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Translocalities/Translocalidades: Feminist Politics of Translation in the Latin/a Américas - Softcover

 
9780822356325: Translocalities/Translocalidades: Feminist Politics of Translation in the Latin/a Américas

Inhaltsangabe

Translocalities/Translocalidades is a path-breaking collection of essays on Latin American, Caribbean, and United States-based Latina feminisms and their multiple translations and cross-pollinations. The contributors come from countries throughout the Américas and are based in diverse disciplines, including media studies, literature, Chicana/o studies, and political science. Together, they advocate a hemispheric politics based on the knowledge that today, many sorts of Latin/o-americanidades--Afro, queer, indigenous, feminist, and so on--are constructed through processes of translocation. Latinidad in the South, North and Caribbean "middle" of the Américas, is constituted out of the intersections of the intensified cross-border, transcultural, and translocal flows that characterize contemporary transmigration throughout the hemisphere, from La Paz to Buenos Aires to Chicago and back again. Rather than immigrating and assimilating, many people in the Latin/a Américas increasingly move back and forth between localities, between historically situated and culturally specific, though increasingly porous, places, across multiple borders, and not just between nations. The contributors deem these multidirectional crossings and movements, and the positionalities engendered, translocalities/translocalidades.

Contributors. Sonia E. Alvarez, Kiran Asher, Victoria (Vicky) M. Bañales, Marisa Belausteguigoitia Rius, Maylei Blackwell, Cruz C. Bueno, Pascha Bueno-Hansen, Mirangela Buggs, Teresa Carrillo, Claudia de Lima Costa, Isabel Espinal, Verónica Feliu, Macarena Gómez-Barris, Rebecca J. Hester, Norma Klahn, Agustín Lao-Montes, Suzana Maia, Márgara Millán, Adriana Piscitelli, Ana Rebeca Prada, Ester R. Shapiro, Simone Pereira Schmidt, Millie Thayer

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Über die Autorin bzw. den Autor

Sonia E. Alvarez is Leonard J. Horowitz Professor of Latin American Politics and Studies and Director of the Center for Latin American, Caribbean, and Latino Studies at the University of Massachusetts, Amherst.

Claudia de Lima Costa teaches literary theory, feminist theories, and cultural studies at the Federal University of Santa Catarina, in FlorianÓpolis, Brazil. VerÓnica Feliu is a Spanish instructor at City College of San Francisco.

VerÓnica Feliu is a Spanish instructor at City College of San Francisco.

Rebecca J. Hester, a political scientist, is Assistant Professor of Social Medicine in the Institute for the Medical Humanities at the University of Texas Medical Branch.

Norma Klahn is Professor of Literature at the University of California, Santa Cruz.

Millie Thayer is Associate Professor of Sociology at the University of Massachusetts, Amherst, where she is affiliated with the Center for Latin American, Caribbean, and Latino Studies.

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FEMINIST POLITICS OF TRANSLATION IN THE LATIN/A AMÉRICAS

By SONIA E. ALVAREZ, CLAUDIA DE LIMA COSTA, VERÓNICA FELIU, REBECCA J. HESTER, NORMA KLAHN, MILLIE THAYER, CRUZ CARIDAD BUENO

Duke University Press

Copyright © 2014 Duke University Press
All rights reserved.
ISBN: 978-0-8223-5632-5

Contents

Acknowledgments, ix,
Introduction to the Project and the Volume Enacting a Translocal Feminist Politics of Translation SONIA E. ALVAREZ, 1,
Introduction to Debates about Translation Lost (and Found?) in Translation: Feminisms in Hemispheric Dialogue CLAUDIA DE LIMA COSTA, 19,
PART I MOBILIZATIONS/MOBILIZING THEORIES/TEXTS/IMAGES,
1 Locating Women's Writing and Translation in the Americas in the Age of Latinamericanismo and Globalization NORMA KLAHN, 39,
2 Is Anzaldúa Translatable in Bolivia? ANA REBECA PRADA, 57,
3 Cravo Canela Bala e Favela: Luso-Afro-Brazilian Feminist Postcolonialities SIMONE PEREIRA SCHMIDT, 78,
4 El Incansable Juego / The Untiring Game: Dominican Women Writing and Translating Ourselves ISABEL ESPINAL, 95,
5 Pedagogical Strategies for a Transnational Reading of Border Writers: Pairing a Triangle MARISA BELAUSTEGUIGOITIA RIUS, 107,
PART II MEDIATIONS/NATIONAL/TRANSNATIONAL IDENTITIES/CIRCUITS,
6 Feminist Theories, Transnational Translations, and Cultural Mediations CLAUDIA DE LIMA COSTA, 133,
7 Politics of Translation in Contemporary Mexican Feminism MÁRGARA MILLÁN, 149,
8 Bodies in Translation: Health Promotion in Indigenous Mexican Migrant Communities in California REBECCA J. HESTER, 168,
9 Texts in Contexts: Reading Afro-Colombian Women's Activism KIRAN ASHER, 189,
10 El Fruto de la Voz: The "Difference" of Moyeneí Valdés's Sound Break Politics MACARENA GÓMEZ-BARRIS, 209,
PART III MIGRATIONS/DISRUPTING (B)ORDERS,
11 Translation and Transnationalization of Domestic Service TERESA CARRILLO, 225,
12 Chilean Domestic Labor: A Feminist Silence VERÓNICA FELIU, 240,
13 Performing Seduction and National Identity: Brazilian Erotic Dancers in New York SUZANA MAIA, 258,
14 Transnational Sex Travels: Negotiating Identities in a Brazilian "Tropical Paradise" ADRIANA PISCITELLI, 277,
PART IV MOVEMENTS/FEMINIST/SOCIAL/POLITICAL/POSTCOLONIAL,
15 Translenguas: Mapping the Possibilities and Challenges of Transnational Women's Organizing across Geographies of Difference MAYLEI BLACKWELL, 299,
16 Queer/Lesbiana Dialogues among Feminist Movements in the Américas PASCHA BUENO-HANSEN, 321,
17 Learning from Latinas: Translating Our Bodies, Ourselves as Transnational Feminist Text ESTER R. SHAPIRO, 340,
18 Women with Guns: Translating Gender in I, Rigoberta Menchú VICTORIA M. BAÑALES, 363,
19 Translocal Space of Afro-Latinidad: Critical Feminist Visions for Diasporic Bridge-Building AGUSTÍN LAO-MONTES AND MIRANGELA BUGGS, 381,
20 Translations and Refusals: Resignifying Meanings as Feminist Political Practice MILLIE THAYER, 401,
References, 423,
Contributors, 463,
Index, 469,


CHAPTER 1

LOCATING WOMEN'S WRITING AND TRANSLATION IN THE AMERICAS IN THE AGE OF LATINAMERICANISMO AND GLOBALIZATION

NORMA KLAHN

A bridge (made of stories, ideas, theories) is knowledge. It is public; it is communal: it is where our paths converge.

—GLORIA ANZALDÚA, This Bridge Called My Back


Women's writing in Latin/Latina America—that of major figures who emerged after the 1970s, many of whom consolidated their work in the 1980s and 1990s, and who were joined by a younger generation at the turn of the century—has been a site actively marked by gender, but where questions of class, ethnicity, sexuality, nation, and generation have been inexorably present. Latin/Latina American women's writings, I suggest, represented a major shift that defined them as both products and producers of what has been called the cultural turn, a defining critical moment that deconstructed the centrality of modernist epistemologies and the binary and hierarchical categories that sustained them. Center–periphery, elite–popular, male–female opposites were critiqued in the postmodernist turn as constructed antinomies that upheld hegemonic power relations privileging Anglo-Euro-centrism, patriarchal structures, and an aestheticist view of the literary (read: nonpolitical). These writings (testimonios, autobiographical fictions, poetry, essays, novels) linked to political mobilizations and social movements have been fundamental in the theorizing and construction of a sui generis practice. Latin American and Latina feminists readapted feminist liberation discourses from the West, resignifying them in relation to self-generated practices and theorizations of gender empowerment that have emerged from their lived experiences, particular histories and contestatory politics. Their interventions range from denouncing sexist practices, exclusionary nation-state structures, and xenophobic ideologies to state-sponsored violence and authoritarian regimes. From these loci, women writers can be seen as actively participating in the larger global project of an inclusive democratization process demanding full equality and dignity for women and other excluded minorities.

Whether as storytelling (fiction) or life writing, in its multiple forms, Latin American and Latina feminist work constitute poetic and politicized interventions that have opened a discursive space for self-awareness, for self-inclusion in nation-state projects, and for their role in an increasingly globalized world. In their desire to redefine and reinvent the nation-state, their writing opened a symbolic space in the 1970s, forging new political identities and subjectivities. As interventions/inventions, the prolific writings of Latin American/ Latina women of the latter part of the twentieth century and first decade of the twenty-first century represent a feminist practice that persistently addresses, especially since the 1990s, the endured disparities and unequal power relations sustained by hegemonic discourses and neoliberal policies that have shown to be—since the Great Recession of 2008—bankrupt. Their writings continue to situate them as central players in processes that point to the need to enact and strengthen renewed democracies.

Given these recent developments, this chapter is a critical attempt at locating and understanding the journeys of feminist literary (broadly conceived) texts, their travels and translations, their readings and misreadings. This is not an exhaustive list nor a detailed analysis, but a mapping of several authors and texts that might illustrate the particular ways women's writings, grounded in distinct temporalities and cultural and historical legacies, circulate beyond (outside) and within (inside) their localities. My reading identifies the writings (testimonios, autobiographical fictions, essays, novels) as poetic/political interventions or, if you wish, aesthetic/ethical ones linked to contestatory practices.


Redefining the Nation: Testimonio as Mobilizing Texts

The shift that occurred internationally in the 1960s and 1970s as civil rights and social movements based on group identifications fought for recognition and built transnational alliances in solidarity with others based on shared experiences of disenfranchisement can be seen, I suggest, as a postnationalist moment. I understand it as constituting a critique of the politics of the modern nation-state...

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