The Poetry of Gujarat Riots,
CHAPTER 5 Conversation with Arundhati Roy,
CHAPTER 6 Salman Rushdie and Me,
CHAPTER 7 Bad News,
PART II • WRITING,
CHAPTER 8 How to Write a Novel,
CHAPTER 9 Reading Like a Writer,
CHAPTER 10 Writing My Own Satya,
CHAPTER 11 Dead Bastards,
CHAPTER 12 The Writer as a Father,
CHAPTER 13 Ten Rules of Writing,
PART III • PLACES,
CHAPTER 14 Mofussil Junction,
CHAPTER 15 A Collaborator in Kashmir,
CHAPTER 16 At the Jaipur Literature Festival,
CHAPTER 17 Hotel Leeward,
CHAPTER 18 The Mines of Jadugoda,
CHAPTER 19 Upon Arrival in the Past,
CHAPTER 20 Bookstores of New York,
PART IV • PEOPLE,
CHAPTER 21 Lunch with a Bigot,
CHAPTER 22 The Boxer on the Flight,
CHAPTER 23 Amartya's Birth,
CHAPTER 24 The Taxi Drivers of New York,
CHAPTER 25 On Being Brown in America,
CHAPTER 26 Missing Person,
Index,
Paper
In my childhood home, paper, of any kind, was to be touched only by hand. If you stepped on a book by accident, you were to pick it up and raise it respectfully to your forehead. I am not from a culture, although that seems the wrong word here for any number of reasons, where you rubbed paper on your arse.
I did not know what to write on the notebooks I first bought as a child when I visited my birthplace, Ara. The nibs we were given were of wood. We dipped them in ink. My cousins and I sat in a row near our elderly aunt who had become crippled with grief after her husband died young. His blood had turned black before his death; when he died, my aunt didn't move for months. Her legs swelled up and she could no longer walk. That is what at least I had heard my mother and others say. When she lay on her back in bed, my aunt couldn't sit up or raise herself without help. Through most of the day, she would sit with her legs immobile, on the side of the bed that faced the door. Her son was studying to be a doctor. We were told that he wanted to be a doctor because his father had died of an incurable disease, kalaazar. And his mother was waiting to be able to walk again. There was reverence and also a faintly morbid, perhaps dread, expectation in that house. My aunt told me not to buy notebooks that had the pictures of Bombay film stars on them, and to always remember to touch the notebook with my forehead if I stepped on it. Her crippled hand gave to the alphabets she wrote out for me a larger, rounder form. I remember her as being neat and very strict, this aunt who wore a widow's white sari. Her room smelled of Dettol. In her presence, I wrote my first letters on the plain sheets of my notebook, always afraid that I would make mistakes. I always made mistakes and as soon as I had made one, I didn't want to use that notebook anymore.
It was in that same house in Ara, where my aunt lived, in which Naniji, my grandmother on my mother's side, died a few days short of my seventh birthday. When Naniji died, her sons' wives tore out the blank pages from our notebooks. The women rubbed clarified butter — "pure ghee" — on my grandmother's feet and then placed the sheets of paper against her soles. In the months that followed, these oily prints were filled with heavy embroidery and hung on the walls of the houses of all the relatives on my mother's side, including my old aunt. This is what remains of my earliest lessons in writing: the red footprints of my dead grandmother pointing toward eternity. On those sheets of the notebooks that I used to so quickly tire of when I made mistakes, the creases on Naniji's soles were stitched stiff with green silk.
Paper was to be worshipped, like money or the Gita. This freed you from the burden of doing any reading. My maternal uncles worked in the prison bureaucracy. I looked up to cousins who, on the flimsy wooden doors of the rooms that they shared, wrote down in chalk their names with fancy titles. There were notebooks around, and some textbooks with their covers wrapped in pages taken from newspapers or magazines, but I do not remember any other books. There was certainly no library. The comfortable ritual that I enter into now — a part of the privilege of living in a place like the United States — of choosing and reading books from the shelves that line my study, could not have been imagined at that time. The rituals in my grandmother's house, in that small town in India's most backward province, had more to do with cleaning your teeth with tooth powders that had tobacco in them or concentrating on a cure for constipation.
* * *
There is a short story I like in which a young man comes to the United States from India and becomes obsessed with the desire to know everything about the Indian tradition. The story was written in Kannada by A. K. Ramanujan, who taught for many years at the University of Chicago. In the story, the young man named Annayya is amazed at how, unlike him, the American anthropologists knew so much about Indian culture. Annayya begins to read books on India: "On the second floor of the Chicago library were stacks and stacks of those books which had to be reached by climbing the ladders and holding on to the wooden railings. Library call number PK 321. The East had at last found a niche in the West."
The number PK 321 is tied, in my mind, with another code or number, a cryptic marker of mid-twentieth-century globalization. It is PL 480, short for Public Law 480, 83rd Congress. Beginning in 1951, the United States provided wheat to India and other newly independent nations and accepted payment for the grain in local currency. The money that was "interest payable by the Government of India on the Wheat Loan of 1951" was used to fund "cultural exchange." In other words, monies to buy Indian books for American libraries in return for the regulated disposal of wheat from the American Midwest. The PL 480 library program for India and Pakistan began in January 1962. The library at the University of Chicago was selected by the Library of Congress as one of the top beneficiaries of the program. The books about ancient Hindu traditions that Ramanujan's Annayya was reading concealed a more contemporary exchange involving, among other things, the regulation on the open market of the price of thousands of tons of wheat from places like Kansas.
It was after coming to America as a foreign student that I read "Annayya's Anthropology" for the first time. For me, there was even a glimmer of self-recognition in Ramanujan's description of Annayya in America: "He read the Gita. In Mysore, he had made his father angry by refusing to read it. Here he drank beer and whisky, ate beef, used toilet paper instead of washing himself with water, lapped up the Playboy magazines with their pictures of naked breasts, thighs, and some navels as big as rupee coins." But what caught my attention during a subsequent reading was a detail in Ramanujan's story: the American anthropologist whose book Annayya was reading in the Chicago library stacks was a Ford Foundation fellow in India. In this fact hides the repetition of the link with PL 480.
Under the National...
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: Wonder Book, Frederick, MD, USA
Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Artikel-Nr. F11B-02981
Anzahl: 1 verfügbar
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Artikel-Nr. G0822359308I4N00
Anzahl: 1 verfügbar
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good. Artikel-Nr. 56438072-6
Anzahl: 1 verfügbar
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR007149203
Anzahl: 1 verfügbar
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Artikel-Nr. FW-9780822359302
Anzahl: 1 verfügbar
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 2015. Paperback. . . . . . Books ship from the US and Ireland. Artikel-Nr. V9780822359302
Anzahl: 1 verfügbar
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Paperback. Zustand: Brand New. 240 pages. 8.75x6.00x0.25 inches. In Stock. Artikel-Nr. x-0822359308
Anzahl: 2 verfügbar
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
Zustand: New. In English. Artikel-Nr. ria9780822359302_new
Anzahl: Mehr als 20 verfügbar