Man Ray (1890–1976) has long been considered one of the most versatile and innovative artists of the twentieth century. As a painter, writer, sculptor, photographer, and filmmaker, he is best known for his intimate association with the French Surrealist group in Paris during the 1920s and 1930s, particularly for his highly inventive and unconventional photographic images. These remarkable accomplishments, however, have tended to overshadow the importance of his earlier work—significant not only for comprehending Man Ray’s future artistic development, but also for fleshing out our understanding of the visual arts in America during one of the most important and crucial phases of the evolution of modernism.
The book, and the exhibition for which this work will serve as the catalog, concentrate on Man Ray’s production from 1907 to 1917. Conversion to Modernism will be the first comprehensive, fully illustrated work to examine this artist’s seminal years. The show and the catalog begin with Man Ray’s high school years in Brooklyn, his studies at the Art Students League and the American Academy in New York, and the time he spent in life drawing classes at the more progressive Ferrer Center
From 1913 to 1915, Man Ray lived in a small artists’ colony in Grantwood, New Jersey. It was here, studying with Samuel Halpert (a former student of Matisse), that Man Ray began to become the artist we know today. The last section of the show and of the book include recently discovered photographs and other works that are influenced by a knowledge of the emergent Dada movement. Here is Man Ray in recognizable form just before he leaves the country for France in 1921.
This exhibit will first be on display at the Montclair Art Museum from January 26 through March 2003. It will then travel to museums in Athens, Georgia, Philadelphia, and Chicago.
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Francis M. Naumann is the author of numerous articles and exhibition catalogues, including New York Dada 1915-25 and Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction. Gail Stavitsky is chief curator at the Montclair Art Museum, where she has edited many exhibition catalogs, including Will Barnet: A Timeless World (Rutgers University Press).
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Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Artikel-Nr. G0813531489I3N00
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Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
First Edition. First edition. Softcover. 261 pages. Published in conjunction with a traveling show that ran February 16 through August 3, 2003 in Montclair, NJ and then went on to Athens, GA and Chicago, IL for additional dates. Text by Francis M. Naumann and Gail Stavitsky. Includes numerous color and black and white illustrations. A very near fine copy in wrappers. Artikel-Nr. 126801
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Anbieter: Exquisite Corpse Booksellers, Houston, TX, USA
Wrappers. Zustand: Fine Condition. First Paperback Edition. 261 pp., 205 illustrations some in color. Published on the occasion of the exhibition from the Montclair Art Museum, NJ 16 February-3 August 2003, Georgia Museum of Art, Athens GA 20 September-30 November 2003 and the Terra Museum of American Art, Chicago IL 23 January-4 April 2004. Book. Artikel-Nr. 000857
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Anbieter: The Roving Eye Books, Ridgely, MD, USA
Soft cover. Zustand: As New. No Jacket. 1st Edition. Examination of the early work of Man Ray. Artikel-Nr. 957
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Anbieter: Lectioz Books, Gloucester, NSW, Australien
Soft cover. Zustand: Very Good. Exhibition Publication. Light general wear to covers. Spine not creased. A small area of eraser rubbing to top corner of half-title page. Otherwise internally clean. 261pp Size: 215mm x 280mm. Book. Artikel-Nr. 021067
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Anbieter: Frans Melk Antiquariaat, HILVERSUM, Niederlande
Rutgers University Press, 2003. Paperback / Softcover. 28 x 21,5 cm. Illustrated in color and b/w throughout. XIII, 261 pags - [near] FINE COPY [Art / international artist [Buitenlandse Kunstenaars] ]. Artikel-Nr. #132897
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