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My Name Is Lucy Barton: A Novel - Softcover

Buch 1 von 5: Amgash

Strout, Elizabeth

 
9780812979527: My Name Is Lucy Barton: A Novel
Softcover
ISBN 10: 0812979524 ISBN 13: 9780812979527
Verlag: Random House Publishing Group, 2016

Inhaltsangabe

#1 NEW YORK TIMES BESTSELLER • LONGLISTED FOR THE BOOKER PRIZE • A simple hospital visit becomes a portal to the tender relationship between mother and daughter in this “spectacular” (The Washington Post) novel by the Pulitzer Prize–winning author of Olive Kitteridge and The Burgess Boys.

“An aching, illuminating look at mother-daughter devotion.”—People

A BEST BOOK OF THE YEAR: Time, The Washington Post, The New York Times Book Review, NPR, San Francisco Chronicle, Minneapolis Star Tribune, St. Louis Post-Dispatch, Miami Herald, The Guardian Slate, BookPage, LibraryReads, Kirkus Reviews

Lucy Barton is recovering slowly from what should have been a simple operation. Her mother, to whom she hasn’t spoken for many years, comes to see her. Gentle gossip about people from Lucy’s childhood in Amgash, Illinois, seems to reconnect them, but just below the surface lie the tension and longing that have informed every aspect of Lucy’s life: her escape from her troubled family, her desire to become a writer, her marriage, her love for her two daughters. Knitting this powerful narrative together is the brilliant storytelling voice of Lucy herself: keenly observant, deeply human, and truly unforgettable.

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Über die Autorin bzw. den Autor

Elizabeth Strout is the #1 New York Times bestselling author of Olive Kitteridge, winner of the Pulitzer Prize; Olive, Again, an Oprah’s Book Club pick; Anything Is Possible, winner of the Story Prize; My Name is Lucy Barton, longlisted for the Man Booker Prize; The Burgess Boys, named one of the best books of the year by The Washington Post and NPR; Abide with Me, a national bestseller; and Amy and Isabelle, winner of the Los Angeles Times Art Seidenbaum Award for First Fiction and the Chicago Tribune Heartland Prize. She has also been a finalist for the National Book Critics Circle Award, the PEN/Faulkner Award for Fiction, the International Dublin Literary Award, and the Orange Prize. Her short stories have been published in a number of magazines, including The New Yorker and O: The Oprah Magazine. Elizabeth Strout lives in New York City.

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#1 NEW YORK TIMES BESTSELLER • A simple hospital visit becomes a portal to the tender relationship between mother and daughter in this extraordinary novel by the Pulitzer Prize-winning author of Olive Kitteridge and The Burgess Boys.



Soon to be a Broadway play starring Laura Linney produced by Manhattan Theatre Club and London Theatre Company • LONGLISTED FOR THE MAN BOOKER PRIZE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • The New York Times Book Review • NPR • BookPage • LibraryReads • Minneapolis Star Tribune • St. Louis Post-Dispatch



Lucy Barton is recovering slowly from what should have been a simple operation. Her mother, to whom she hasn't spoken for many years, comes to see her. Gentle gossip about people from Lucy's childhood in Amgash, Illinois, seems to reconnect them, but just below the surface lie the tension and longing that have informed every aspect of Lucy's life: her escape from her troubled family, her desire to become a writer, her marriage, her love for her two daughters. Knitting this powerful narrative together is the brilliant storytelling voice of Lucy herself: keenly observant, deeply human, and truly unforgettable.



Praise for My Name Is Lucy Barton



"A quiet, sublimely merciful contemporary novel about love, yearning, and resilience in a family damaged beyond words."-The Boston Globe



"It is Lucy's gentle honesty, complex relationship with her husband, and nuanced response to her mother's shortcomings that make this novel so subtly powerful."-San Francisco Chronicle



"A short novel about love, particularly the complicated love between mothers and daughters, but also simpler, more sudden bonds . . . It evokes these connections in a style so spare, so pure and so profound the book almost seems to be a kind of scripture or sutra, if a very down-to-earth and unpretentious one."-Newsday



"Spectacular . . . Smart and cagey in every way. It is both a book of withholdings and a book of great openness and wisdom. . . . [Strout] is in supreme and magnificent command of this novel at all times."-Lily King, The Washington Post



"An aching, illuminating look at mother-daughter devotion."-People

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There was a time, and it was many years ago now, when I had to stay in a hospital for almost nine weeks. This was in New York City, and at night a view of the Chrysler Building, with its geometric brilliance of lights, was directly visible from my bed. During the day, the building’s beauty receded, and gradually it became simply one more large structure against a blue sky, and all the city’s buildings seemed remote, silent, far away. It was May, and then June, and I remember how I would stand and look out the window at the sidewalk below and watch the young women—my age—in their spring clothes, out on their lunch breaks; I could see their heads moving in conversation, their blouses rippling in the breeze. I thought how when I got out of the hospital I would never again walk down the sidewalk without giving thanks for being one of those people, and for many years I did that—I would remember the view from the hospital window and be glad for the sidewalk I was walking on.

To begin with, it was a simple story: I had gone into the hospital to have my appendix out. After two days they gave me food, but I couldn’t keep it down. And then a fever arrived. No one could isolate any bacteria or figure out what had gone wrong. No one ever did. I took fluids through one IV, and antibiotics came through another. They were attached to a metal pole on wobbly wheels that I pushed around with me, but I got tired easily. Toward the beginning of July, whatever problem had taken hold of me went away. But until then I was in a very strange state—a literally feverish waiting—and I really agonized. I had a husband and two small daughters at home; I missed my girls terribly, and I worried about them so much I was afraid it was making me sicker. When my doctor, to whom I felt a deep attachment—he was a jowly-faced Jewish man who wore such a gentle sadness on his shoulders, whose grandparents and three aunts, I heard him tell a nurse, had been killed in the camps, and who had a wife and four grown children here in New York City—this lovely man, I think, felt sorry for me, and saw to it that my girls—they were five and six—could visit me if they had no illnesses. They were brought into my room by a family friend, and I saw how their little faces were dirty, and so was their hair, and I pushed my IV apparatus into the shower with them, but they cried out, “Mommy, you’re so skinny!” They were really frightened. They sat with me on the bed while I dried their hair with a towel, and then they drew pictures, but with apprehension, meaning that they did not interrupt themselves every minute by saying, “Mommy, Mommy, do you like this? Mommy, look at the dress of my fairy princess!” They said very little, the younger one especially seemed unable to speak, and when I put my arms around her, I saw her lower lip thrust out and her chin tremble; she was a tiny thing, trying so hard to be brave. When they left I did not look out the window to watch them walk away with my friend who had brought them, and who had no children of her own.

My husband, naturally, was busy running the household and also busy with his job, and he didn’t often have a chance to visit me. He had told me when we met that he hated hospitals—his father had died in one when he was fourteen—and I saw now that he meant this. In the first room I had been assigned was an old woman dying next to me; she kept calling out for help—it was striking to me how uncaring the nurses were, as she cried that she was dying. My husband could not stand it—he could not stand visiting me there, is what I mean—and he had me moved to a single room. Our health insurance didn’t cover this luxury, and every day was a drain on our savings. I was grateful not to hear that poor woman crying out, but had anyone known the extent of my loneliness I would have been embarrassed. Whenever a nurse came to take my temperature, I tried to get her to stay for a few minutes, but the nurses were busy, they could not just hang around talking.

About three weeks after I was admitted, I turned my eyes from the window late one afternoon and found my mother sitting in a chair at the foot of my bed. “Mom?” I said.

“Hi, Lucy,” she said. Her voice sounded shy but urgent. She leaned forward and squeezed my foot through the sheet. “Hi, Wizzle,” she said. I had not seen my mother for years, and I kept staring at her; I could not figure out why she looked so different.

“Mom, how did you get here?” I asked.

“Oh, I got on an airplane.” She wiggled her fingers, and I knew that there was too much emotion for us. So I waved back, and lay flat. “I think you’ll be all right,” she added, in the same shy-sounding but urgent voice. “I haven’t had any dreams.”

Her being there, using my pet name, which I had not heard in ages, made me feel warm and liquid-filled, as though all my tension had been a solid thing and now was not. Usually I woke at midnight and dozed fitfully, or stared wide-awake through the window at the lights of the city. But that night I slept without waking, and in the morning my mother was sitting where she had been the day before. “Doesn’t matter,” she said when I asked. “You know I don’t sleep lots.”

The nurses offered to bring her a cot, but she shook her head. Every time a nurse offered to bring her a cot, she shook her head. After a while, the nurses stopped asking. My mother stayed with me five nights, and she never slept but in her chair.

During our first full day together my mother and I talked intermittently; I think neither of us quite knew what to do. She asked me a few questions about my girls, and I answered with my face becoming hot. “They’re amazing,” I said. “Oh, they’re just amazing.” About my husband, my mother asked nothing, even though—he told me this on the telephone—he was the one who had called her and asked her to come be with me, who had paid her airfare, who had offered to pick her up at the airport—my mother, who had never been in an airplane before. In spite of her saying she would take a taxi, in spite of her refusal to see him face-to-face, my husband had still given her guidance and money to get to me. Now, sitting in a chair at the foot of my bed, my mother also said nothing about my father, and so I said nothing about him either. I kept wishing she would say “Your father hopes you get better,” but she did not.

“Was it scary getting a taxi, Mom?”

She hesitated, and I felt that I saw the terror that must have visited her when she stepped off the plane. But she said, “I have a tongue in my head, and I used it.”

After a moment I said, “I’m really glad you’re here.”

She smiled quickly and looked toward the window.

This was the middle of the 1980s, before cellphones, and when the beige telephone next to my bed rang and it was my husband—my mother could tell, I’m sure, by the pitiful way I said “Hi,” as though ready to weep—my mother would quietly rise from her chair and leave the room. I suppose during those times she found food in the cafeteria, or called my father from a pay phone down the hall, since I never saw her eat, and since I assumed my father wondered over her safety—there was no problem, as far as I understood it, between them—and after I had spoken to each child, kissing the phone mouthpiece a dozen times, then lying back onto the pillow and closing my eyes, my mother would slip back into the room, for when I opened my eyes she would be there.

That first day we spoke of my brother, the eldest of...

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Verlag
Random House Publishing Group
Erscheinungsdatum
2016
Sprache
Englisch
ISBN 10 
0812979524
ISBN 13 
9780812979527
Einband
Taschenbuch
Anzahl der Seiten
238
Kontakt zum Hersteller
Van Ditmar Boeken, VDB Sales
sales@vanditmar.nl

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