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The Man in the Iron Mask (Tor Classics) - Softcover

Dumas, Alexandre, Der Ältere

 
9780812564990: The Man in the Iron Mask (Tor Classics)

Inhaltsangabe

Plotting against the King of France, Aramis bribes his way into the Bastille, where a certain prisoner has been entombed for eight long years, and only Aramis knows this man's secret identity--a dangerous revelation that will topple the King from his throne. Reprint. Movie tie-in.

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Über die Autorin bzw. den Autor

Alexandre Dumas der Ältere wurde im Jahr 1802 als Alexandre Dary de la Pailleterie in Villars-Cotterets bei Soissons als Sohn eines napoleonischen Generals geboren. Früh verwaist und arm, doch von seinen Talenten überzeugt, blickt er nach Paris, um dort sein Glück zu versuchen. Der kleine Notariatsschreiber will zum Theater. Die Stücke, die er zunächst schreibt, sind heute vergessen. Doch zwanzig Jahre später, 1844, ist er mit dem "Grafen von Monte Christo" der König des literarischen Feuilletons. Schlag auf Schlag folgen "Die drei Musketiere" (1844), "Zwanzig Jahre später" (1845), "Königin Margot" (1845), "Das Halsband der Königin" (1849) und "Der Vicomte de Bragelonne" (1850). Alexandre Dumas starb 1870 in Puys (Dieppe).

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The Man in the Iron Mask
Chapter 1
The Prisoner
SINCE ARAMIS' SINGULAR TRANSFORMATION INTO A CONFESSOR of the order, Baisemeaux was no longer the same man. Up to that period, the place which Aramis had held in the worthy governor's estimation was that of a prelate whom he respected and a friend to whom he owned a debt of gratitude; but now he felt himself an inferior, and that Aramis was his master. He himself lighted a lantern, summoned a turnkey, and said, returning to Aramis:
"I am at your orders, monseigneur."
Aramis merely nodded his head, as much to say, "Very good," and signed to him with his hand to lead the way. Baisemeaux advanced, and Aramis followed him. It was a beautiful starry night; the steps of three men resounded on the flags of the terraces, and the clinking of the keys hanging from the jailer's girdle made itself heard up to the stories of the towers, as if to remind the prisoners that liberty was out of their reach. It might have been said that the alteration effected in Baisemeaux had extended itself even to the prisoners. The turnkey, the same who, on Aramis' first arrival, had shown himself so inquisitive and curious,had now become not only silent, but even impassible. He held his head down, and seemed afraid to keep his ears open. In this wise they reached the basement of the Bertaudiere, the two first stories of which were mounted silently and somewhat slowly; for Baisemeaux, though far from disobeying, was far from exhibiting any eagerness to obey. On arriving at the door Baisemeaux showed a disposition to enter the prisoner's chamber; but Aramis, stopping him on the threshold, said:
"The rules do not allow the governor to hear the prisoner's confession."
Baisemeaux bowed, and made way for Aramis, who took the lantern and entered; and then signed to them to close the door behind him. For an instant he remained standing, listening whether Baisemeaux and the turnkey had retired; but as soon as he was assured by the sound of their dying footsteps that they had left the tower, he put the lantern on the table and gazed around. On a bed of green serge, similar in all respects to the other beds in the Bastile, save that it was newer, and under curtains half-drawn, reposed a young man, to whom we have already once before introduced Aramis. According to custom, the prisoner was without a light. At the hour of curfew he was bound to extinguish his lamp, and we perceive how much he was favored in being allowed to keep it burning, even till then. Near the bed a large leather armchair, with twisted legs, sustained his clothes. A little table--without pens, books, paper, or ink--stood neglected in sadness near the window; while several plates, still unemptied, showed that the prisoner had scarcely touched his recent repast. Aramis saw that the young man was stretched upon his bed, his face half-concealed by his arms. The arrival of a visitor did not cause any change of position; either he was waiting in expectation or was asleep. Aramis lighted the candle from the lantern, pushed back the armchair, and approached the bed with an evident mixture of interest and respect. The young man raised his head.
"What is it?" said he.
"Have you not desired a confessor?" replied Aramis.
"Yes."
"Because you are ill?"
"Yes."
"Very ill?"
The young man gave Aramis a piercing glance, and answered:
"I thank you." After a moment's silence, "I have seen you before," he continued.
Aramis bowed.
Doubtless, the scruitiny the prisoner had just made of the cold, crafty, and imperious character stamped upon the features of the bishop of Vannes was little reassuring to one in his situation, for he added:
"I am better."
"And then?" said Aramis.
"Why, then, being better, I have no longer the same need of a confessor, I think."
"Not even of the haircloth, which the note you found in your bread informed you of?"
The young man started; but before he had either assented or denied, Aramis continued:
"Not even of the ecclesiastic from whom you were to hear an important revelation?"
"If it be so," said the young man, sinking again on his pillow, "it is different; I listen."
Aramis then looked at him more closely, and was struck with the easy majesty of his mien, one which can never be acquired unless Heaven has implanted it in the blood or heart.
"Sit down, monsieur," said the prisoner. Aramis bowed, and obeyed.
"How does the Bastile agree with you?" asked the bishop.
"Very well."
"You do not suffer?"
"No."
"You have nothing to regret?"
"Nothing."
"Not even your liberty?"
"What do you call liberty, monsieur?" asked the prisoner, with the tone of a man who is preparing for a struggle.
"I call liberty the flowers, the air, light, the stars, the happiness of going whithersoever the nervous limbs of twenty years of age may wish to carry you."
The young man smiled, whether in resignation or contempt it was difficult to tell.
"Look," said he, "I have in that Japanese vase two roses gathered yesterday evening in the bud from the governor's garden; this morning they have blown and spread their vermilion chalice beneath my gaze; with every opening petal they unfold the treasures of their perfume, filling my chamber with a fragrance that embalms it. Look, now, on these two roses; even among roses these are beautiful, and the rose is the most beautiful of flowers. Why, then, do you bid me desire other flowers when I possess the loveliest of all?"
Aramis gazed at the young man in surprise.
"If flowers constitute liberty," sadly resumed the captive, "I am free, for I possess them."
"But the air!" cried Aramis; "air so necessary to life!"
"Well, monsieur," returned the prisoner, "draw near to the window; it is open. Between heaven and earth the wind whirls on its storms of hail and lightning, wafts its warm mists, or breathes in gentle breezes. It caresses my face. When mounted on the back of this armchair, with my arm around the bars of the window to sustain myself, I fancy I am swimming in the wide expanse before me."
The countenance of Aramis darkened as the young man continued:
"Light I have; what is better than light? I have the sun, a friend who comes to visit me every day, without the permission of the governor or the jailer's company. He comes in at the window, and traces in my room a square the shape of the window, and which lights up the hangings of my bed down to the border. This luminous square increases from ten o'clock till midday, and decreases from one till three slowly, as if, having hastened to come, it sorrowed at leaving me. When its last ray disappears I have enjoyed itspresence for four hours. Is not that sufficient? I have been told that there are unhappy beings who dig in quarries, and laborers who toil in mines, and who never behold it at all."
Aramis wiped the drops from his brow.
"As to the stars, which are so delightful to view," continued the young man, "they all resemble one another, save in size and brilliancy. I am a favored mortal, for if you had not lighted that candle you would have been able to see the beautiful stars which I was gazing at from my couch before your arrival, and whose rays were playing over my eyes."
Aramis lowered his head; he felt himself overwhelmed with the bitter flow of that sinister philosophy which is the religion of the captive.
"So much, then, for the flowers, the air, the daylight, and the stars," tranquilly continued the man; "there remains but my exercise. Do I not walk all day in the governor's garden if it is fine--here if it rains? in...

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