Critics of Piers Plowman have often behaved as if the great fourteenth-century English poem were written by committee, Written Work marks a major shift in orientation by focusing on William Langland instead of Piers Plowman.
The five original historicist studies collected here are less concerned with searching for Langland's identity in medieval records than with examining the marks, even scars, left on him by the history he touched. Derek Pearsall studies what Langland knew about London—its geography, economics, and social life—and the way his focus on the city shifted in the course of revising the poem. Kathryn Kerby-Fulton examines the conditions for authorship and publishing in late fourteenth-century England and uncovers evidence of Langland's struggles to attract patronage and maintain control over the text and circulation of Piers.
Anne Middleton's stunning chapter explores how the long shadow of fourteenth-century labor laws fell across Langland as he reworked his text. Ralph Hanna III examines the conflicting demands of manual and intellectual labor on the poet, while Lawrence M. Clopper uncovers the deep impressions that contemporary controversies about Franciscan poverty made on Langland and his life-work. Each of the chapters unfolds from Langland's apologia, the extraordinary autobiographical passage unique to the last of the three distinct versions of Piers Plowman that have come down to us.
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Steven Justice is Chancellor's Professor of English at the University of California, Berkeley. Kathryn Kerby-Fulton is the Notre Dame Professor of English at the University of Notre Dame.
"Written Work marks a major shift in orientation by focusing on William Langland instead of Piers Plowman, offering a set of readings that assertively and unapologetically seeks to place the poet himself in history."--BOOK JACKET. "The five original historicist studies collected here are less concerned with searching for Langland's identity in medieval records than with examining the marks, even scars, left on him by the history he touched."--BOOK JACKET.
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Anbieter: Powell's Bookstores Chicago, ABAA, Chicago, IL, USA
Hardcover. Zustand: Used-Very Good. Cloth, dj. Slight shelf wear. Else a bright. clean copy. Artikel-Nr. 1959805
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Anbieter: Old Goat Books, Waterloo, ON, Kanada
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: NF. Jacket Condition: 'NF' Condition: 'NF' Notes: Series of readings that focus on William Langland rather than Piers Plowman. A sprinkling of B+W plates. Clothbound. Artikel-Nr. 1095840
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Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:0812233964. Artikel-Nr. 9934228
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Zustand: New. In English. Artikel-Nr. ria9780812233964_new
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Hardcover. Zustand: Brand New. 347 pages. 9.50x6.50x1.00 inches. In Stock. Artikel-Nr. x-0812233964
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Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Editor(s): Justice, Steven; Kerby-Fulton, Kathryn. Series: The Middle Ages Series. Num Pages: 358 pages, Illustrations. BIC Classification: 2AB; DSBB; DSC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 29. Weight in Grams: 80. . 1997. Hardback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9780812233964
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Anbieter: moluna, Greven, Deutschland
Zustand: New. Über den AutorEdited by Steven Justice and Kathryn Kerby-FultonKlappentextrnrnCritics of Piers Plowman have often behaved as if the great fourteenth-century English poem were written by committee, Written Work ma. Artikel-Nr. 23414110
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Buch. Zustand: Neu. Neuware - Critics of Piers Plowman have often behaved as if the great fourteenth-century English poem were written by committee, Written Work marks a major shift in orientation by focusing on William Langland instead of Piers Plowman. The five original historicist studies collected here are less concerned with searching for Langland's identity in medieval records than with examining the marks, even scars, left on him by the history he touched. Derek Pearsall studies what Langland knew about London-its geography, economics, and social life-and the way his focus on the city shifted in the course of revising the poem. Kathryn Kerby-Fulton examines the conditions for authorship and publishing in late fourteenth-century England and uncovers evidence of Langland's struggles to attract patronage and maintain control over the text and circulation of Piers. Anne Middleton's stunning chapter explores how the long shadow of fourteenth-century labor laws fell across Langland as he reworked his text. Ralph Hanna III examines the conflicting demands of manual and intellectual labor on the poet, while Lawrence M. Clopper uncovers the deep impressions that contemporary controversies about Franciscan poverty made on Langland and his life-work. Each of the chapters unfolds from Langland's apologia, the extraordinary autobiographical passage unique to the last of the three distinct versions of Piers Plowman that have come down to us. Artikel-Nr. 9780812233964
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