Über die Autorinnen und Autoren

RAE ARMANTROUT is a professor of writing in the Literature Department at the University of California at San Diego, and the author of eleven books of poetry, including Money Shot, Versed, Next Life, and Veil: New and Selected Poems. Praise for Money Shot "Armantrout has the ability to magnify the merest of words into an essay. True to the postmodern tradition, she gives no answer to the provocative questions she raises. Instead Money Shot offers sure proof of one thing: A well-wrought book of poems." —John Herbert Cunningham, Rain Taxi "&;There are a lot of possibilities. Which is exciting, and frightening. &; Indeed, the charged openness of language is itself enough to power these poems. &; Let's play a game, Armantrout seems to say. This game has to do with language, and either it will destroy us or leave us alone on a sunny day. Take your pick." —Nick Sturm, Laurel Review Praise for Versed "Rae Armantrout is the most philosophical sort of poet, continually seeking in her collections to summon and surmise the contemporary character of subjective experience and, further, to test the limits of knowledge. &; Short lines in brief poems are polyvalent in both voicing and implication, inviting multiple readings &; yet pleasure arises in contemplating both the options and the paradox." —Tom Griffin, Bookforum "Written under a diagnosis of cancer ('I just called / to fill you in'), Versed is a major and moving addition to a life's work in many-angled reflection." —Jeremy Noel-Tod, Times Literary Supplement

RAE ARMANTROUT is a professor of writing in the Literature Department at the University of California at San Diego, and the author of eleven books of poetry, including Money Shot, Versed, Next Life, and Veil: New and Selected Poems. Praise for Money Shot "Armantrout has the ability to magnify the merest of words into an essay. True to the postmodern tradition, she gives no answer to the provocative questions she raises. Instead Money Shot offers sure proof of one thing: A well-wrought book of poems." —John Herbert Cunningham, Rain Taxi "'there are a lot of possibilities. Which is exciting, and frightening. " Indeed, the charged openness of language is itself enough to power these poems. " Let's play a game, Armantrout seems to say. This game has to do with language, and either it will destroy us or leave us alone on a sunny day. Take your pick." —Nick Sturm, Laurel Review Praise for Versed "Rae Armantrout is the most philosophical sort of poet, continually seeking in her collections to summon and surmise the contemporary character of subjective experience and, further, to test the limits of knowledge. " Short lines in brief poems are polyvalent in both voicing and implication, inviting multiple readings ' yet pleasure arises in contemplating both the options and the paradox." —Tom Griffin, Bookforum "Written under a diagnosis of cancer ('I just called / to fill you in'), Versed is a major and moving addition to a life's work in many-angled reflection." —Jeremy Noel-Tod, Times Literary Supplement

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just saying

Wesleyan Poetry

Wesleyan University Press

Contents

Acknowledgments............................................................
ix
Scripture..................................................................
1
Instead....................................................................
3
Old School.................................................................
5
Dress Up...................................................................
6
Accounts...................................................................
7
Event Horizon..............................................................
9
Cold.......................................................................
10
Just Saying................................................................
11
Ghosted....................................................................
13
Remainder..................................................................
15
Suggestion.................................................................
17
Spent......................................................................
19
My Taste...................................................................
20
Haunts.....................................................................
21
Parting Shots..............................................................
23
Inflection.................................................................
24
The Look...................................................................
26
At Least...................................................................
28
Holding Pen................................................................
30
Subdivision................................................................
31
My Apocalypse..............................................................
32
Things.....................................................................
33
Entry......................................................................
35
Arrivals...................................................................
37
Circulating................................................................
39
Production.................................................................
40
Being Seen.................................................................
41
Transactions...............................................................
43
At.........................................................................
45
Action Poem................................................................
46
The Thinning...............................................................
47
Elements of Blank..........................................................
49
Situation..................................................................
50
Midst......................................................................
52
Representative.............................................................
53
Second Order...............................................................
55
Scale......................................................................
56
Custom.....................................................................
58
And........................................................................
59
Treatment..................................................................
60
Coming Out.................................................................
61
Watch This.................................................................
63
Experts....................................................................
64
Experimental Design........................................................
66
Meeting Expectations.......................................................
67
Problem Areas..............................................................
68
Between Islands............................................................
69
Half Lives.................................................................
71
Progress...................................................................
72
The Music Teacher..........................................................
74
Without End................................................................
75
Bardos.....................................................................
77
Living Space...............................................................
79
Luster.....................................................................
81
Formal Constraints.........................................................
83
Rounds.....................................................................
85
Mother's Day...............................................................
86
Thus.......................................................................
88
Focus......................................................................
89
The Elect..................................................................
90
New Intelligence...........................................................
91
Another....................................................................
93
Still and All..............................................................
94
Real Time..................................................................
96
Meant......................................................................
98
Hymn.......................................................................
100
Stop and Go................................................................
101

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