What, if any, is the relationship between Charles Dickens and the decorative arts? Between Henry James and Art Nouveau? Between the poetry of Gerard Manley Hopkins and the paintings of the Impressionists?
Recent trends in scholarship have begun to reassess the assumption that the arts of painting and literature are too fundamentally disparate to permit a fruitful comparison between the two. In Victorian Contexts, Murray Roston puts that assumption to rest with imaginative and refreshing essays on the similarities and shared themes of the literature, painting, architecture, and crafts of the nineteenth century. Explaining the value of such an intertextual approach, he argues that in every generation there is a central complex of inherited assumptions and urgent contemporary concerns to which each creative artist responds in his or her individual way.
Eminently readable, Victorian Contexts is accessible to general readers as well as scholars of literature, the visual arts, and nineteenth-century culture.
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Murray Roston is Professor of English at Bar-Ilan University, Israel and has been a visiting professor at the University of California in Los Angeles, Stanford University, and the University of Virginia. He is also the author of Victorian Contexts: Literature and the Visual Arts (NYU).
What, if any, is the relationship between Charles Dickens, and the decorative arts? Between Henry James and Art Nouveau? Between the poetry of Gerard Manley Hopkins and the paintings of the Impressionists? Recent trends in scholarship have begun to reassess the assumption that the arts of painting and literature are too fundamentally disparate to permit a fruitful comparison between the two. In Victorian Contexts, Murray Roston puts that assumption to rest once and for all, with imaginative and refreshing essays on the similarities and shared themes of the literature, paintings, architecture, and crafts of the nineteenth century. Explaining the value of such an intertextual approach, he argues that in every generation there is "a central complex of inherited assumptions and urgent contemporary concerns to which each creative artist responds in his or her individual way".
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Hardcover. Zustand: Gut. 246 p. [ill.]. Minor rubbing to dust jacket, otherwise very good condition, no notes. - What, if any, is the relationship between Charles Dickens, and the decorative arts? Between Henry James and Art Nouveau? Between the poetry of Gerard Manley Hopkins and the paintings of the Impressionists? Recent trends in scholarship have begun to reassess the assumption that the arts of painting and literature are too fundamentally disparate to permit a fruitful comparison between the two. In Victorian Contexts, Murray Roston puts that assumption to rest once and for all, with imaginative and refreshing essays on the similarities and shared themes of the literature, paintings, architecture, and crafts of the nineteenth century. Explaining the value of such an intertextual approach, he argues that in every generation there is a central complex of inherited assumptions and urgent contemporary concerns to which each creative artist responds in his or her individual way. Eminently readable, Victorian Contexts is accessible to general readers as well as scholars of literature, the visual arts, and nineteenthcentury culture. Replete with fresh insights into the works of some of the most celebrated Victorian artists, the essays present a challenge to the notion that each art form is an ipsular world, independent of kindred media as well as wider social trends. ISBN 9780814774854 Sprache: Englisch Gewicht in Gramm: 554. Artikel-Nr. 1213386
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Gebunden. Zustand: New. KlappentextWhat, if any, is the relationship between Charles Dickens, and the decorative arts? Between Henry James and Art Nouveau? Between the poetry of Gerard Manley Hopkins and the paintings of the Impressionists? Recent trends in sch. Artikel-Nr. 898802530
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