The Renaissance Faire-a 50 year-long party, communal ritual, political challenge and cultural wellspring-receives its first sustained historical attention with Well Met. Beginning with the chaotic communal moment of its founding and early development in the 1960s through its incorporation as a major "family friendly" leisure site in the 2000s, Well Met tells the story of the thinkers, artists, clowns, mimes, and others performers who make the Faire.
Well Met approaches the Faire from the perspective of labor, education, aesthetics, business, the opposition it faced, and the key figures involved. Drawing upon vibrant interview material and deep archival research, Rachel Lee Rubin reveals the way the faires established themselves as a pioneering and highly visible counter cultural referendum on how we live now-our family and sexual arrangements, our relationship to consumer goods, and our corporate entertainments.
In order to understand the meaning of the faire to its devoted participants,both workers and visitors, Rubin has compiled a dazzling array of testimony, from extensive conversations with Faire founder Phyllis Patterson to interviews regarding the contemporary scene with performers, crafters, booth workers and "playtrons." Well Met pays equal attention what came out of the faire-the transforming gifts bestowed by the faire's innovations and experiments upon the broader American culture: the underground press of the 1960s and 1970s, experimentation with "ethnic" musical instruments and styles in popular music, the craft revival, and various forms of immersive theater are all connected back to their roots in the faire. Original, intrepid, and richly illustrated, Well Met puts the Renaissance Faire back at the historical center of the American counterculture.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Rachel Lee Rubin is Professor of American Studies at the University of Massachusetts Boston. She is author of Immigration and American Popular Culture (with Jeffrey Melnick, NYU Press) and Jewish Gangsters of Modern Literature, and co-editor of American Popular Music: New Approaches to the Twentieth Century and Radicalism in the South since Reconstruction.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. Artikel-Nr. 00106698500
Anzahl: 1 verfügbar
Anbieter: Abacus Bookshop, Pittsford, NY, USA
hardcover. Zustand: Fine copy in fine dust jacket. Illustrated (illustrator). 1st. 8vo, 346 pp. Artikel-Nr. 120194
Anzahl: 1 verfügbar
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Puts the Renaissance Faire back at the historical centre of the American counterculture Num Pages: 359 pages, 20 halftones. BIC Classification: 1KBB; 3JJP; HBJK; HBLW3; HBTB; JFC. Category: (P) Professional & Vocational. Dimension: 237 x 162 x 26. Weight in Grams: 612. . 2012. Hardcover. . . . . Books ship from the US and Ireland. Artikel-Nr. V9780814771389
Anzahl: 1 verfügbar
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
Zustand: New. In English. Artikel-Nr. ria9780814771389_new
Anzahl: Mehr als 20 verfügbar
Anbieter: moluna, Greven, Deutschland
Gebunden. Zustand: New. Puts the Renaissance Faire back at the historical centre of the American countercultureÜber den AutorRachel Lee Rubin is Professor of American Studies at the University of Massachusetts Boston. She is author of Immigration and A. Artikel-Nr. 595048402
Anzahl: Mehr als 20 verfügbar
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Hardcover. Zustand: Brand New. 352 pages. 9.50x6.25x1.25 inches. In Stock. Artikel-Nr. x-0814771386
Anzahl: 2 verfügbar
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - The Renaissance Faire-a 50 year-long party, communal ritual, political challenge and cultural wellspring-receives its first sustained historical attention with Well Met. Beginning with the chaotic communal moment of its founding and early development in the 1960s through its incorporation as a major 'family friendly' leisure site in the 2000s, Well Met tells the story of the thinkers, artists, clowns, mimes, and others performers who make the Faire. Well Met approaches the Faire from the perspective of labor, education, aesthetics, business, the opposition it faced, and the key figures involved. Drawing upon vibrant interview material and deep archival research, Rachel Lee Rubin reveals the way the faires established themselves as a pioneering and highly visible counter cultural referendum on how we live now-our family and sexual arrangements, our relationship to consumer goods, and our corporate entertainments. In order to understand the meaning of the faire to its devoted participants,both workers and visitors, Rubin has compiled a dazzling array of testimony, from extensive conversations with Faire founder Phyllis Patterson to interviews regarding the contemporary scene with performers, crafters, booth workers and 'playtrons.' Well Met pays equal attention what came out of the faire-the transforming gifts bestowed by the faire's innovations and experiments upon the broader American culture: the underground press of the 1960s and 1970s, experimentation with 'ethnic' musical instruments and styles in popular music, the craft revival, and various forms of immersive theater are all connected back to their roots in the faire. Original, intrepid, and richly illustrated, Well Met puts the Renaissance Faire back at the historical center of the American counterculture. Artikel-Nr. 9780814771389
Anzahl: 1 verfügbar