This work explores Edith Wharton's career-long concern with a 19th-century visual culture that limited female artistic agency and expression. Wharton repeatedly invoked the visual arts - especially painting - as a medium for revealing the ways that women's bodies have been represented (as passive, sexualized, infantilized, sickly, dead). Well-versed in the Italian masters, Wharton made special use of the art of the Pre-Raphaelite Brotherhood, particularly its penchant for producing not portraits of individual women but instead icons onto whose bodies male desire is superimposed.
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Emily J. Orlando is Assistant Professor of American Literature at Tennessee State University.
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Zustand: New. Explores the author's concern with a 19th-century visual culture that limited female artistic agency and expression. Series: Studies in American Literary Realism and Naturalism. Num Pages: 264 pages, 18 illustrations. BIC Classification: 1KBB; 2AB; DSBH; DSK. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 18. Weight in Grams: 431. . 2009. 1st Edition. Paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9780817355524
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