The universally respected NPR journalist and bestselling memoirist Scott Simon makes a dazzling fiction debut. In Pretty Birds, Simon creates an intense, startling, and tragicomic portrait of a classic character–a young woman in the besieged city of Sarajevo in the early 1990s.
In the spring of 1992, Irena Zaric is a star on her Sarajevo high school basketball team, a tough, funny teenager who has taught her parrot, Pretty Bird, to do a decent imitation of a ball hitting a hoop. Irena wears her hair short like k. d. lang’s, and she loves Madonna, Michael Jordan, and Johnny Depp. But while Irena rocks out and shoots baskets with her friends, her beloved city has become a battleground. When the violence and terror of “ethnic cleansing” against Muslims begins, Irena and her family, brutalized by Serb soldiers, flee for safety across the river that divides the city.
If once Irena knew of war only from movies and history books, now she knows its reality. She steals from the dead to buy food. She scuttles under windows in her own home to dodge bullets. She risks her life to communicate with an old Serb school friend and teammate. Even Pretty Bird has started to mimic the sizzle of mortar fire.
In a city starved for work, a former assistant principal offers Irena a vague job, “duties as assigned,” which she accepts. She begins by sweeping floors, but soon, under the tutelage of a cast of rogues and heroes, she learns to be a sniper, biding her time, never returning to the same perch, and searching her targets for the “mist” that marks a successful shot. Ultimately, Irena’s new vocation will lead to complex and cataclysmic consequences for herself and those she loves.
As a journalist, Scott Simon covered the siege of Sarajevo. Here, in a novel as suspenseful as a John le Carré thriller, he re-creates the atmosphere of that place and time and the pain and dark humor of its people. Pretty Birds is a bold departure, and the auspicious beginning of yet another brilliant career for its author.
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SCOTT SIMON is the host of National Public Radio’s Weekend Edition with Scott Simon. He has covered ten wars, from El Salvador to Iraq, and has won every major award in broadcasting, including the Peabody and the Emmy. His memoir, Home and Away, rose to the top of the Los Angeles Times nonfiction bestseller list. His second book, Jackie Robinson and the Integration of Baseball, was named Barnes & Noble’s Sports Book of the Year. He lives in Washington, D.C., with his wife and daughter.
1. November 1992
Irena Zaric put her last stick of gum in her mouth, winked at a bird, and wondered where to put her last bullet before going home. Sometimes she conferred with the pigeons that flocked along her arms. “What have you seen, boy? What’s going on over there?” The birds were cohorts; they roosted together.
The grim sky was beginning to open into a briny blue. The first winds of the day from the hills blew in with a bite of sun and a smell of snow. It was the time of day when sharp sounds—the scorch of a shot, a scream, a humdrum thud—could be heard best in the hollow streets. After a long night alone in the city’s rafters, Irena was consoled by the swish of the pigeons. They reassured her: she wasn’t the only one left in town.
The birds were tired and, she imagined, cranky from hunting for tree limbs to settle on. Their feathers clapped in the stillness. People with hatchets and kitchen knives had hacked down most of the city’s trees to burn them for heat and cooking fuel. The park across from the old Olympic Stadium, where Irena used to go with boys, now sprouted only grave markers scored with sharp, blunt letters: slavica jankovic 1956–1992. or blond girl on karlovacka andproletariat brigade boulevard 27-5 (those who had slashed the graves into the ground last spring never imagined they would have to specify the year, but already a new one was approaching).
The planks offered no leaves or bugs to the birds; no shade or shelter to people. At dawn, the pigeons became like any other hungry citizen of Sarajevo. They settled in the exposed bones of bombed-out buildings, perching on bent and blackened iron rails. ...
While Irena crouched soundlessly on a scarred concrete landing behind a smashed wall, she could hear the tinny blast of a loudspeaker begin to blare the Knight from just across the line. He was the morning voice the Bosnian Serbs broadcast from Pale, the old mountain resort a dozen miles away, where they had wheeled artillery pieces in among the ski jumps and hot tubs, and declared a capital. Irena heard the first chords of the Clash song the Knight often used to begin his show after a night of pouring mortar fire. London’s burning, she could make out as the words battered her ears, all across the town, all across the night. The Knight’s voice crept in over the last lines as the band sang about wind howling through empty blocks and stone.
“That was some night, wasn’t it?” he said with a show of wonder. “Over in Novo Sarajevo, Hrasno, and Bistrik. Sexy motherfucker fireworks!” he declared in English. “It looked like The Terminator! I don’t mean to be ungallant—but my lady and I actually got it on by the blasting lights. Each boom—another boom. I almost cannot keep up with those cannons! Boom, boom. Boom, boom. My lady said to me, ‘Is that you, Knight, or the bombs making the earth rumble? Whatever it is, do it again! My ass is yours!’ ” The Knight seemed to chuckle at unseen companions nearby.
Forty years of turgid state pronouncements had dulled citizens on all sides of the old Yugoslavia to the kind of dreary propaganda that broke into phony, breathless bulletins—“Truly astounding, comrades! A new record for cucumber production!”—between tuneless socialist anthems. Outlandishness had become a new state language, audible in the decrees of Milosevic and Karadzic, Serbian turboprop nationalist rock, and the Knight’s morning monologues.
“Are you preparing your breakfasts over there?” the Knight asked solicitously. “We are. I’m getting ready for toast, sausages, and coffee. Fresh eggs and milk. What do you get? Oh yes, I’ve seen them—those hard beans in plastic sacks from the United Nations. They look like bird turds. Do they taste like bird turds? We’ve seen you trying to claw each other for bags of those turds in the food lines. Do even birds do that? Besides, you have to soak these bird turds first, which I don’t know how you do with all your water turned off. We’ve seen you guys standing in lines. You have to fill empty plastic detergent bottles with water and run home, just to make a cup of coffee. I’ll bet the Frenchies don’t have to do that! Ask to take a look inside those cute little white tanks they have. I’ll bet they have espresso makers inside.”
The Knight sounded disconcertingly tender, almost candied. Irena and other women she knew, including her mother, had tried to imagine what he might look like.
“A sexy voice usually means an old mole,” Mrs. Zaric had advised. “It’s all they have.”
But Irena envisioned a round-shouldered man with curly black hair damp from the shower, a curly-lipped grin studded with a cigarette, and sleepy-lidded cobalt eyes behind curls of smoke—the blue-eyed bad boy who flattered with insolence.
“And what,” the Knight continued, “do you make out of that canned American army meat the Yanks have left over from Vietnam? The Yanks send you food that Americans wouldn’t give to their dogs. Look at those pictures in American magazines of Americans fluffing up juicy food into their dogs’ bowls. Doesn’t it look delicious? Wouldn’t you just about die for a bowl of American dog food?”
The Knight paused to share another indulgent chuckle.
“Americans love their dogs. Love them more than Muslims, Jews, and Gypsies. Pray to Muhammad that you come back in your next life as an American dog. Leap into their laps! Lick their faces! That’s the life!”
One of the first U.N. commanders to come to the city was Indian. He was aghast when he read the English translation of the Knight’s routines. The general had gained most of his soldierly experience in his country trying to quell riots that had been inflamed by flowery ethnic harangues.
“Oh, the kid is just a comedian,” said Radovan Karadzic, the Bosnian Serb leader with great Chrysler-like swells of silvering hair. “I know him a little. You would enjoy him. Perhaps we’ll have a drink sometime, if that doesn’t offend Krishna. The Knight—Necko is his real name—is a nervous little wisp. He wears thick black glasses to cover a nervous twitch. Kids like to shock, you know? I am a psychiatrist. I have insight that other political leaders lack.
“Besides, Commander”—and here Dr. Karadzic leaned in, as if confiding something personal—“he doesn’t mean your Muslims. He means ours. Turks. Yours have an ancient, noble history. Ours are descendants of turncoats, who have professed their faith for only a few hundred years, then expect to be treated like the ancient Greeks. I am the only man who should take offense at the Knight. Each of his little monologues takes up time that could be used to read my poetry!”
The commander rather expected a smile to follow. But Karadzic’s face stayed stony. The commander was replaced in Sarajevo within a few weeks. The Knight continued his morning recital.
“And what do you do with those slim tubes of condensed French army milk left over from Algeria?” he asked. “They look like toothpaste. Oh, wait—why would you need toothpaste when you have no food, and no water? Civilized people use toothpaste. But all these Muslims swarming into town from the hills squat on the floor to go to the toilet. Hand them a tube of toothpaste and they would probably just squirt it up their ass.”
The Knight then took his voice down a notch until it was low and slow.
“Well, Muslims, savor your crumbs. Our boys are coming over to party tonight. While...
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Zustand: Como nuevo. : En Pretty Birds, Scott Simon crea un retrato intenso, sorprendente y tragicómico de un personaje clásico: una joven en la ciudad asediada de Sarajevo a principios de la década de 1990. En la primavera de 1992, Irena Zaric es una estrella en su equipo de baloncesto de la escuela secundaria de Sarajevo, una adolescente dura y divertida que le ha enseñado a su loro, Pretty Bird, a hacer una imitación decente de una pelota golpeando un aro. Irena usa el pelo corto como k. d. lang, y ama a Madonna, Michael Jordan y Johnny Depp. Pero mientras Irena se divierte y lanza canastas con sus amigos, su amada ciudad se ha convertido en un campo de batalla. Cuando comienza la violencia y el terror de la "limpieza étnica" contra los musulmanes, Irena y su familia, brutalizados por soldados serbios, huyen para ponerse a salvo al otro lado del río que divide la ciudad. Si una vez Irena conoció la guerra solo por las películas y los libros de historia, ahora conoce su realidad. Roba a los muertos para comprar comida. Se escabulle debajo de las ventanas de su propia casa para esquivar las balas. Arriesga su vida para comunicarse con un viejo amigo y compañero de escuela serbio. Incluso Pretty Bird ha comenzado a imitar el chisporroteo del fuego de mortero. En una ciudad hambrienta de trabajo, un ex subdirector le ofrece a Irena un trabajo vago, "deberes según lo asignado", que ella acepta. Comienza barriendo pisos, pero pronto, bajo la tutela de un elenco de pícaros y héroes, aprende a ser una francotiradora, esperando su momento, sin regresar nunca a la misma percha y buscando en sus objetivos la "niebla" que marca un disparo exitoso. En última instancia, la nueva vocación de Irena conducirá a consecuencias complejas y cataclísmicas para ella y para aquellos a quienes ama. Como periodista, Scott Simon cubrió el sitio de Sarajevo. Aquí, en una novela tan llena de suspenso como un thriller de John le Carré, recrea la atmósfera de ese lugar y tiempo y el dolor y el humor negro de su gente. Pretty Birds es una partida audaz y el comienzo auspicioso de otra brillante carrera para su autor. EAN: 9780812973303 Tipo: Libros Categoría: Literatura y Ficción|Historia Título: Pretty Birds Autor: Scott Simon Editorial: Random House Trade Paperbacks Idioma: en Páginas: 368 Formato: tapa blanda. Artikel-Nr. Happ-2023-07-11-1655a532
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