As society becomes more global, many see the world’s great cities as becoming increasingly similar. But while contemporary cultures do depend on and resemble each other in previously unimagined ways, homogenization is sometimes overestimated. In his compelling new book, James W. White considers how two of the world’s great cities, Paris and Tokyo, may appear to be growing more alike--both are vast, modern, dominating, capitalist cities--but in fact remain profoundly different places.
Tokyo’s growth appears particularly organic, with a pronounced austerity and boundaries far less clear than those of Paris, which has been planned and manipulated constantly. Paris has a thriving center and a noticeably more contentious relationship with its nation, and its own suburbs, than Tokyo does. White explores how the roles of cities and urbanism in each society, and the balance between nature and artifice, account for some of these differences. He also examines the role of authority in each location and considers the way catastrophes, such as war, alter a city--as well as the role fear plays in a city’s construction.
While the author acknowledges that Tokyo is more physically fluid and superficially chaotic than Paris, he also demonstrates that it has an invisible order of its own (including a center that, contrary to most assumptions, is not empty at all). White depicts a Tokyo that relies less on the monumental, and is less influenced by government, than most cities in the West. Where the culture of Paris emphasizes clarity, exclusion, and marginality, the public spaces of Tokyo express ambiguity, inclusiveness, and impermanence.
In the end, White makes us reconsider which city better deserves the name "City of Light." Nonetheless, he warns, several factors may combine to discourage Tokyo’s international ascendance and even to threaten the future of provincial Japan. Thus it may be Paris, paradoxically, that is better poised to improve both its own position and its country’s in the years ahead.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
James W. White is Professor Emeritus of Political Science at the University of North Carolina at Chapel Hill and the author, most recently, of Ikki: Social Conflict and Political Protest in Early Modern Japan.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: books4less (Versandantiquariat Petra Gros GmbH & Co. KG), Welling, Deutschland
gebundene Ausgabe. Zustand: Gut. 286 Seiten Einbandkanten sind leicht bestoßen; Schnitt und Einband sind leicht staubschmutzig; der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. ENGLISCH. Originalschutzumschlag vorhanden, jedoch beschädigt (kleinere Einrisse im Randbereich). Sprache: Englisch Gewicht in Gramm: 580. Artikel-Nr. 1720733
Anzahl: 1 verfügbar
Anbieter: Any Amount of Books, London, Vereinigtes Königreich
Hardcover. 8vo. pp x, 286. Colour illustrated dust jacket. Original publisher's black cloth with silver lettering at spine. ISBN: 9780813930701 Fine in fine dust jacket. Artikel-Nr. C36838
Anzahl: 1 verfügbar
Anbieter: moluna, Greven, Deutschland
Gebunden. Zustand: New. Über den AutorJames W. White is Professor Emeritus of Political Science at the University of North Carolina at Chapel Hill and the author, most recently, of Ikki: Social Conflict and Political Protest in Early Modern Japan. Artikel-Nr. 898794125
Anzahl: 1 verfügbar
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - As society becomes more global, many see the world's great cities as becoming increasingly similar. But while contemporary cultures do depend on and resemble each other in previously unimagined ways, homogenization is sometimes overestimated. In his compelling new book, James W. White considers how two of the world's great cities, Paris and Tokyo, may appear to be growing more alike--both are vast, modern, dominating, capitalist cities--but in fact remain profoundly different places.Tokyo's growth appears particularly organic, with a pronounced austerity and boundaries far less clear than those of Paris, which has been planned and manipulated constantly. Paris has a thriving center and a noticeably more contentious relationship with its nation, and its own suburbs, than Tokyo does. White explores how the roles of cities and urbanism in each society, and the balance between nature and artifice, account for some of these differences. He also examines the role of authority in each location and considers the way catastrophes, such as war, alter a city--as well as the role fear plays in a city's construction. While the author acknowledges that Tokyo is more physically fluid and superficially chaotic than Paris, he also demonstrates that it has an invisible order of its own (including a center that, contrary to most assumptions, is not empty at all). White depicts a Tokyo that relies less on the monumental, and is less influenced by government, than most cities in the West. Where the culture of Paris emphasizes clarity, exclusion, and marginality, the public spaces of Tokyo express ambiguity, inclusiveness, and impermanence. In the end, White makes us reconsider which city better deserves the name 'City of Light.' Nonetheless, he warns, several factors may combine to discourage Tokyo's international ascendance and even to threaten the future of provincial Japan. Thus it may be Paris, paradoxically, that is better poised to improve both its own position and its country's in the years ahead. Artikel-Nr. 9780813930701
Anzahl: 1 verfügbar