Book by AbdurRahman Aliyyah
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
"Against the Closet is an important and much-needed book, a significant contribution to African American literature, cultural studies, sexuality studies, and critical race theory. Aliyyah I. Abdur-Rahman's close readings of fictional representations of race and sex are nuanced and illuminating, and the history of racial thought and sexual science that she presents is indispensable." Maurice O. Wallace, author of Constructing the Black Masculine: Identity and Ideality in African American Men's Literature and Culture, 1775-1995 "In this significant and timely text, Aliyyah I. Abdur-Rahman complicates and expands our understanding of the queerness of blackness, making a welcome contribution to black cultural studies, black queer studies, literary studies, and work on lynching and the making of post-slavery whiteness." Christina Sharpe, author of Monstrous Intimacies: Making Post-Slavery SubjectsReseña del editor:
In Against the Closet, Aliyyah I. Abdur-Rahman interrogates and challenges cultural theorists' interpretations of sexual transgression in African American literature. She argues that, from the mid-nineteenth century through the twentieth, black writers used depictions of erotic transgression to contest popular theories of identity, pathology, national belonging, and racial difference in American culture. Connecting metaphors of sexual transgression to specific historical periods, Abdur-Rahman explains how tropes such as sadomasochism and incest illuminated the psychodynamics of particular racial injuries and suggested forms of social repair and political redress from the time of slavery, through post-Reconstruction and the civil rights and black power movements, to the late twentieth century. Abdur-Rahman brings black feminist, psychoanalytic, critical race, and poststructuralist theories to bear on literary genres from slave narratives to science fiction. Analyzing works by African American writers, including Frederick Douglass, Pauline Hopkins, Harriet Jacobs, James Baldwin, and Octavia Butler, she shows how literary representations of transgressive sexuality expressed the longings of African Americans for individual and collective freedom. Abdur-Rahman contends that those representations were fundamental to the development of African American forms of literary expression and modes of political intervention and cultural self-fashioning.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.