This unique anthology assembles primary documents chronicling the development of the phonograph, film sound, and the radio. These three sound technologies shaped Americans' relation to music from the late nineteenth century until the end of the Second World War, by which time the technologies were thoroughly integrated into everyday life. There are more than 120 selections between the collection's first piece, an article on the phonograph written by Thomas Edison in 1878, and its last, a column advising listeners "desirous of gaining more from music as presented by the radio." Among the selections are articles from popular and trade publications, advertisements, fan letters, corporate records, fiction, and sheet music. Taken together, the selections capture how the new sound technologies were shaped by developments such as urbanization, the increasing value placed on leisure time, and the rise of the advertising industry. Most importantly, they depict the ways that the new sound technologies were received by real people in particular places and moments in time.
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Timothy D. Taylor is Professor of Ethnomusicology and Musicology at the University of California, Los Angeles. He is the author of The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture and Beyond Exoticism: Western Music and the World, which is also published by Duke University Press.
Mark Katz is Associate Professor of Music at the University of North Carolina, Chapel Hill. He is the author of Capturing Sound: How Technology Has Changed Music and Groove Music: The Art and Culture of the Hip-Hop DJ.
Tony Grajeda is Associate Professor of Cultural Studies in the Department of English at the University of Central Florida. He is an editor of Lowering the Boom: Critical Studies in Film Sound.
Readings Compiled by Mark Katz
Predictions
1. Thomas A. Edison, "The Phonograph and Its Future" North American Review 126 (1878), 530-36
Of all the writer's inventions, none has commanded such profound and earnest attention throughout the civilized world as has the phonograph. This fact he attributes largely to that peculiarity of the invention which brings its possibilities within range of the speculative imaginations of all thinking people, as well as to the almost universal applicability of the foundation principle, namely, the gathering up and retaining of sounds hitherto fugitive, and their reproduction at will.
From the very abundance of conjectural and prophetic opinions which have been disseminated by the press, the public is liable to become confused, and less accurately informed as to the immediate result and effects of the phonograph than if the invention had been confined to certain specific applications, and therefore of less interest to the masses. The writer has no fault to find with this condition of the discussion of the merits and possibilities of his invention; for, indeed, the possibilities are so illimitable and the probabilities so numerous that he—though subject to the influence of familiar contact—is himself in a somewhat chaotic condition of mind as to where to draw the dividing line. In point of fact, such line cannot with safety be defined in ordinary inventions at so early a stage of their development. In the case of an invention of the nature and scope of the phonograph, it is practically impossible to indicate it today, for tomorrow a trifle may extend it almost indefinitely.
There are, however, certain stages in the developing process which have thus far been actually reached; certain others which are clearly within reach; and others which, though they are in the light of today classed as possibilities, may tomorrow become probable, and a little later actual achievements. It is the intention of the writer in this article to confine himself to the actual and the probable, to the end that a clearer conception of the immediate realizations of the phonograph may be had. He concedes to the public press and the world of science the imaginative work of pointing out and commenting upon the possible. It is in view of the liberal manner in which this has already been done, and the handsome treatment he has received at their hands, that he for the first time appears in propria persona to discuss and comment upon the merits of one of his own inventions.
In order to furnish a basis upon which the reader may take his stand, and accept or combat the logic of the writer in his presentment of the probabilities of the phonograph, a few categorical questions are put and answers given upon the essential features of the principle involved:
1. Is a vibrating plate or disk capable of receiving a complex motion which shall correctly represent the peculiar property of each and all the multifarious vocal and other sound-waves?
The telephone answers affirmatively.
2. Can such complex movement be transmitted from such plate, by means of a single embossing-point attached thereto, to effect a record upon a plastic material by indentation, with such fidelity as to give to such indentations the same varied and complex form; and, if so, will this embossing-point, upon being passed over the record thus made, follow it with such fidelity as to retransmit to the disk the same variety of movement, and thus effect a restoration or reproduction of the vocal or other sound-waves, without loss of any property essential to producing upon the ear the same sensation as if coming direct from the original source?
The answer to this may be summed up in a statement of the fact that, by the application of power for uniformity of movement, and by attention to many seemingly unimportant and minor details, such as the form and material of the embossing-point, the proper dampening of the plate, the character of the material embossed, the formation of the mouth-piece over the plate, etc., the writer has at various times during the past weeks reproduced these waves with such degree of accuracy in each and every detail as to enable his assistants to read, without the loss of a word, one or more columns of a newspaper article unfamiliar to them, and which were spoken into the apparatus when they were not present. The only perceptible loss was found to be in the quality of the utterance—a non-essential in the practical application of the apparatus. Indeed, the articulation of some individuals has been very perceptibly improved by passage through the phonograph, the original utterance being mutilated by imperfection of lip and mouth formation, and these mutilations eliminated or corrected by the mechanism of the phonograph.
3. Can a record be removed from the apparatus upon which it was made, and replaced upon a second without mutilation or loss of effective power to vibrate the second plate?
This is a mere mechanical detail, presenting no greater obstacle than having proper regard for the perfect interchangeableness of the various working parts of the apparatus—not so nice a problem as the manufacture of the American watch.
4. What as to facility of placing and removing the record-sheet, and as to its transportation by mail?
But ten or fifteen seconds suffice for such placing or removal. A special envelope will probably be required for the present, the weight and form of which, however, will but slightly increase the cost of postage.
5. What as to durability?
Repeated experiments have proved that the indentations possess wonderful enduring power, even when the reproduction has been effected by the comparatively rigid plate used for their production. It is proposed, however, to use a more flexible plate for reproducing, which, with a perfectly smooth stone point—diamond or sapphire—will render the record capable of from 50 to 100 repetitions, enough for all practical purposes.
6. What as to duplication of a record and its permanence?
Many experiments have been made, with more or less success, in the effort to obtain stereotypes of a record. This work has been done by others, and, though the writer has not as yet seen it, he is reliably informed that, very recently, it has been successfully accomplished. He can certainly see no practical obstacle in the way. This, of course, permits of an indefinite multiplication of a record, and its preservation for all time.
7. What are the requisite force of wave impinging upon the diaphragm and the proximity of the mouth to the diaphragm to effect a record?
These depend in a great measure upon the volume of sound desired in the reproduction. If the reproduction is to be made audible to an audience, considerable force is requisite in the original utterance; if for the individual ear, only the ordinary conversational tone (even a whisper has been reproduced). In both cases the original utterances are delivered directly in the mouthpiece of the instrument. An audible reproduction may, however, be had by speaking at the instrument from a distance of from two to three feet in a loud tone. The application of a flaring tube or funnel to collect the sound waves and the construction of an especially delicate diaphragm and embossing-point, etc., are the simple means which suggest...
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